We'll be 'outsourcing' our creativity and our thought processes to manufactured components that could be inconspicuously implanted beneath our coiffeurs. Welcome to the Borg. You might not be entirely comfortable with such cybernetic enhancements, but all the smart money says it's going to happen.

My style is understated because everything I wear, I want it to have an effortless feel to it. I always want to be comfortable in my clothes and feel like myself, but I like to usually throw in some edge in there somewhere, even just with a leather jacket. But overall, always gotta keep it classy!

Sometimes, a novel is like a train: the first chapter is a comfortable seat in an attractive carriage, and the narrative speeds up. But there are other sorts of trains, and other sorts of novels. They rush by in the dark; passengers framed in the lighted windows are smiling and enjoying themselves.

As we get older, we tend to grow quite fond of the planets of belief we have constructed for ourselves. We build elaborate defense mechanisms to ward off attacks from competing ideas or new data. The system makes us comfortable but resistant to change, no matter how much change might be called for.

I think people sometimes have a hard time placing me because I don't fit into a box. When they ask what I do at a cocktail party, I either say I'm a Renaissance woman or I'm a high-level madam. Lately I've been more comfortable saying I'm an artist, because that can cover a lot of different things.

Two weeks ago at the U.S. Amateur, my mom caddied, and that is kind of a different feeling, because she's your mom and you have to listen to her. It was really comfortable having my mom there, but it's also really relieving and comfortable to have someone that knows the course off their hat, really.

Prior to 'Action' and 'Justice League 1,' there was no label 'superhero' for a superpowered being. It's really the emergence of Superman and the Justice League that gets the public comfortable with the idea of people amongst us who have extraordinary power and that they've agreed to be our champions.

The trouble with the jokes is that once they're written, I know how they're supposed to work, and all I can do is not hit them. I'm more comfortable improvising. If I have just two or three ideas and I know how the character feels, what the character wants, everything in between is like trapeze work.

I like to go to Africa purely with something to do. I'm not very comfortable getting into an armor-plated Land Rover and going to see things, with my hand gel, you know, it's not me at all. So I like to hang out and you know, really get to know people and try and do something that resonates with them.

When I first started going out to lesbian clubs, I felt a very binary recreation of hetero culture. There are butches and femmes, and I felt like I was neither of those things. I'm in a turtleneck and jeans and just learning to be comfortable in that space. I realized I don't have to be a certain way.

I think any branding for me is band-related. It's really weird to get used to the exposure, because I am a naturally introverted person, and I'm not exactly social. Occasionally I can get comfortable enough to talk, but I spend a lot of my days not talking, especially when I'm at home and not on tour.

I've been accused of being old before my time more than once. It's true that I've always felt an affinity for, and been comfortable around, older people. I attribute this to a childhood spent around my grandparents - and even a great-grandparent or two. I wouldn't trade those experiences for anything.

I've always liked depressing music because a lot of times, listening to it when you're down can actually make you feel less depressed. Also, even though a person may have problems with depression, sometimes you can actually be kind of comfortable in that space because you know how to operate within it.

I'm more comfortable writing traditional protagonists. But 'Steve Jobs' and 'The Social Network' have antiheroes. I like to write antiheroes as if they're making their case to God about why they should be allowed into heaven. I have to find something in that character that is like me and write to that.

It's great - that's the best part about being famous is that people want to get to know me. People come up to me and introduce themselves, and I make friends, and then I meet their friends. It seems like I have a very happy and comfortable social life, which is something I never had when I was younger.

I was inspired to see leaders from Paris, New York City, San Francisco and Vancouver, B.C. rolling up their sleeves to create clean and safe transportation systems; make homes and buildings efficient, comfortable and affordable; and ensure more of our energy comes from clean sources like wind and solar.

In my college years, I would retreat to our summer house for two weeks in June to read a novel a day. How exciting it was, after pouring my coffee and making myself comfortable on the porch, to open the next book on the roster, read the first sentences, and find myself on the platform of a train station.

