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I like to be able to control which players I'm working with. Because it doesn't matter how good a coach you are if the guys you're working with think they already know it all. You need a response, you need to feel they're trying. I want players who are always striving to improve.
I was too kind of brave and proud to want a dialect coach because I thought that showed weakness in my armor. But then you just learn it's a more efficient way of doing it. A dialect coach is really important because it takes a certain technical responsibility off your shoulders.
Having been in football all my life as a player and a coach and having been on the sideline, I think the closer we can get to bringing people what it's like standing and watching the game on the sideline, with a better view, would be the perfect situation for television football.
Jose Mourinho is one of the best managers with whom I have worked. I had a chance not only to have him as a coach but as a colleague, a friend, a big brother. I had a chance to learn from him, and he was open to receiving advice from me as well, even though I think he knew it all.
In Brazil, the coach respects the player's characteristics. In Europe, they are used to playing with two lines of four players, and they don't want to know what you can do. There, if you are a forward, the coach sends you on to the pitch just to run. You have to run, and that's it.
Players alone don't win championships. It takes an entire organization. Someone has to acquire the players. Someone has to coach them. Someone has to generate revenue to pay them. But at the end of the day, the players are the ones who put their minds and bodies on the line to win.
Aleta St. James is an internationally renowned energy healer, life coach, best selling author, and more. Aleta does private sessions to release old resistance and shift out of anxiety, depression, low self-esteem, trauma, addictions, infertility, and insecurity at a cellular level.
There are two real keys to winning. You've got to have good players: no coach won with bad players. You win with good players. That is number one. Number two is, when we are playing, let's say we are playing Michigan, and they had a really good press: we've got to solve that press.
My sports were team sports: ice hockey and baseball. The whole team dynamic is similar in business. Leadership is earned - the captain earns that role; it's not because he's the coach's son. These are all things we know, but in today's world, it's not a bad idea to remind ourselves.
I've always respected Coach Frank. I kind of publicly recruited him because I really need him and want him. I'm kind of the college recruiter now because he brings a lot to the table. He's had success here and understands the good and the bad, so I'm recruiting him to join my staff.
As a player, I could have the ball in my hands; I could kind of dictate what happens. I'm still learning, a young coach with young players. Sometimes I'm going to see things. They're not going to see what I see. So it's being able to translate that and help them see what I'm seeing.
Becoming a coach has to be in your blood. There are hundreds and thousands of former athletes out there, but there are maybe only 10 people who want to dedicate their lives by taking on a job as a coach. Not only a master, a coach should also be a brother or sister to his apprentices.
I realised that the political context had got worse since the 2010 World Cup. I tried to ignore it but I wanted, as a national coach - you may call this Utopia - to make Catalans and Basques feel good about supporting a Spanish side... to unite even the most sectarian and nationalist.
A sportswriter's life means never sitting with your wife or family at the games. Still working after everyone has gone to the party... Digging beneath a coach's lies, not to forget those of athletic directors and general managers and owners of pro teams. Keeping a confidence. Risking it.
People think that there is so much money in tennis, but the reality is unless you're ranked in about the top 50 you don't earn much at all. It is hard to support yourself travelling the world, to be away from home most of the year and to pay for a coach to help you become a better player.
If you're a coach, and you don't have trust with players, you've got no chance, and your credibility is zero. And that's why it's so important to tell them the truth. If you have something that you're upset about, tell them the truth. If they're doing something wrong, tell them the truth.
I talked to Grant Hill, and I told him, 'I played against you a lot, and now, hopefully, I'm getting to coach a player like you. Jabari has the opportunity to be a special player in this league. But it's not handed to you. He's going to work, and our jobs are to make him better each day.'
In fact, one of the conversations I had with Jason Garrett, you know, sometimes X's and O's get so complicated, and a coach gets so into that that he forgets the most important thing is players win ballgames. Make sure that the players are properly equipped and motivated to do their jobs.
That's the number one thing for a guy for a new coach coming in. You've really got to buy into the system and believe it's going to work because, if you don't, it's going to cause conflict, and you're not always going to be on the same page as the other guys on the team or with the coach.
There have been competitions where I got on the line and psyched myself out before I even let myself compete. I was thinking about the other competitors and not giving myself a fair chance. I had to shift to thinking, 'Just focus on yourself and doing what your coach has taught you to do.'
I tell you, it was kind of two-fold. I fortunately had a lot of support. My coach was amazing - he told me to focus on being prepared and that is what I did. Every athlete is nervous - any athlete who tells you they're not nervous isn't telling you the truth. I was as prepared as I could be.
I plan to coach at University of Louisville for as long as I can maintain the passion I have for the game of basketball. I don't want to coach anywhere else. I don't believe in anything else as much as I believe in this university and this state. I want to coach as long as they will have me.
I started training with Fabricio Itte with my wrestling and high performance; I started spending a lot more time with my head coach Henry Perez and also my grappling coach Alex Prates. Those three are my core team, and they've made hugely important changes and skill enhancements with my game.
In Germany, we laugh at it. Mourinho just selects a topic to moan about - transfers, team preparation, a rival coach. But Pep Guardiola wants it all to be about the performance of his team. He's obsessed by possession, like at Bayern Munich, and will not compromise on that at Manchester City.
I really feel like that concept of enjoying the now and not worrying about the future is what my coach has been trying to teach me for 14 years - and that is what has made me such a different athlete 10 years later, and that is what has made me strong enough mentally to make this Olympic team.
No, I've never competed. I did, however, train in a boxing gym with a good coach beginning in 1993. I'd been writing about the sport for a dozen years by then and wanted to know what boxers endured, what it felt like. I was too old to compete when I started, but I sparred enough to get a taste.
