The end of the occupation. The right of return of the Palestinian people. These are critical dividing lines in human rights. We have to be here. No American would put up with an Israeli-style occupation of their hometown for 53 days let alone 54 years. US tax dollars are funding violence against people of color inside the US borders and outside the US borders.

There's just so many facets, I think, of the ignorance in our society that have to be corrected if we're really going to have a democratic society and a society that is just and that respects all of the members of this society regardless of who they are, what color they may be, what sexual orientation that they have or what gender, you know, they happen to be.

Leicester stared fixedly at the image before him, the color bleached from his face by its brilliance. Seph sensed the headmaster's mind questing out, trying to discover and destroy the wizard behind the image, but finding nothing, no trail of magic, no stone, no flesh and blood to focus on. Jason Haley, the puppeteer, was safely ensconced in the gallery above.

You always wonder whether the attacks on my capabilities came from an honest evaluation of my accomplishments or from stereotypical presumptions that we, people of color, just can't do it, for some reason. This is, for an accomplished Latino, an accomplished African American, an accomplished anyone who disproves stereotypes, it's a constant battle in your life.

As I wrote Working toward Whiteness, I came to see one historic task on the New Deal - and one in which it succeeded - as the fostering of fuller U.S. citizenship among immigrants from southern and eastern Europe and their kids. But this very achievement separated poorer and often despised immigrant workers from Europe and workers of color in unprecedented ways.

To a person who expects every desert to be barren sand dunes, the Sonoran must come as a surprise. Not only are there no dunes, there's no sand. At least not the sort of sand you find at the beach. The ground does have a sandy color to it, or gray, but your feet won't sink in. It's hard, as if it's been tamped. And pebbly. And glinting with -- what else -- mica.

If much in the world were mystery the limits of that world were not, for it was without measure or bound and there were contained within it creatures more horrible yet and men of other colors and beings which no man has looked upon and yet not alien none of it more than were their own hearts alien in them, whatever wilderness contained there and whatever beasts.

If your starting point for understanding humanity is a racialist viewpoint, with superiority and inferiority projected onto people because of the color of their skin, then it's so easy to take the next step of justifying that point theologically and reading it into the Christian scripture. And that makes it harder to understand what scripture is actually saying!

I'm hugely inspired by the '60s and the '70s. I just love the music of that time and the overall freedom of that era. I love that the idea of clashing didn't really exist. You could mix prints on prints, you could mix fabrics and colors - and it was more about the way you felt than about the label and trends. That's something that I've always gravitated towards.

I had no money. I had no savings account.So I would bring down my color TV set, a Sears TV with a cable snaked into it - they had no video-in back in those days - and hooked it up to the circuit of very few chips and then a little keyboard you could type on. And I was trying to impress people with how did he do it with fewer chips than anyone could ever imagine?

They’re not hideous,” said Tessa. Will blinked at her. “What?” “Gideon and Gabriel,” said Tessa. “They’re really quite good-looking, not hideous at all.” “I spoke,” said Will, in sepulchral tones, “of the pitch-black inner depths of their souls.” Tessa snorted. “And what color do you suppose the inner depths of your soul are, Will Herondale?” “Mauve,” said Will.

Don't you love being alive?" asked Miranda. "Don't you love weather and the colors at different times of the day, and all the sounds and noises like children screaming in the next lot, and automobile horns and little bands playing in the street and the smell of food cooking?" "I love to swim, too." said Adam. "So do I," said Miranda, "we never did swim together.

Everything does come from nature. That's where you get new ideas. Just draw the landscape. I felt doing it with a bit of burnt wood was also good because I was drawing burnt wood with a piece of wood. I wanted to do black and white. After using color, I thought black and white would be good. You can have color in black and white. There is color in them, actually.

I once heard some idiot on the radio saying that all great art has suffering as its dominant theme, and that the greatest artists are only able to create because they suffer immensely in their own lives. What a bunch of bullshit. Look at Van Gogh's paintings: there's as much joy in them as there is pain. Suffering is only a single color, and by itself it's boring.

How you speak and the words you use tell much about the image you choose to portray. Use language to build and uplift those around you. Profane, vulgar, or crude language and inappropriate or off-color jokes are offensive to the Lord. Never misuse the name of God or Jesus Christ. The Lord said, "Thou shalt not take the name of the Lord thy God in vain" (Ex. 20:7).

Who can describe the injustice and the cruelties that in the course of centuries the peoples of color of the world have suffered at the hands of Europeans?... We and our civilization are burdened, really, with a great debt. We are not free to confer benefits on these men, or not, as we please; it is our duty. Anything we give them is not benevolence but atonement.

