Quotes of All Topics . Occasions . Authors
In comic strips, the person on the left always speaks first.
I remember my comic strips being called 'new wave.' It bugged me.
I was an avid radio fan when I was a boy, as well as a great lover of comic strips.
It used to be that comic strips were the big thing, and comic books were toilet paper.
My dad taught me to read by reading comic strips in the Saturday paper and Archie comics.
You can go through comic strips alone and study the common man. You can trace our history.
Along with all else, Sandman is a comic strip for intellectuals, and I say it's about time.
My life is like a series of comic strips, which is why I like investing: I really like new stuff.
I suppose if we couldn't laugh at things that don't make sense, we couldn't react to a lot of life.
There were influences in my life that were more important than journalism, such as comic strips and radio.
If you're going to draw a comic strip every day, you're going to have to draw on every experience in your life.
I never storyboard. I hate it. I don't understand why so many directors want to make comic strips of their films.
I guess that compared to other comic strips, I'm edgy. But put me along something like 'South Park,' and I'm 'Captain Kangaroo.'
With many comic strips, knowing when to quit isn't a problem: The syndicate editors simply cancel a feature that is losing papers.
I think in daily newspapers, the way comic strips are treated, it's as if newspaper publishers are going out of their way to kill the medium.
Comic strips are like a public utility. They're supposed to be there 365 days a year, and you're supposed to be able to hit the mark day after day.
I say, if you believe what you read in the comic strips, then you believe that mice run around with little gold buttons on their red pants and drive cars.
I started writing when I was 9 years old. I was like this weird kid who would just stay in my room, typing little funny magazines and drawing comic strips.
Such is the nature of comic strips. Once established, their half-life is usually more than nuclear waste. Typically, the end result is lazy, rich cartoonists.
I suppose I would still prefer to sit under a tree with a picnic basket rather than under a gas pump, but signs and comic strips are interesting as subject matter.
'The Blue Dragon' uses very filmic language and involves a lot of technology. It is more cinematic than theatrical and was inspired by comic strips and graphic novels.
About the only way you can find out about the common man, his slang, what he looked like, what he thought, is through the comic strips. It's a powerful way for young people to learn history.
We've seen the uproars around the world concerning cartoons depicting the prophet Mohammad. Anyone who does not think comic strips are relevant never had a fatwa put on him/her for drawing a picture.
It's one thing to have a relationship, to lay your hands on it, and another to make it continue and last. That's something I haven't talked about much in my comic strips, and it's certainly something I'm interested in.
I can't even look at daily comic strips. And I hate sitcoms because they don't seem like real people to me: they're props that often say horrible things to each other, which I don't find funny. I have to feel like they're real people.
While editors and newspaper owners currently fret over shrinking readership and lost profits, they do the one thing that insures cutting their own throats; they keep reducing space for the one feature that attracts new young readers in the first place; the comic strips.
I think the corporate world is pretty starved for personality. The reason you have comic strips like 'Dilbert' and sitcoms like 'The Office' is that people just can't be genuine human beings in a corporate environment. So if you can really be your own self, even if it's a little bit different, I think people are really drawn to that.