Quotes of All Topics . Occasions . Authors
With my social media posts on fairness creams, I felt really strongly that I needed to speak up about it because I think we can take baby steps. Colour and caste is engrained in our culture, but I don't think it should be applauded or packaged and sold.
I'm crazily organised with my wardrobe. Everything is hung in categories: dresses, jackets, shirts, skirts and trousers are all hung in order, and they're then hung in colour order, too, so that when I'm looking for something I know exactly where it is.
In 1984, George Orwell wrote of a world where the only colour to be found was in the propaganda posters. Such is the case in North Korea. Images of Kim Il-sung are depicted in vivid colours. Rays of yellow and orange emanate from his face: he is the sun.
The world's a jungle in my eyes, innit? Everything's tribal. If you see someone who don't look like you - especially the colour of your skin - you're going to be suspicious, or not as welcoming or warming, innit? I've learned not to take it too personal.
How long have we got to talk about women of colour and imposter syndrome. It's a real thing, and many people have it. It's, I think, a particular characteristic of the overachiever. Because you're bottomless, you never think what you've achieved is enough.
I never would have dreamt in a million years that I would have young girls coming up to me at Glastonbury or on the streets of L.A., New York, London, and telling me how much GurlsTalk or seeing my picture in a magazine means to them, as a woman of colour.
My favourite pool is located in a remote valley in the eastern Lake District, surrounded by vine-hung cliffs and slippery boulders. It has a torrential sheet waterfall at one end and is almost black in colour, so it appears bottomless, a portal to nowhere.
I'm a little bit wary of people. It freaked me out when a fan connected with me on social media, then had plastic surgery to look like me, dyed his hair the same colour, and got a pug dog like mine. He was also a hacker, so I had to change all my passwords.
From the start, I used a different kind of girl in Nars campaign images. My choice to use models of colour such as Alek Wek, Naomi Campbell and Karen Park Goude was absolutely a deliberate one. I felt that makeup was universal and should apply to everybody.
How many people have different opinions in this world? Every different person has a different opinion of what that bottle really is or what colour it is. If I say that bottle is clear, there will be someone out there telling me that bottle is green or blue.
I was lucky to get into drama school and become a professional actor. No-one ever mentioned the colour of my skin. It's only when I came out of RADA - the Royal Academy of Dramatic Art - that I suddenly realised people started to refer to me as a black actor.
I think that the same kind of openness and fluidity and willingness to interrogate power that we, as feminists, expect from men in alliance on questions of class should also be the expectation that women of colour can rely upon with our white feminist allies.
Mom gives me advice every single day, about how I'm not eating regularly enough, not sleeping enough, that I need to look after my skin, I shouldn't colour my hair, my eyebrows are too thin, etc. Most of her advice I discard, especially the thin eyebrows part.
I'm not a painter by any stretch of the imagination; I'm a dyed-in-the-wool traditional illustrator, and I begin with black and white. If I need colour, I add it over the top. There's a calligraphic element to it... it's about the texture of lines on the page.
When I do my own makeup, I limit my options: I have one Mac eye colour, a neutral shade with a bit of shimmer, plus eyeliner and subtle mascara. I wear a little foundation and put Laura Mercier concealer around my nose, underneath my eyes and on any dark spots.
I just think white light generation is just one of these remarkable things to see, and actually, you know, one colour of light goes in to just water or any clear anything and out comes all the colours of the rainbow when the pulses are short and intense enough.
I think that everybody in the world, whatever colour or creed, has a jerk like JR in his or her family somewhere. Whether it is a father, uncle, cousin or brother, everybody can identify with JR and that certainly had something to do with the success of 'Dallas.'
Layering is always a great way to look different and to keep your look younger. Basic tees, vest tops, jackets, leggings, shrugs, etc, can be mixed up to add spunk, variety and colour to your look. A good sense of mix 'n' match is required to make this look work.
In the 1900s, bleaching lotions and skin-lighteners were a female imperative no matter what her colour, often carrying suggestive names like 'Fair-Plex Ointment' and 'Black-No-More.' The tiniest touch of rouge was allowed, but only if applied with great subtlety.
Obviously, the cinematography of films is art, just as a still shot can be art. If I'm watching a Wes Anderson movie, the colour palettes alone, and the way they're painted, could be art. With music, you're a little bit limited, of course, because it's only audio.
I've had a fantastic career playing great parts. In many ways, the colour of my skin has been an asset because I've been asked to play certain roles as a result. I don't apologise for playing them anymore than Robert de Niro is sorry for playing American-Italians.
A lot is made of the pink ball. But it is the same really. A good ball is a good ball, regardless of the colour. You might want to bowl a touch fuller with the pink ball when it is nipping around but generally a pink kookaburra behaves the same as a red kookaburra.
You've always got to have the right blend of colour. You'd be silly to match a yellow t-shirt with a light green pair of trousers, you know? You can wear different colours at the same time, and as long as they blend with each other then it works. That's what I like.
In America, I am brown; I'm 'of colour', so I would be offered Latin roles, and I've fought against that. I don't want to be put in a category, to be just offered the same sort of thing. For me, it's all about different roles, telling the stories of the great writers.
You have someone like Colin or many of the other athletes who have knelt, especially athletes of colour, and if you're not respecting what they're saying, if you're not believing their charges of police brutality or racial inequality, you're saying that they're lying.