It's impossible to say a thing exactly the way it was, because of what you say can never be exact, you always have to leave something out, there are too many parts, sides, crosscurrents, nuances; too many gestures, which could mean this or that, too many shapes which can never be fully described, too many flavors, in the air or on the tongue, half-colors, too many.

For one thing, I want gesture-any kind of gesture, all kinds of gesture-gentle or brutal, joyous or tragic; the gesture of space soaring, sinking, streaming, whirling; the gestures of light flowing or spurting through color. I see everything as possessing or possessed by gesture. I've often thought of my paintings as having an axis around which everything revolves.

I remind you that no man who makes disparaging remarks concerning those of another race can consider himself a true disciple of Christ," said President Hinckley. "How can any man holding the Melchizedek Priesthood arrogantly assume that he is eligible for the priesthood whereas another who lives a righteous life but whose skin is of a different color, is ineligible?

I'd like them to see that those things that set us apart or make us different can be wonderful contributions to the world around us. I'd like them to see that size and color are irrelevant to the dreams we envision for ourselves. And I'd also love for them to see that life is a journey, and every step of the way, we can learn something and become stronger and wiser.

Anne reveled in the world of color about her. "Oh, Marilla," she exclaimed one Saturday morning, coming dancing in with her arms full of gorgeous boughs, "I'm so glad I live in a world where there are Octobers. It would be terrible if we just skipped from September to November, wouldn't it? Look at these maple branches. Don't they give you a thrill--several thrills?

You spend Christmas at somebody's house, you worry about their operations, you give them hugs and kisses and flowers, you see them in their dressing gown...and then bang, that's it. Gone forever. And sooner or later there will be another mum, another Christmas, more varicose veins. They're all the same. Only the addresses, and the colors of the dressing gown, change.

It is a poor thing to strike our colors to God when the ship is going down under us; a poor thing to come to Him as a last resort, to offer up 'our own' when it is no longer worth keeping. If God were proud He would hardly have us on such terms: but He is not proud, He stoops to conquer, He will have us even though we have shown that we prefer everything else to Him.

I'm not a young man, and I can find intensity in a lot of different ways, sometimes without even raising my voice. When I was younger, it was all about how I need three extra sets of lungs to get enough wind to get out the thing at the screaming level I need to, because that's the way it needs to be. Now, I see that there's a whole lot of other colors on the palette.

The impressionistic method leads into a complete splitting and dissolution of all areas involved in the composition, and color is used to create an overall effect of light. The color is, through such a shading down from the highest light in the deepest shadows, sacrified an degraded to a (black-and-white) function. This leads to the destructions of the color as color.

If white American feminist theory need not deal with the differences between us, and the resulting difference in our oppressions, then how do you deal with the fact that the women who clean your houses and tend your children while you attend conferences on feminist theory are, for the most part, poor women and women of Color? What is the theory behind racist feminism?

I have always been interested in fashion as an informing design discipline: proportion structure, detail, materiality, texture, color and quality. With a heightened interest in, and an awareness of the built environment, the 'store' has become a critical, perceptual and psychological component of merchandising as well as imaging. Architecture and fashion are partners.

So, The Color Purple changed my life. It changed everything about my life because, in that moment of praying and letting go, I really understood the principle of surrender. The principle of surrender is that, after you have done all that you can do, and you've done your best and given it your all, you then have to release it to whatever you call God, or don't call God.

What I have to do is utilize as best I can the ideas which objects suggest to me, connect, fuse, and color in my way the shadows they cast within me, illumine them from the inside. And since of necessity my vision is quite different from that of the next man, my painting will interpret things in an entirely different manner even though it makes use of the same elements.

It is my mind, with its store of images, that gives the world colour and sound; and that supremely real and rational certainty which I call "experience" is, in its most simple form, an exceedingly complicated structure of mental images. Thus there is, in a certain sense, nothing that is directly experienced except the mind itself. Everything is mediated through the mind.

A renowned genius once asked a student, "What are you watching when you sit on a hillside in the late afternoon as the colors turn from yellow to orange and red and finally darkness?" He answered, "You are watching the sunset." The genius responded, "That is what is wrong with our age. You know full well you are not watching the sun set. You are watching the world turn."

Painting is something that takes place among the colors, and one has to leave them alone completely, so that they can settle the matter among themselves. Their intercourse: this is the whole of painting. Whoever meddles, arranges, injects his human deliberation, his wit, his advocacy, his intellectual agility in any way, is already disturbing and clouding their activity.

Whether religious or racial, anti-Semitism is always repugnant, one of the most destructive manifestations of human stupidity and evil. What is profoundly expressed in it is man's traditional mistrust of the man who is not part of his tribe, that 'other' who speaks a different language, whose skin is a different color, and who participates in mysterious rites and rituals.