At school I was always taller than the rest of my class, and because I was an only child, I was comfortable with adults but shy and awkward with other kids. I was quiet, bookish, and in spite of my size, hopeless at sports. In short, I was different. And even in the earliest grades, I got pounded for it.

In theory, people would pick progression every time over being idle. But if you look at us as a culture, as a people, you would say that if you get up at five o'clock in the morning, eat your breakfast, go to work, make money, pay your bills, you're progressing, when you're still doing what's comfortable.

I have very little fashion sense, and to tell you the truth, I give it very little thought. I dress to be as comfortable as I possibly can. Most of my clothing is either black, grey, or dark blue, and I don't really wear a lot of colours. But I do like jackets. I have a little bit of an obsession with them.

One of the main dilemmas that's pretty common to a lot of people who are getting older is the idea that maybe there's a finish line and that maybe there's a time in your life when you start to slow down and stop and smell the roses and just kind of settle into what will be a comfortable period in your life.

When I was a young boy, I preferred cats to dogs. From the age of seven or eight onwards I just felt more comfortable with cats. And I felt more comfortable with girls, I didn't really like hanging out with guys. When I was about ten or eleven, I was friendlier with the girls in my school than with the guys.

Within a day of wearing the insoles, my feet felt more comfortable, and a week later I was able to go for walks, play golf, and play football with my son, which I hadn't for years. The insole is sculpted to the foot and manipulates it into the correct position, preventing damage to the plantar fascia tissue.

Democracy is extremely complex; it is extremely concrete. It's about constantly choosing, finding, developing practical options within the common good. Constantly searching for how to express in a practical way the common good, not in some grand way, some grand and absolute way, but in a very comfortable way.

I don't necessarily feel 100 per cent comfortable standing up on stage in front of lots of people, but I don't think most people would. It's a pretty bizarre thing to do. It can also be absolutely incredible having thousands of people singing back lyrics that you might have written in your bedroom or wherever.

I moved from Moscow to Rome with my family and two bicycles in 1998, and spent a lot of that year- and the next - obsessed, I am sorry to admit, with the bicycles. Italy, after all, was a place where thousands of middle-aged men felt perfectly comfortable spending many hours a week in brightly colored spandex.

People regularly practice playing a sport like golf or basketball - but few people think about 'practicing being successful.' I had practiced meeting the Queen of England - what I would wear, how I would stand, the handshake - so when I did meet her, I was comfortable - for I had practiced the moment for years.

I've never been a popular person, but it doesn't matter. I have everything in my life that I want. I'm not a walking publicity stunt. I'm not an anarchist, or bitter. I'm not trying to be subversive. I just try to remain unguarded, unprotected by fear, and agents and publicists, and I feel comfortable that way.

I'm not a model, I'm an artist. In one of my videos, I'm doing this shot of me with no make-up on where I've just woken up, and I don't think a lot of people would be comfortable enough to do that. But that's the way I look. This is who I am. Let's enjoy it. Let's just live life to the full while we're all here.

Long kurtas, especially the pink and yellow ones, that I had worn in 'Big Boss 8' - they are very comfortable to wear. You can wear them with a just a belt for your day outings or lunches for stylish and classy look. Or you can also team it up with a churidar and dupatta for an evening outing to look more classy.

Over the holidays, and even during filming, I realized that I actually like my body, even if it's not perfect according to the book. I just feel sexy. For the first time, I don't want to get rid of the curves. I just want to tone it up. My body is comfortable, and it's not unhealthy, so I'm going to rock with it.

I'm a straight guy and I date women, but I get on really well with gay guys. I'm very comfortable with my sexuality. The weirdest thing for me is when straight guys get really freaked out by gay guys. It's almost like they're insecure in their own sexuality. For me, I can be in a room full of gay men and have fun.

I'm always in a hotel room, and I spend a good portion of my day setting it up so it's comfortable for me. Whether that means making paths out of towels so I don't touch the carpet or removing the comforters or just not touching things. Even sitting on a plane with a bunch of other people - it's really hard for me.

From my own point of view, I went to college in the States. I am very comfortable on the PGA Tour. I have made my family life over there. It would be a big upheaval for me to play full time in Europe, which is why I have decided that I am going to play mostly in the U.S. but still support Europe when it is possible.