In the case of composite colour, an infinity of systems must be obtained for maxima infinitely slight and with an infinity of interval values separating them - that is to say, the whole thickness of the sensitive layer is occupied in continuous manner by these maxima.
When I first started, especially because I got the Critics' Choice before I'd released an album, there was a lot of scrutiny on what my character was, what my background was, what colour my hair was. I fought quite hard for the music to overtake the personality aspect.
If you take myth and folklore, and these things that speak in symbols, they can be interpreted in so many ways that although the actual image is clear enough, the interpretation is infinitely blurred, a sort of enormous rainbow of every possible colour you could imagine.
After Land I wanted to continue exploring the theme but I needed a new challenge so turned to colour. I explored Bradford and produced a series of urban landscapes that I liked, but because Land had made such an impact on the general public my colour work wasn't reviewed.
There are never any absolutes in the fashion business: one day you may like black, and the next day you like colour. I think it's a good lesson that we should never believe too much in any one thing - because the next day it's out, and if we're stuck to it, we're out, too.
The divisions of Perspective are 3, as used in drawing; of these, the first includes the diminution in size of opaque objects; the second treats of the diminution and loss of outline in such opaque objects; the third, of the diminution and loss of colour at long distances.
The habit of breaking up one's colour to make it brilliant dates from further back than Impressionism - Couture advocates it in a little book called 'Causeries d'Atelier' written about 1860 - it is part of the technique of Impressionism but used for quite a different reason.
At first, I was able to use a Bunsen burner attached to my mother's gas stove, but the use of the kitchen as a laboratory came to an abrupt end when a minor explosion involving hydrogen sulphide spattered the newly painted decor and changed the colour from blue to dirty green!
I do not have the slightest bit of racism in me. I do not judge people with regards to the colour of their skin, their origin, or their religion. I defend them all, because I defend French people. And, of course, I defend the interests of France, the interests of French people.
People don't want drama 365 days a year. I'm a sense of relief; it's my job to take your mind off what's bad for that brief second you're in the room with me, regardless of shape, race, colour or anything. It brings people together, and it makes me feel good about what I'm doing.
Make a choice: continue living your life feeling muddled in this abyss of self-misunderstanding, or you find your identity independent of it. You push for colour-blind casting; you draw your own box. You introduce yourself as who you are, not what colour your parents happen to be.
I've dated some women who have turned me on to some funny things that are strange for men to actually do, but these things have become part of my process. I think the things I do for my appearance help make me look better. I even colour my hair because I like how it makes me look.
I was taken aback by the amount of interest, due to my colour, that exploded when we got engaged. It has developed into a good conversation which has changed the way Britain is adapting. I am glad to be part of that, though I didn't do it on purpose! I just happened to fall in love.
I have always loved fashion, trends, style, make-up and hair, but yes, some sort of a transformation truly happens when I play a 'bahu'. That's when I have to wear brown lenses to cover my green eyes, colour my hair dark, wear saris, and surprise myself that I can pull this off, too.
Whether a woman's running for office or she's supporting her husband who's running for office and she gets criticised for wearing open-toed shoes or for the colour of her coat, there's just a lot of history that you bear if you are a woman who puts herself out in the political arena.
Since we can produce all types of light by means of hot bodies, we can ascribe, to the radiation in thermal equilibrium with hot bodies, the temperature of these bodies, and thus every radiation, even that issuing from a phosphorescent body, has a certain temperature for every colour.
When I would visit my octopus friend, Octavia, at New England aquarium, usually she would look me in the face, flow right over to see me, and flush red with emotion when she took my arms in hers. Often when I'd stroke her she'd turn white beneath my touch, the colour of a relaxed octopus.
I get a good colour in summer but go really pale in winter, and it genuinely doesn't suit me, as people ask me if I'm ill. As well as making me look a bit better, I often have to be tanned in the middle of winter to do a show or programme, so I've road-tested every fake tan on the market.
My designs are slightly subversive in their way; it can be in the cut or the colour, but they're always obtainable: they're not so difficult that a 40-year-old woman wanting to go to a cocktail party looking foxy and a little bit different in something well-made would be alienated by them.
I can't believe that I'm sitting in meetings with Steven Spielberg, Tom Hanks, and Annette Bening. I want to take on that responsibility to represent all the Rogers out there who don't have a seat at the table. People of colour were not at the table, and now I am there, I want to change things.
We think that the world is a solid, vivid place, full of shape and colour and solid objects like this table and this microphone and so on, but we actually create that in our heads out of the bits of information that hit the back of our eyeballs or hit our eardrums or hit our tongues or whatever.
Many families would like to avoid burdening future generations with inherited diseases such as haemophilia or severe developmental disorders. But most would think it wrong to edit the genes that influence the 'normal' range of human variation, from eye colour to intelligence or athletic ability.
One of the things I most admire about America is they have created a genuine melting pot society, a country of opportunity; you can be of any religion, colour, ethnicity, persuasion and make it to the top of your chosen field. And that's something I admire about America and hope they continue with.
Lipstick is iconic. It's the one product that marks out an era, and a certain lip colour can define a season. It makes me feel more 'done'. I wear a beige lip in the day, but red when I'm going somewhere - it makes that transition from day to night. I just slick it on; I don't bother with lipliner.
Just as black and white, when mixed, make grey, in many ways that's what it did to my self-identity: it created a murky area of who I was, a haze around how people connected with me. I was grey. And who wants to be this indifferent colour, devoid of depth and stuck in the middle? I certainly didn't.