Quotes of All Topics . Occasions . Authors
Anurag Sir is someone I have always looked up to and hoped to work with, like many other actors. It's a tremendous opportunity to be collaborating with him on my first film; I really feel fortunate. His conviction in me is very valuable.
Of course we had the best possible classical education, which gave us a very strong foundation and tradition. But we also learned a lot by collaborating with different pop/rock artists and especially by recording and working in the studio.
Sarah Palin - now don't laugh - is writing a book. Not just reading a book, writing a book. Actually, in the word of the publisher, she's 'collaborating' on a book. What an embarrassment! It's one of these 'I told you,' books that jocks do.
Pakistan never valued Nusrat Fateh Ali Khan saab until English songwriter Peter Gabriel started collaborating with him. After that, the country suddenly realised that they have an amazing talent. This is the story of a lot of artistes there.
I'm great at working with people and collaborating. And if my biggest gift of all is that I'm really good at pulling things from people and helping them become better at what they're doing, I'm here, as I believe all of us are, to be of service.
I don't do press for the sake of press. I tend to only be in the press when I'm introducing something or collaborating on something or whatever it may be, as opposed to inviting someone into my home to photograph my closet for no particular reason.
I started out as an actor, where you seek to understand yourself using the words of great writers and collaborating with other creative people. Then I slid into show business, where you seek only an audience's approval whether you deserve it or not.
For me, 'Atmosphere' was more about looking inwards and reaching out to people close to me. To emphasize the fact that I'm singing on the first single, this album is really more about me and songs that I've written instead of collaborating with people.
If we see someone, an artist who just does magnificent art, and especially if they're already doing Ghost-related art, we just reach out and start collaborating. But when it comes to the record sleeves and the tour posters, I'm usually quite particular.
It used to take me a really long time, and I used to not be able to write in the studio because I felt there was a lot of pressure to be perfect. The more I'm collaborating with other artists, the more I realize being in the studio is about catching a vibe.
Early on, after gay liberation, there was an almost Stalinist pressure from gay critics and even gay readers to write about positive role models. We were never supposed to write negative things about gays, or else we were seen as collaborating with the enemy.
When it comes to being in a band or going solo, one is collaborative, and one is not. But generally speaking, when going solo, I am the boss. People can contribute ideas, but I am the boss. When collaborating, you make compromises and look for a common ground.
I knew that collaborating on songwriting would be difficult for a lot of people, because I was known very much, for my independence and the fact that I wrote these quirky songs that were not typical structure, not typical sound - you know, really original stuff.
In the mid-nineties, I quit my job as a senior feature writer at 'The Mail' on Sunday in the U.K. and became a 'ghost writer,' collaborating with politicians, pop stars, psychologists, soldiers and sporting legends who needed help in penning their autobiographies.
The more alone I am, the more focused I can get. I've written things with people, some of which I liked and others I think are total travesties. Collaborating is trying to make a piece of music and get someone else to come up with the ideas. What's the fun of that?
I don't think I ever got the hang of the writers' room. I love collaborating with people, but I really do my best work alone, and I think I would want to - if I did something again, I think I'd want to take total ownership the way Aaron Sorkin or David Kelley does.
I'm deeply honored to lead Deloitte. I look forward to collaborating with all our people to continue to lead our profession in quality and innovation. Together, we make an impact that matters every day for our clients, the capital markets, communities, and society.
Digital companies can reach new customers immediately and at virtually zero marginal cost. They can compete in new sectors by collaborating with peers and competitors. They can massively improve quality and productivity by converging technologies and sources of data.
Open source is a beautiful way of collaborating; but what's happening on the free Internet is more akin to the 'crowdsourcing' of journalists and other content creators by advertisers who no longer have to pay them - only the search engines that parse their articles.
It's great being an actor and being part of a play or a film where there's usually quite a big group of people who are collaborating, and your job is really to fit in and share that energy. With music, because I write the songs, it's a broader, more abstract process.
That by listening to some music, by reading some books, by looking at paintings, and most important by hanging out with one another - by collaborating with one another and creating your own network - you can achieve something that is much better than what is out there.