I guess 16, 17, 18, that whole period was a dark time for me. I guess it was a hormonal thing, going through all those changes as a young woman, learning who you are and being comfortable with yourself, and also, which goes along with that, boys. It was definitely an unhappy, 'Who am I?' period. 'Who am I gonna be?'

What I'm trying to do is get a change in the mindset so people move from a level of mere tolerance to total acceptance and eventually to celebrate diversity. If you feel comfortable with one another, it doesn't matter whether we live in which neighbourhood but we can interact with one another freely. It's a mindset.

Music is pretty intimate stuff and I can only work with very few people: Gonzalez being one, Mocky being another and, on a completely different level, Broken Social Scene. With Broken Social Scene it's not one-on-one, it's a one-on-12. It's very healthy, very comfortable, like a big pot luck supper among old friends.

Starbucks was founded around the experience and the environment of their stores. Starbucks was about a space with comfortable chairs, lots of power outlets, tables and desks at which we could work and the option to spend as much time in their stores as we wanted without any pressure to buy. The coffee was incidental.

I'm really not interested in acting as a facade, I'm interested in it as an emotional expression and as a transcendent experience for an individual. I find that a lot of people, a lot of young actors, haven't gotten to the point where they're comfortable being stripped down. They're still interested in ornate jackets.

I come from Canada, and maternity leave is six months to a year, and they also have paternity leave, and I think that there's something to that. There's also something to making a more comfortable environment for women to breast feed or to bring their kids into work and to have more nurseries in these office buildings.

I don't want to let my guard down and feel too comfortable. If you become complacent, you start feeling entitled. I'm ready to go dig ditches if I have to. Whatever I gotta do to provide for my family. Whatever I gotta do to make sure that I do the best possible job at whatever wonderful opportunities I've been handed.

Just before a fight, as the ring empties, you can feel it. There is danger and loneliness all around you. Soon it's just the three of you in there: the referee, your opponent, and you. You're in a very lonely moment then. But, strangely, that's when I feel most comfortable. The ring becomes my office, and I go to work.

I don't generate a storyline and then fill it out in the course of writing. The story actually generates in the course of the writing. It's one of the reasons I've never been comfortable doing screenplays, because in order to get the contract for the screenplay, you have to sit down and tell them what's going to happen.

I think now that I'm in the autumn of my life, and I'm getting a chance of having an overview and looking at the shape of how things happen, when things happen, why things happen, I think it was fitting that I spent most of my early career doing mask work, because I just don't think I was that comfortable in my own skin.

The trouble with Hollywood is that too many of the top people responsible for pictures are too comfortable and don't give a damn about what goes up on the screen so long as it gets by at the box office. How can you expect people with that kind of attitude to make the kind of great pictures that the world will want to see?

Sometimes it's hard for me to dress for normal situations. A lot of the time I'm either performing or travelling - so what I wear is either really fun or just really comfortable. For anything in between I think, 'Oh God, I don't know how to dress myself. But when I get on stage I'm just like, 'I can wear anything I want!'

Every time you do a true story - and I've done a few - you have to look in the mirror and say, 'That's close enough. I'm comfortable with this.' You're always going to compress time; you're going to change the order of things. But I don't think you want to tell a big lie. You want to think that you're embracing the truth.

My experience with 'Transparent' has completely spoiled me because it was the safest, most transpositive set ever. I didn't have to worry about all the usual things - like when people have a vision of your transness that you're not comfortable with. When they don't know the correct gender pronouns by which to refer to you.

My mom was very disappointed when I came out as a Republican in high school. And being a Republican in high school was really fun because all of my teachers were extremely liberal. Expressing anything that was counter to their deeply held beliefs was so easily unsettling that that form of contrarianism was very comfortable.

If you're comfortable with yourself, then you'll look beautiful. If you're not feeling comfortable with yourself, than that kind of shows. I think that as cheesy as the pageant industry can be seen at times, it actually does help women - boosting their confidence and growing into their own. I have to give it credit for that.

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