Color Quotes - Page 67

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You should be thankful that dark colors suit you. Not everyone wears black well." "Why, Lady Olivia, is that a compliment?" "Not so much as a compliment to you as an insult to everyone else," she assured him. "Thanks heaven for that. I don't think I would know how to conduct myself in a world in which you offered compliments.

Well, painting is the one thing I do, that is just me. It's me and easels, and the pencils. And as long as I don't drool too much over the canvas, the colors come out pretty good. And it's a chance to express all that I've got inside, that I sometimes keep hidden. And I think that's why I paint big broad, wide open landscapes.

From when I was a really small girl on, I would pick every fabric, every color on the walls, and I was always redecorating. Like once every couple of months I would redecorate my room. I had a full wall that was all collage - the entire wall - when I was in junior high. And then it would kind of morph with me as I was growing.

I don't think that I could have survived in my family without a naughty sense of humor; yeah, absolutely. I think my brother and I both get our senses of humor from our parents. I mean, my mother was absolutely hilarious and foul. She had the most ridiculously off color sense of humor, so that was sort of what we grew up with.

With segregation, with the isolation of the injured and the robbed, comes the concentration of disadvantage. An unsegregated America might see poverty, and all its effects, spread across the country with no particular bias toward skin color. Instead, the concentration of poverty has been paired with a concentration of melanin.

Being a woman, we talk about equal pay all the time. We're not talking about if you're black or if you are Latina. I would like to get back to that and improving the relationship between the police community and the community of color. I don't know exactly all the right things to say, but I want to engage in that conversation.

I'm interested in the sculptural experience, glass, marble, colored bricks, stones, wood. There's no stadium out there that approximates it [the Marlins'] because it will be so white and with primary colors all around. It sort of looks like a spaceship that just landed, something different, something people can call their own.

My constant goal is to create clothing that applies to the lifestyle of my customers. My clothing must be aesthetically pleasing in color, texture, and construction. Rapid changes are a part of fashion, and the demands of the industry are that I remain fluid and versatile. But my aesthetic requirements will always be the same.

America is known as a country that welcomes people to its shores. All kinds of people. The image of the Statue of Liberty with Emma Lazarus' famous poem. She lifts her lamp and welcomes people to the golden shore, where they will not experience prejudice because of the color of their skin, the religious faith that they follow.

I play these [folk acoustic] concerts and I ask myself, 'Would you come see me tonight?' - and I'd have to answer truthfully, 'No, I wouldn't come. I'd rather be doin' something else, really I would. That something else is rock... The words are pictures, and the rock's gonna help me flesh out the colors of the pictures. (1965)

Don't assume that God will always work in your life the way He always has. A sunset is proof that God colors outside the lines. He has no status quo. Even the laws of nature are His to interrupt. As many times as you've prayed before, today may be the day when God sends the answer so swiftly-so divinely-that you're windburned.

When I pictured myself, it was always like just an outline in a coloring book, with the inside not yet completed. All the standard features were there. but the colors, the zigzags and plaids, the bits and pieces that made up me, Halley, weren't yet in place. Scarlett's vibrant reds and golds helped some, but I was still waiting.

Oh, talk as we may of beauty as a thing to be chiselled from marble or wrought out on canvas, speculate as we may upon its colors and outlines, what is it but an intellectual abstraction, after all? The heart feels a beauty of another kind; looking through the outward environment, it discovers a deeper and more real love-liness.

But what I attach great importance to is observation of the movement of colors. It is only in this way that I have found the laws of complementary contrast and the simultaneity of those colors that nourish the rhythm of my vision. There I find the representative essence — which does not arise from a system or an a priori theory.

In coastal waters rich in runoff, plankton can swarm densely, a million in a drop of water. They color the sea brown and green where deltas form from big rivers, or cities dump their sewage. Tiny yet hugely important, plankton govern how well the sea harvests the sun's bounty, and so are the foundation of the ocean's food chain.

One can only understand history and all of social life, including today’s social life, if one pays attention to people’s racial characteristics. And one can only understand all that is spiritual in the correct sense if one first examines how this spiritual element operates within people precisely through the color of their skin.

The question of what we are can only be answered by ourselves. We each decide what we are by the life choices we make. How we were made, who are parents are, where we are from, the color of our skin, who we choose to love, all those things do not define us. Our actions define us, and will keep defining us until even after death.