People always say, 'Oh, I'd love to work with my sibling,' or 'My God, I could never work with my sibling.' It was just a natural process for us. We started collaborating on our first films and it evolved. We have a passion for film that we shared as we were growing up.
To know we are being spied on by our own government, and to have someone else's government collaborating on that, to know that data storage is so cheap your information can be kept for years and used to create any kind of story, to me that's a grave attack on human rights.
I always relish the idea of collaborating with the director on creating the sound world, the sound spectrum, and the sound environment of the film. I use every means at my disposal to create a score that is as strong and powerful to enhance the director's vision for the film.
Some people work very closely with a director or a producer on something, and from the get go, they're collaborating. But typically, it's just go in for an audition, do the best you can, and if the phone rings a couple of days after the audition and you get the part, that's great.
Bill Condon, I must say, may have been one of the best professional experiences of my life, collaborating with him. He, himself, is an Academy Award winning screenwriter. He is a storyteller first and foremost, so we speak the same language. We approach things always from the story.
I think that's kind of the perfect mix, where you do something that you're not sure about, you feel like you're taking a risk, and then you turn around and look at the artists that you're collaborating with and you can read the expression on their face if they like it or they hate it.
A lot of my peers don't think about collaborating the way I do. My approach is to imagine my world. The Jason Wu woman isn't just floating around in a beautiful dress. I like to know where she's going, what she likes. I'm not just in the fashion business. I'm in the lifestyle business.
I love getting into a studio with a bunch of friends. When the day's done, we've made something. We recognize that we're from different walks of the music industry, and there's no reason we shouldn't be collaborating. That's what I'm trying to create with thenewno2 - a sense of community.
In terms of so-called fly-on-the-wall documentaries, there's a claim that the camera is a transparent window into a pre-existing reality. What really is happening is that the film crew and the subjects are collaborating to simulate a reality in which they pretend the camera is not present.
Everything that works on the Internet depends on a lot of people collaborating, but there's also these rules that you see across all the really successful platforms. Many, many, many more people consume the information or benefit from the information than actually contribute the information.
I never would have thought I would be able to learn as much as I did from Blake Shelton, so I want to open up the doors to working with people that might not make sense on paper, collaborating with different artists like that, because you can never stop learning. That's the most important thing.
I enjoy collaborating with creative people and trying to get the best image possible to convey a feeling or story. Plus, I get flown all over the world to exotic places. How can you lose interest in that? It's a great lifestyle. I can take vacations whenever I want, and no two shoots are ever the same.
I wasn't really actively trying to pursue music, so I was really just allowed to create freely without any pressure or outside influences like, 'Oh, I should be making this' or 'I should be collaborating with this person.' It was just kind of like whatever I wanted to do. I was just having fun with it.
My thing with New York was that it felt so insular. When I went to L.A., everybody I knew was a cool, amazing musician. In New York, they'd be hunkered down trying to form a band. But in L.A., guys in bands were also playing with other artists, touring with other artists, and collaborating with other artists.
I think my collection is doing really well, but collaborating is actually just a nice exercise in doing something different. For example, I do things very differently for Moncler that I wouldn't specifically do for me. For me, I can do whatever I want. With other companies, you have to stay responsible to them.
I love the fact that H&M has created a new phenomenon in fashion through the pioneering concept of collaborating with high-end designers to create one-off limited-edition capsule collections. I am thrilled that my creations for H&M will be accessible to - and hopefully enjoyed by - so many people around the world.
I'm always working on new songs. With the technology these days, any idiot can record on Pro Tools on your laptop. All you have to do is plug a microphone into the input jack and anybody can have their own recording studio. So I'm always down in my basement, singing along to riffs or whoever I'm collaborating with.
I recognize that it is through the engagement with my craft - by recognizing an idea and drawing it out, building physical models, collaborating with experts, constructing the sculptures at urban scale, and maintaining them through years of weather and interaction with the public - that a new art for cities has become real.
I'm no good at anything but comedy, which I think I'm good at. I'm absolutely no good at networking; I'm terrible at acting; I'm terrible at dealing with executives; I'm terrible at collaborating. And I say whatever I want to say. But I think I'm good enough at comedy that I can survive. And I don't really have an ambition for money.