Something about New York, man: You can do more comedy there probably than you can anywhere in the world. If you're interested in being funny, New York is the place to go.

Since 'The Office,' everyone has this idea that comedy is only good if it reflects the way people really speak. But that's nonsense - and it's a problem unique to comedy.

With comedy, it's really hard to tell if something's working on the page - you really need the actors to bring it alive. The scariest part is if people will laugh or not.

Comedy was my sport. It taught me how to roll with the punches. Failure is the exact same as success when it comes to comedy because it just keeps coming. It never stops.

Woody Allen's 'The Complete Prose' - It's just the best selection of comic writing by one author. You know it's good comedy when you get quite demoralised about yourself.

Everyone who has ever met me for at least five minutes knows I'm a really funny person. I love to laugh and to make people laugh, so writing comedy comes naturally to me.

There's a certain truism that you can't be self-conscious in comedy. If I'm in it and if there's a scene that has a great set-up, I will go as far as somebody will let me.

One of the coolest things was that, in 2007, I got to go to Iraq with Rob Riggle, Paul Scheer, and Horatio Sanz. We went over there to do some comedy shows with the U.S.O.

I wasn't in the drama department, but I auditioned anyway and he not only cast me but also included a few sketches that I wrote, which really sparked my pursuit of comedy.

I do 'The Howard Stern,' make me happy. Also I sold out Comedy Store in the Los Angeles for my roast. This way everybody know I make the people laugh and happy. I love it.

Comedy is just to me, maybe it's a natural knack, if I can see where the joke is in the writing and I can see where the setup is and I can tell this is the way to make it.

'Silicon Valley' is a great show. It might be the best comedy on television. And if the Academy feels I have stood out to the point of deserving an award, I won't pawn it.

Comedy is great in that it's accessible to someone like me, from a low socioeconomic background, struggling in life. The gatekeepers are a lot stronger in other art forms.

My sister was very, very beautiful and I was very not. Doing comedy is the greatest thing ever because you don't have to do that, and I've since learned to let go of that.

If a movie isn't a hit right out of the gate, they drop it. Which means that the whole mainstream Hollywood product has been skewed toward violence and vulgar teen comedy.

I always knew I wanted to make movies since I was around eleven. I never thought of it as wanting to do straight-up comedy. Even now, I don't see things in terms of genre.

By watching the great, old comedians I picked up a few tricks about how to do physical comedy. And whenever I could learn something, I sort of added that to my repertoire.

I feel like L.A. is more of a showcase, and Chicago is a pure comedy scene where you're doing comedy for comedy. You're doing comedy actually for the audience that's there.

Your chemistry with your co-actors is more important in a comedy. You can't leave it to your performance alone. So many things have to fall into place to make people laugh.

Probably spending 12 years at boarding school - comedy became a survival gene. But I think some people are funny right off the bat, as soon as they can speak or be naughty.

Jackass: The Movie is great. I think it's in the tradition of physical comedy, which I'm really interested in. Its relationship to gravity, and how gravity acts on the body

But sometimes it's good to dare yourself to do the unthinkable. And rather than stand in front of an audience with no clothes on, I decided to have a go at stand-up comedy.

The basis of tragedy is man's helplessness against disease, war and death; the basis of comedy is man's helplessness against vanity (the vanity of love, greed, lust, power).

I like to smoke, and when you smoke, things become less serious and you find the funny in things. So, even movies that aren't funny, they end up turning into comedies to me.

There's a reason Tony Stark makes fun of 'Thor,' and mentions 'Shakespeare' in the park in 'The Avengers.' It's great to play high drama and comedy alongside a modern story.

Comedy and horror are cousins; they're related. They both come from storytellers who want to specifically affect the audience and elicit specific reactions during the movie.

My passion is more specific, in the sense that I've always liked doing comedy. I've always liked doing music. I like acting. And apparently, you need those things in movies.

Comedy club audiences pay up to $25 per person and another fistful of cash to cover a two-drink minimum, so when they don't like something, they let you know - with silence.

At some point in the past, it was decided that women in comedy are never supposed to be shown in an unflattering light. But in comedy, you need all of your tools to be funny.

I never thought I'd be a comedian. But, growing up, I simply loved watching comedy. The '80s was huge for comedy in the US. Eddie Murphy blew me away with his film Delirious.

What I've always said about comedy is if you do it in the right way, you can say anything to anybody because they know where you're coming from. They know it's not malicious.

When I tried to branch out into comedy, I didn't do very well at it, so I went back to doing what I do naturally well, or what the audience expects from me - action pictures.

A part of me wants to rely less and less on comedic visuals and make more substantial standalone music. And get a sitcom on TV where I can let my comedy do the talking there.

I think comedy and satire are a very important part of democracy, and it's important we are able to laugh at the idiosyncrasies or the follies or vanities of people in power.

Some comedians will tour and do these classic bits all the time. But now with YouTube and Comedy Central, people see your stuff, and they don't want to hear you do that again.

'Jackass: The Movie' is great. I think it's in the tradition of physical comedy, which I'm really interested in. Its relationship to gravity, and how gravity acts on the body.

I became a dancer in self-defense. I was doing a comedy monologue and didn't know how else to get off, so I danced off. I've been dancing ever since, but I'm still a comedian.

I don't believe I can offend you in a comedy club. I don't believe I can offend you in a concert. A comedy club is a place where you work out material; you're trying material.

I had always been - everybody kind of likes comedy. I was very interested in comedy, beyond just liking it. I had friends that took apart radios; I wanted to take apart jokes.

'King of California' was just, I thought, a really great, fresh, original kind of script. I loved the tone, the mix of tragedy, comedy, and drama, and that it was a good part.

I have a work-out regime; I am not a maniac. It sounds cliche, but stand-up comedy, doing a one-man show, helps keep me young, and yes, it is exhausting, but I don't collapse.

If you play it straight it's funny - the best comedy is always played straight down the middle. The adjustment is understanding from the screenplay that a moment is hilarious.

I do all these various activities like painting and writing, comedy and films probably because not that I'm good at everything but because I'm not good at any of these things.

Speed is scarcely the noblest virtue of graphic composition, but it has its curious rewards. There is a sense of getting somewhere fast, which satisfies a native American urge.

Possibly the only genre that efficiently converted from TV to YouTube / Vine is sketch comedy, which has always had more to do with the skills of its creators than its budgets.

You can only be embarrassed if you allow yourself to be embarrassed. If you embrace it and just accept that you're kind of a klutz, and you're able to make it into comedy gold.

I felt audiences are happier to take comedy people who play darker people because there's a link between the psychosis of comedy and the psychosis of being a twisted character.

Drama is played at the pace of chess... or billiards... or poker. Engrossing? Sure. But comedy is played at the jubilant, high-octane speed of sports like basketball or hockey.

I actually very rarely see comedy myself, and although I admire the work of some comics, it does come from all over, so I’ll get a charge out of some fiction writers and poets.

I try not to make social consciousness a massive part of my music or comedy because I prefer to be an entertainer first and foremost, then do actual grassroots work when I can.

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