As a person of color, I was trained from very early on to see 'Leave It to Beaver,' 'Gilligan's Island,' or 'Hamlet' and look beyond the specifics of it - whether it be silly white people on an island or a family living in Nowheres or a Danish person - to leap past the specifics and find the human truths that have to do with me.

When my hair was dark for 'House,' that was the hardest to maintain because it was like every three weeks my light roots would start coming in. And you can't really just dye your hair one color brown because then it looks like a helmet on television, so then I had to have four colors of brown woven into my hair every three weeks.

Most people are defined by their titles, their cars, their house, where they came from, their color, their race, their religion. And so it's up to you to take control of your own life and define you. As long as you understand who you are and you have a solid foundation of understanding what your talents are, what your skills are.

The thing you miss most, when you don't play and you don't coach, is the huddle. You miss the huddle. You miss the ability to walk in the room where collectively players are from everywhere. Every race, every religion, every color. It don't matter, because you've got a common goal. You're trying to be something special as a team.

The great virtue of a free market system is that it does not care what color people are; it does not care what their religion is; it only cares whether they can produce something you want to buy. It is the most effective system we have discovered to enable people who hate one another to deal with one another and help one another.

The fact is that in too many parts of our country, we still have discrimination. And affirmative action is not just something that applies to people of color. Some people have a mistaken view of it in America. It also is with respect to women, it's with respect to other efforts to try to reach out and be inclusive in our country.

A perfectly fitted sheath dress that can take you from day to night is something that every woman should have in her closet. You can't go wrong with black, but a little bit of color is nice. I love a lot of color, personally. You can accessorize a sheath dress. Look at how Michelle Obama accessorizes clothes to make them her own.

I have a great body, I really do. But I want to be taken seriously as an artist, and wearing anything that shows it off will be a distraction from the music. That's how my signature uniform, my tuxedo, came about. It's classic and timeless. You'll see me in black, white, and a pop of color on my lips. That pop adds a little magic.

You've got to deal with the world with all of its troubles, while you've still got this alternate image. It's not about being in a different place or being in heaven, it's about seeing the world through magical eyes for a moment, and then being back in that same world, and everything is dull and gray. Having to remember the color.

You cannot do everything you want with the 3D camera, it's too big, and the digital quality of those cameras is a little bit limiting. With film, you have a lot more subtly, like with highlights and color. In terms of sharpness they (both formats) are very close; but in terms of nuance, of color and contrast, film is far superior.

Because the world of this film begins and ends in the imagination of Tim Burton, you're not seeing a movie that's been shot on locations that you've seen a million times. Because this world has no rules, you're seeing so many different and separate brushstrokes and colors and characterizations somehow getting combined through Tim.

We as women put ourselves in this situation of feeling like we can’t take a risk, like in order to step out there we have to be perfect, because we’re scared that if we don’t say the right thing, or do the right thing, that we’ll reflect poorly on ourselves and our community, whether that community be women, people of color, both.

American media seem to color events by refracting them through a sickeningly sentimental prism. Their efforts to create reality on the ground — instead of reporting on it — notwithstanding, here's what we know about the inchoate Egyptian uprising: the movement's members hated their ruler and did what was necessary to be rid of him.

Should I not be proud, when for twenty years I have had to admit to myself that the great Newton and all the mathematicians and noble calculators along with him were involved in a decisive error with respect to the doctrine of color, and that I among millions was the only one who knew what was right in this great subject of nature?

When color TV arrived, it just sat there and you saw color. I've been to retail stores where there were no 3-D glasses at all and the 3-D images were all blurred. People were coming in and saying, 'I don't want to buy that.' There's a lot of marketing connected to introducing technologies and especially introducing new experiences.

In some ways painters have been more important in my life than writers. Painters teach you how to see—a faculty that usually isn’t highly developed in poets. Whether you take a walk in the woods with a painter, or go to a museum with one, through them you notice shapes, colors, harmonies, relationships that enhance your own seeing.

My parents told me from the time I can remember that, 'Yeah, you're adopted. But this is your family.' I can remember my mom, she tells me this story: when I was little, I was looking at her, and I was like, 'Why isn't my skin the same color as yours?' She was like, 'Oh, you're adopted, but I wish I had pretty brown skin like you.'