Justice based purely on laws is about as accurate as a portrait created out of large low-resolution color pixels. If you stand back far enough it looks good. Come any closer and the glaring approximations overtake all semblance of the original. Justice should be viewable under the microscope, not from a telescope. And for that it needs to be based not on law but on truth.

I remember an era when you could get your nose sliced off for sticking it too far into another man's business. Now you can find out anything about anyone with the click of a button. There is no privacy and no consideration, and everyone is prying into things that aren't their affair. You can probably check on the intertube and find out what color underwear I have on today.

I think the ultimate sense of security will be when we come to recognize that we are all part of one human race. Our primary allegiance is to the human race and not to one particular color or border. I think the sooner we renounce the sanctity of these many identities and try to identify ourselves with the human race the sooner we will get a better world and a safer world.

We'll get to the details of what's around here, but it looks like a collection of just about every variety of shape - angularity, granularity, about every variety of rock.... The colors - well.... There doesn't appear to be too much of a general color at all; however, it looks as though some of the rocks and boulders are going to have some interesting colors to them. Over.

I believe that there will be ultimately be a clash between the oppressed and those who do the oppressing. I believe that there will be a clash between those who want freedom, justice and equality for everyone and those who want to continue the system of exploitation. I believe that there will be that kind of clash, but I don't think it will be based on the color of the skin.

Some friends of theirs had rented their house for several months to an interior decorator. When they returned, they discovered that their entire library had been reorganized by color and size. Shortly thereafter, the decorator met with a fatal automobile accident. I confess that when this story was told, everyone around the dinner table concurred that justice had been served.

Ditty of First Desire In the green morning I wanted to be a heart. A heart. And in the ripe evening I wanted to be a nightingale. A nightingale. (Soul, turn orange-colored. Soul, turn the color of love.) In the vivid morning I wanted to be myself. A heart. And at the evening's end I wanted to be my voice. A nightingale. Soul, turn orange-colored. Soul, turn the color of love.

Icons are also beautiful, with their luminous colors and gold leaf. On first glance, the subjects can seem flat, their poses artificial. But the wonder of the icons has to do with the relationship which develops between the panel and the viewer. Looking at an icon brings me a feeling of serenity; it's like a form of prayer. So I suppose in this sense, the icon is unsurpassed.

I think we're starved for a life of the senses. We're in the garage, we're in the car, we drive to work, we're in a windowless cubicle that's gray and beige. In a way, it's funny that we consider ourselves an advanced culture, because people who live in so-called primitive environments still enjoy the richness of the smells, colors, and sounds of our world. We all crave that.

Mattia was right: the days had slipped over her skin like a solvent, one after the other, each removing a very thin layer of pigment from her tattoo, and from both of their memories. The outlines, like the circumstances, were still there, black and well delineated, but the colors had merged together until they faded into a dull, uniform tonality, a neutral absence of meaning.

Policy, for the most part, has been made by white people in America, not by people of color. And they have tended to take care of those things that they think are important. Whether it's their agricultural subsidies, or other kinds of expenditures that are certainly not expenditures for poor people or for people of color. And so we have to band together and keep fighting back.

When I was thinking about these women characters, no matter how bad a person I am - a bad writer, my limitations, my sexism, you know - the thought was, it would be useful as a writer to try to create a template for all the male writers, especially Dominican male writers, especially males of color, of how a writer can use seeing to create more nuanced representations of women.

As for what I have done as a poet, I take no pride in whatever. Excellent poets have lived at the same time with me, poets more excellent lived before me, and others will come after me. But that in my country I am the only person who knows the truth in the difficult science of colors-of that, I say, I am not a little proud, and here have a consciousness of superiority to many.

Lying is a disgraceful vice, and one that Plutarch paints in most disgraceful colors, when he says that it is "affording testimony that one first despises God, and then fears men." It is not possible more happily to describe its horrible, disgusting, and abandoned nature; for can we imagine anything more vile than to be cowards with regard to men, and brave with regard to God.

People are valuable regardless of the color of their skin. You can be open about it and talk about it. You don't have to pretend that you are not different, but you can learn about those differences God didn't say, 'Ooh, I made you brown on accident.' He made them that color on purpose. And if you do not have friendships with other races, then ask God to bring you some. He will.

You may be perfect in playing the piano, and not be creative; you may play the piano most brilliantly, and not be a musician. You may be able to handle color, to put paint on canvas most cleverly, and not be a creative painter. You may create a face, an image out of a stone, because you have learned the technique, and not be a master creator. Creation comes first, not technique.

In ordinary speech the words perception and sensation tend to be used interchangeably, but the psychologist distinguishes. Sensations are the items of consciousness--a color, a weight, a texture--that we tend to think of as simple and single. Perceptions are complex affairs that embrace sensation together with other, associated or revived contents of the mind, including emotions.

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