Chicago is the product of modern capitalism, and, like other great commercial centers, is unfit for human habitation.

My first commercial ever was a Dr. Pepper commercial. And then I did a Mountain Dew commercial. A lot of soft drinks.

You know, the Super Bowl is so fresh that every single commercial is even on, you know, some next-level entertainment.

I don't think it is an easy thing to write and expect to be commercial, even if you are from Venus and a hermaphrodite.

As to Bell's talking telegraph, it only creates interest in scientific circles... its commercial values will be limited.

You have got to have an agent. It's a business. But I think there is a way to be artful and commercial at the same time.

I naturally make commercial music: it's never been a calculated decision to make pop music. I'm a genuine pop music fan.

When I was 6, I saw a commercial that Jessica Simpson was in, and that was the first time I felt my little heart flutter.

When I was 6, I saw a commercial that Jessica Simpson was in, and that was the first time I felt my little heart flutter.

In every commercial state, notwithstanding any pretension to equal rights, the exaltation of a few must depress the many.

I used to do commercial acting. I've been in Lunchables commercials, Honda commercials, Blue Diamond Almonds commercials.

I do want to make something clear: SpaceX does have a lot of government business, but we execute in a commercial fashion.

I am interested in classic building development, such as hotels and residential homes, rather than commercial properties.

If you review the commercial history, you will discover anyone who controls oriental trade will get hold of global wealth.

When I was 5, I did a commercial for Whirlpool sitting on a tree stump eating a popsicle that dripped all over my clothes.

Working on my Pongal release, 'Siruthai,' was a superb experience. I really enjoyed it, as it was a pucca commercial film.

An established film director can just pick up the phone and say to a star, 'Hey, are you interested in doing a commercial?'

Once in a while, I need to go out of my way to do different films, to exploit all commercial angles to cater to the masses.

In commercial cinema, roles for heroines are limited to being simple or glamorous. I don't want to fall into an image trap.

I think there's so many amazing LGBTQ artists, ranging from commercial to underground, that are influencing people at large.

I have realised that I am not cut out for the regular, commercial potboilers. I know I don't have it in me to do such films.

Life is like a movie-since there aren't any commercial breaks, you have to get up and go to the bathroom in the middle of it.

Obviously the commercial news media tries to get you worked up and terrified so you'll buy products that they're advertising.

Think of a pitch in terms of advertising: You're trying to hook a reader the way a commercial tries to hook a detergent user.

When I did have a little bit of commercial success, it really didn't suit my temperament at all. I'm a terrible public person.

I flew everywhere for the first 10 years of my career, and I started to not like commercial transport. I just don't feel safe.

No matter what, I'm in a very small club. There are very few women who have directed studio-level commercial films - very few.

The success of Watermark surprised me. I never thought of music as something commercial; it was something very personal to me.

When I was six years old, a children's agent moved in next door to us, sent me out on a commercial audition, and I got the job.

I've decided something: Commercial things really do stink. As soon as it becomes commercial for a mass market it really stinks.

All I do all day is think of ideas and implement them. That's an industry, you know. I'm trying to make art on a commercial scale.

I don't see coming to Kerala as a commercial exercise; it's a human venture. Every film I make, I come here. I am the prodigal son.

UTC is very well positioned to take advantage of 2 large megatrends: urbanization and the fast-growing commercial aerospace market.

I vowed I would never do a commercial, or a soap opera - both of which I did as soon as I left the Acting Company and was starving.

One thing without any question that is true today and that is that the winner of the 28-minute commercial is President Barack Obama.

If I do what I really want to do, I'm not going to do a typical commercial Broadway show, so I'm going to write what I want to write.

I gladly, I voluntarily gave up the kind of commercial film career I had going as soon as I had enough money to finance my own films.

I'm trying to fuse popular and commercial music and just make very creative music. It's popular music: it's everything for everybody.

The way I see it, commercial interests should manage a lunar base while NASA gets on with the really important task of flying to Mars.

If you want to capitulate to what commercial needs are, you can always be commercially valuable, but I'm not interested in being that.

I think 'punk' should really be defined as paving your own way creatively and by defying any sort of orthodoxy or commercial pressure.

People get passionate about a song. It's been my experience if you put out radio candy, something commercial, it doesn't sell records.

I have a TV show, a radio show. I've authored two books. I own a construction company, own a commercial fishing lodge, and am a pilot.

Those that know me know that I'm not 100% in love with commercial pop music. It's not my preferred genre - I don't do squeaky clean pop.

Commercial movies have no feeling, no sensitivity. Most people tell me people won't understand films with feeling. But everyone can feel.

'Vicky Donor' dealt with a taboo topic, but it was a family entertainer and not cringe-worthy, which helped make it a commercial success.

Singing is my dream and, while it may have not been a commercial success, critically I was thrilled with the reception my first album got.

I turned down a lot of things that were so-called commercial. You're coming out of one film, and then they want you to be in the same one.

I must confess I knew very little about the trance scene, I'm more house and commercial dance but it was really interesting and different.

I want to be commercial. I'm never the person who says, 'I don't care if people don't see my movies.' I always want people to see my movies.

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