In Asia, red is the colour of joy; red is the colour of festivities and of celebration. In Chinese culture, blue is the colour of mourning.

Shakespeare's words paint pictures in glorious colour in my language. They were written by a man whose use of words fits exactly into Xhosa.

My favourite colour is red, but I also like jewel tones and monochrome, while my preferred shapes include A-line skirts and skinny trousers.

I cut my hair myself and colour it. I know everybody in the hairdressing business despairs of me, but it's so much easier to do it yourself.

I sometimes think that what I do as a writer is make a kind of colouring book, where all the lines are there, and then you put in the colour.

Growing up in a system that tells you just because of your skin colour you are not good enough - you learn at a very young age to toughen up.

There's nothing wrong with being help. But it's very wrong that we presume people of colour are in a subservient position. That's problematic.

I've heard my work called 'bold' and 'graffiti-like,' but for me it is always instinctual. I start with a shape or a colour and go from there.

The pigeon here is a beautiful bird, of a delicate bronze colour, tinged with pink about the neck, and the wings marked with green and purple.

I'm more into, like, colour than, like, the type of car and stuff. I don't know much about cars, so I'm just more into picking the right color.

I loved playing football. In this particular match the ball happened to hit my right eye, the only one which I could see light and colour with.

I don't tend to do much with my lips. My lips are naturally very pink, so if I add any more colour, it looks like I've been smacked in the mouth!

You can't have F1 without Ferrari - you just can't have it. It's part of the theme that is the red car, and a lot of it is to do with the colour.

I grew up in Welwyn Garden City, and when you're a woman of colour in a predominantly white area, you become aware of prejudice from a young age.

Although humans see reality in colour, for me, black and white has always been connected to the image's deeper truth, to its most hidden meaning.

I have noticed a growth in demand from audiences to include more women of colour and women to be cast as significant roles in TV shows and movies.

Precise historical reasons are difficult to pinpoint, but red hair, it seems, bestows a sense of otherness. Red is the colour of blood and danger.

There is something magical in seeing what you can do, what texture and tone and colour you can produce merely with a pen point and a bottle of ink.

Americans have their issues with skin colour, even within the black community, with light and dark skin; it's crazy - but no one's oblivious to it.

The variety of colour in objects cannot be discerned at a great distance, excepting in those parts which are directly lighted up by the solar rays.

I feel very responsible for young models of colour. They come to me and tell me they're not getting jobs, and I do what I can to speak up for them.

I take books on learning to bed - music theory, colour theory - and usually my brain thinks, 'Um, I think I'd rather turn off,' than learn something.

You'll get unsociable people whatever the nationality, colour, race or creed. I guess the British abroad have probably got the worst record of anyone.

The sad truth is that mass migration, whatever the colour of the skins of those involved, upsets and worries indigenous people, especially the poorest.

I use a wide selection of colours. It is impossible to produce work like mine using only the primary colours as they only mix a certain range of colour.

If people of colour do not exercise their democratic right to vote, they will remain an invisible, voiceless, and largely ignored part of the electorate.

I've never claimed myself to be a particularly Asian R&B singer. I'm R&B, pure and simple, regardless of my skin colour. Should that matter? I think not.

I have a chameleon quality and I'm able to transform completely to different looks from different decades, depending on the hair colour or make-up change.

If you want to change your hair colour or your nail colour or things like that its fine, but you have to realize the dangers and repercussions of surgery.

What I love is this idea of a wardrobe, the idea that we're establishing certain signatures and updating them, that a change in colour or fabric is enough.

It's the swirling river of time that makes our identities, not the monochromatic simplicity of skin colour or the definitive lines of international borders.

You have to be careful about over-politicizing the utterances of people of colour because, oftentimes, there's poetry that seeks to go beyond that narrative.

What I always say is that money doesn't have colour. It doesn't matter whether you are from Africa or anywhere in the world. The colour of money is the same.

Black isn't something I became after a car crash that I've been dealing with ever since. I'd like the colour of my skin to not be a factor in my life at all.

My training was that you fill in the canvas where it needs colour and polishing. You start with the words on the first night and keep adding bits of business.

In an endless jungle of websites with text-based content, a beautiful image with a lot of space and colour can be like walking into a clearing. It's a relief.

I am always updating and coming up with something fresh, whether it's a colour, a trend, or a design, as my uncle always taught me to be unique and different.

When I watch a TV show I wouldn't notice if someone was Muslim or wearing a hijab. It's nice to be on a show where your skin colour or religion is incidental.

I wear a lot of block colour dresses on television as the simplicity translates well on camera and blue is often a colour I rely on as it goes with everything.

When you're told that as a filmmaker of colour, the stories you want to tell aren't commercial enough, then you start thinking, 'I'm going to tell them anyway.'

I didn't want to create a makeup line for one ethnic group; it had to be multi-ethnic. To me, beauty is beauty. It doesn't matter to me what colour the skin is.

We were raised very colour blind. I had gone to school and to camp for so long with white people, I think I was like 15 years old before I realised I was black.

Black is a great colour when it comes to being safe and classy. It looks great on any body type and can be paired with anything. So when in doubt, go for black.

I have been to Canada several times. It was autumn when I visited Vancouver, and I will always remember the colour of the trees in British Columbia were stunning.

I always get jealous when I'm in London because the men are so well put together. They wear suits with shoes and ties that have splashes of colour here and there.

Historically, our culture has not made room for the nuances of humanity. People have not been kept safe: women, people of colour, queer people, transgender people.

A pair of Berluti shoes has this flair, these nuances in colour and patina, so I thought: 'What if we took this je ne sais quoi and turn it into a menswear brand?'

I became intrigued with colour theory. The absurd pronouncements of the Colour Institute, a group that decides what colours are hot each year or season, amused me.

I enjoy looking good and love experimenting with my hair colour. I've just gone from blonde to brunette, and keep looking in the mirror and not recognising myself!

I do wonder how managers like Brian Clough and Bill Shankly would cope. How would Cloughie deal with players taking five pairs of different colour boots to a game?

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