I'm very fortunate to have a coach that I got to stay with all this time. Every year the bond gets stronger and better, and we understand each other more. And it's like she can tell if I walk into the gym what kind of mood I'm in, what she has to fix for the practice I need, or how I'm feeling.
When you're a young talent, and you want to launch your brand, you always have tons of questions: Where should I produce? Should I launch a second line? Should I do shoes, accessories? If you have someone who can coach you and give you advice and help you find the right supplier, it's a big help.
We have to change the way we coach kids in the long-term so that by the time they hit 16, they are better than the Spanish, French, and German players. That is the big challenge, but the No. 1 criteria for me has always been how you are technically judged, from the age of eight, not size or power.
Watching soccer is my main hobby, really. I'm no tactician or coach, but I enjoy watching the free flow of it, the different styles, and the histories behind clubs. Like Barcelona vs. Madrid - it's not just a soccer game; it's a geopolitical struggle. There are great storylines and no commercials.
I have spent a very long time in Cate's shadow - she casts a pretty big one. I have always had the support of my family and coach, and they have always stressed we are completely different people and will achieve things in our own time. They stressed I would get my moment. I just had to be patient.
When Jim Irsay called me five years ago, he told me, 'I want you to be our coach and help us win the Super Bowl.' He told me, 'We are going win it the right way. We are going to win it with great guys; win it with class and dignity. We are going to win it in a way that will make Indianapolis proud.'
Working with Will Smith was one of the highlights of my career. He is so talented and has a tremendous work ethic. We are still friends, and I reach out to him and his partner to pitch ideas. He loves my mother. In fact, my mother was his son Jaden's acting coach for the movie 'Pursuit of Happiness.'
I definitely see myself continuing to transition into more acting roles. I'll always be a coach. I'm always going to have a training center, always going to work with guys that are looking for some input and want help. I love commentating, and that's something I can always go back to and enjoy doing.
I was with All Pro Dad, and I was coaching. People recognized me as a coach. They might see my face and say, 'What's going on there, is that something with the Colts or the Buccaneers?' Then they realize, 'This is something with my kids; let me explore.' So I think that helped, that name recognition.
I practice yoga at home to a TV show called 'Inhale,' taught by Steve Ross. I figured that if the people on the show could stretch that deep then I could too. I ended up pulling my hip flexor. But that's how I met my husband. Paul was the physical therapist my coach called to meet with me after hours.
I had been a basketball fan growing up, and I felt that if we brought in the proper coach, and we played basketball the old fashioned way - where defense is paramount and offense involved movement off the ball and movement of the ball - we could build a winning team, and Chicago would respond to that.
I hope somebody falls in love with me - other than my fiancee. But that's what you want. As a player you want a team that really wants you; head coach, GM, owner, everybody that really wants you in their place and the players believe in you. I'm looking forward to making somebody fall in love with me.
I'm especially thankful for being able to coach so many talented young men over my 18 years here. It has been so rewarding to see these players come to OU and mature over a four- or five-year career, and not just on the field. To play a small part in their growth is what I will always cherish the most.
I know when I was an assistant coach and I started interviewing for head coaching jobs, I actually lost out on many jobs, several jobs, and the complaint that I got was, 'Well, he doesn't fit the mold of a head coach. He doesn't look the part. He's not gonna jump up and down. He's not going to scream.'
The coach put me in goal, and back then, we were playing on bone-hard ground: red ash; we even trained on black ash, which was worse. That's not easy for a goalkeeper. My mother was always taking out her sewing kit for the countless holes in my training pants. For a long time, I had to buy my own gear.
I was born in a very poor family. I used to sell tea in a railway coach as a child. My mother used to wash utensils and do lowly household work in the houses of others to earn a livelihood. I have seen poverty very closely. I have lived in poverty. As a child, my entire childhood was steeped in poverty.
If I can iron out my accent, it opens up another world of possible jobs. Whereas if you have that very strong European accent, it leaves you always being cast as the Hungarian maid or the stripper or whatever. I have voice lessons, and my coach has given me different tongue-twisters to rehearse at home.
I went to Michigan State because a coach I was being recruited by told me if I go to Michigan State, I wouldn't start. I didn't like the boundaries he put on me. He was probably trying to look out for my best interests, but at the time I took it kind of personal. Not only did I start, but I made captain.
When you're coaching at Kentucky, you're held to a different standard, and like in politics, there is a core group that absolutely loves you, and everyone else is trying to unseat you in any way they can - anything to trip you up; that's what it is. If you're not up to that, then don't coach at Kentucky.
I actually watched Tom Brady a good amount in college. My coach in college was Kliff Kingsbury, and he actually was a backup for Brady at one point, and so he showed me things that he liked with Tom and his pocket movements and stuff he did within the pocket that I've tried to put in my game a little bit.
I did this class when I first moved to California. It was a 'Kids on Camera' class up in the Bay Area. That was good for just getting me excited in acting and everything. Then once I started working down L.A., I just stuck to my acting coach, and she helps me prepare with auditions and that sort of thing.
I was heavily influenced by big voices when I was younger. People like Whitney Houston, Aretha Franklin, and Patti Labelle really spoke to me. When I got older, I was into Erykah Badu, Jill Scott, and Lauryn Hill, but it wasn't until I started working with a voice coach that I really dove into jazz music.
Mauricio Pochettino - he was my captain at PSG and I always knew he would become a manager. He has taken a lot of influence from Marcelo Bielsa, who was his coach with Argentina; they used to talk about things a lot, and now you can see that his teams are really aggressive, both when attacking and defending.
People sometimes ask me to name the greatest coach in NFL history. George Halas may have set the standard, but Don Shula has won more games than anyone, and he has done it in the most competitive era. He had an incomparable ability to evaluate players, to motivate them, and to teach them the game of football.