In the first place, an unjust law exists in this Commonwealth, by which marriages between persons of different color is pronounced illegal. I am perfectly aware of the gross ridicule to which I may subject myself by alluding to this particular; but I have lived too long, and observed too much, to be disturbed by the world's mockery.

MeToo is a strong movement in Hollywood, but a lot of my fans and demographic are younger, and they don't really understand what's going on with it. I wanted to put something out for them, even for those who are 4 years old, that every girl is a super girl. No matter your age, your height, your weight, your color - whatever you are.

When you study a dog you love, you find beauty in every small detail, and so it is with Lucille: I have become enchanted by the small asymmetrical whorls of white fur on either side of her chest, and by her tail, which she carries in a high confident curve, and by her eyes, which are watchful and intelligent, the color of chestnuts.

I'm proud to be biracial, and there's a lot of people that say things like, 'I don't see color,' and I completely understand that, but I think different is beautiful, but I think our difference shouldn't separate us, and for me in this era, in this time, in everything that we're going through, my whole thing is just about unity, man.

I walked around feeling, in a sense, that people of color, we began at the bottom of a slave ship. We were enslaved; we picked cotton. There was Honest Abe, who wore a top hat and was taller than anyone and who said, 'Enough is enough; slavery must end.' And then, black people could stand up again. But after that, we didn't catch up.

I'm in love with red. I think it's such a passionate color. Every flag of every country pretty much has red it it. It's power, there's no fence sitting with red. Either you love it or you don't. I think its blood and strength and life. I do love red. I love all colors. Great shades of blue, you find them in nature. They're all magic.

The death of a dream can in fact serve as the vehicle that endows it with new form, with reinvigorated substance, a fresh flow of ideas, and splendidly revitalized color. In short, the power of a certain kind of dream is such that death need not indicate finality at all but rather signify a metaphysical and metaphorical leap forward.

Russell's prose has been compared by T.S. Eliot to that of David Hume's. I would rank it higher, for it had more color, juice, and humor. But to be lucid, exciting and profound in the main body of one's work is a combination of virtues given to few philosophers. Bertrand Russell has achieved immortality by his philosophical writings.

Hitler had a lot of Jews high up in the hierarchy of the Third Reich. Color does not necessarily denote quality, content or value. If a black is a tyrant, he is first and foremost a tyrant, then he incidentally is black. Bush is a tyrant and if he gathers around him black tyrants, they all have to be treated as they are being treated.

No one color can describe the various and varied complexions in our group. They range from the deep black to the fairest white with all the colors of the rainbow thrown in for good measure. When twenty or thirty of us meet, it is as hard to find three or four with the same complexion as it would be catch greased lightning in a bottle.

I built the film [Boy and the World] this way. I gathered all the tools I usually use such as brushes, color pencils, crayons, watercolors, and everything else I found in my studio, and I put them on top of a table. I had this feeling of freedom and possibility like if I was this boy. I was using the boy's freedom to create this film.

In America, there's a very long tradition of a comic strip that comes in newspapers, which is not true all over the world. To sell papers, they put color comics in. It's worked, up until now. Now these papers can't afford it. They always had minuscule ad budgets, and now the things which people probably read these papers for are gone.

Nature, the sun itself, produces color effects... instantaneously. The impression of these evanescent visions is what we make desperate attempts to catch and fix by any means at hand. At such moments I am unconscious of materials, of style, of rules, of everything that intervenes between my perception and the object or idea perceived.

Three months before he died, I began to steal things from my father's house. I wandered around barefoot and slipped objects into my pockets. I took blush, toothpaste, two chipped finger bowls in celadon blue, a bottle of nail polish, a pair of worn patent-leather ballet slippers, and four faded white pillowcases the color of old teeth.

If you recall when [John] Kennedy passed an edict, 'Every person you hire in the Post Office must be African American,' the challenge with that is if all of a sudden, you are hired just because of the color of your skin, ability has nothing to do with it.And if ability has nothing to do with it, what does it do? It promotes mediocrity.

What I found fascinating was just how quickly the best of the young Negro League players were drafted into the major leagues once Branch Rickey broke the color line by hiring Jackie Robinson. It was clear that all of the major league owners already knew the talents of the black ballplayers that they had refused to let into their league.

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