Quotes of All Topics . Occasions . Authors
If it came down to it, I wish people heard different records from me that I know give you a soul R&B sound of music that I know is really my gift, gift. But the ones that usually go are the records that radio, the fans and the clubs really love the most.
In all probability, when the 1919 series is over, a diagnosis of it will show that the final result was brought about by some unusual situation or freak happening that was given no consideration when the relative strength of the two clubs was considered.
The wrap party for the 'Lorna Doone' TV series was pretty special. We went to about four clubs, then four people's houses, and I got home at midday the next day. I'd been wearing ridiculous green shoes all night, and the dye had smudged all over my legs.
If you want to be watched 24 hours a day in everything you do, you can't turn that around. You can't wake up three years later and say, 'Stop bothering me, I'm a serious actor,' if all you've done is wear certain clothes and show up half-loaded at clubs.
I saw a DJ from Germany called Sven Vath. I saw him in the club, he played for six hours and I was just totally intrigued, because everything he played I'd never heard before and everything he did I'd never seen before. I was so blown away by what he did.
When we were younger and first starting out in Australia, we found that we sold more records by word of mouth because we were playing the bars, clubs, and small places and building a following. And as we got bigger, we still relied a lot on word of mouth.
In the '70s, Florida-style golf communities started to be built for America's baby-boomers who were doing well and taking up the game but couldn't get into exclusive golf and tennis clubs and were looking for a nice place to live and raise their families.
There's so many good comedians in D.C. I started hanging out with those guys. Dave Chappelle was there. Actually, Dave was too young to be in the clubs, so when his mom couldn't make it, he would ask me to pretend I was his aunt, so he could do open mike.
When I was young in L.A. and I couldn't get into clubs or restaurants, I would call imitating celebrities and get a table, and it would work often. I was either Stallone or Mickey Rourke: 'This is Sly. I may be late, but my buddy Hank will be there early.'
They wanted to play me central midfield when I was at Aston Villa, so that's why we left. Things were going good at Coventry, but then scouts from Manchester United and different clubs around England were watching me, and I don't think Coventry liked that.
John Frances, Entertainment Chair, of the Friars Club: Of all the roasts that I have produced for the Friars Club, this is the one that I am most excited about. Mickey is one of the Club's dearest friends, and we wanted to honor him in the way we know best.
Out of all the clubs who were interested, I got the feeling that, deep down, Chelsea showed that they really wanted me. There were lots of reasons I came to Chelsea. They showed a real desire to get me to come here. I didn't have to think about it too much.
I used to be with Gucci every day. School nights, I was with Gucci going to all the different clubs, going to his video shoots. Just moving around with him is how I met a lot of different artists like 2 Chainz and Shawty Lo and other people I work with now.
I made my name and reputation DJing in hip-hop clubs in New York. 'Celebrity DJ' is a term that I hated. To me a celebrity DJ is someone that's on 'Big Brother' or in some kind of B-movie who gets a gig to DJ even though they're not talented enough to do it.
When the great jazz and blues clubs closed - joints where the cash register rang loudly and there wasn't ESPN on TV over the bandstand, and people smoked cigarettes and drank whiskey and hollered 'Play on!' - When those places closed, I was pretty much done.
Everyone gets surprised because neither one of my parents play golf. Like I said in my speech, my aunt and uncle really love golf, and we visited them, and she gave me two clubs. Like people think when they don't know who my dad is, they think he's my coach.
I was released by Chelsea at 14 years old. I remember it, a Tuesday night. On the Wednesday, I was training with Fulham, five minutes from my house, and then on the Thursday, I was training with West Ham. After one session at both clubs, they both wanted me.
I have four warehouses full of stuff. I have every boarding pass of every flight I've ever been on. I have all the old contracts that we had from all the clubs and concerts we played, every one of them, up from 1980. Guitar picks and amps - it goes on and on.
Outside the golf course, I feel the pressure, and I feel what everybody else is feeling. But on the golf course, it's just the golf ball and clubs. And when I have that, it just puts a lot of pressure off of me. It just makes me very calm looking at it, yeah.
You don’t have to be part of a club to know Jesus. And you don’t have to be part of a scene to know Jesus. And you don’t have to be perfect to know Jesus. You don’t even have to be semi-perfect to know Jesus. You just have to be willing, and open, and honest.
Playing music well is difficult, yet the world has an abundance of fine performers. Explaining a little about music is easier, yet few do it well. Those who can do both supremely form a tiny club, whose honorary chairman is the conductor Michael Tilson Thomas.
I've had three or four Scottish Premier League clubs contact me about going there and doing something. A couple of those clubs couldn't be further away from London so I'd have to seriously think about it, but it's nice to be sought after and nice to be wanted.
At first, I found the music I was making really hard to find a home for. I felt like my attitude was really British, but not the actual sounds I was making. Back in 2003, when I made 'Galang,' there were no clubs that had an 'anything and everything' attitude.
You're younger, you might want to go to clubs and kick it, but as you get older, you start seeing that life has more meaning to it. The people that you love are the people you want to start trusting and start wanting them to trust you and start respecting them.
When I played for Stuttgart, I met Manchester United and Chelsea. With United, I immediately think of the duels with Ryan Giggs and Paul Scholes and with Chelsea, it was John Terry. Those players are symbols of their clubs and the success they had at that time.
You can never know if there will be a second Cruyff, someone with a great personality who can grow up and make it into the squad of the club they love. But what is certain is that, in the Champions League, there will be big clubs producing these players forever.
Both casual, unthinking discrimination and deliberate, malicious homophobia erode self-confidence and undermine mental health. Both are far too common, not just in our schoolyards or online but in sporting clubs, in the outer and even in our national parliament.
I had a client who was a professional baseball player once, and he would go to clubs and dance for seven, eight, nine hours at a time. He wouldn't drink, he wouldn't take drugs - he just danced because he had so much physical energy; he was this amazing athlete.
We were from downtown, so we were rapping in Danceteria, in these white downtown clubs, really. Nobody downtown was rapping. Nobody we knew was rapping. So we were like, 'We should do it.' We weren't making fun of it; we loved it, and we wanted to be part of it.
I approached work very seriously. I never went out. I couldn't fathom people who could go out to clubs... But I definitely went through a time where I was just terrified and exhausted and I didn't really understand. Hollywood... It just got to be too much for me.
Maybe one of my strengths was to bring the energy to the team, and then defensively, I contributed a lot compared to other players, which is quite essential for the big matches; you know, against big clubs, you need to be very cautious with opponents that attack.
I used to break a lot of clubs. I probably was a little different than your average junior player. I did have a lot longer hair and a lot more brown hair. But my demeanor, you know, really from maybe my second, third year on Tour, has gotten a lot more even keel.
I had no interest in sports so I didn't make friends in that traditional way where kids are in public school and they go and they join clubs, and play sports. So I kind of had to find my own way to make friends and get attention and so I just was the class clown.
Variety shows didn't disappear; it was the caliber of the artists, the classic vaudevillians that have passed on. They are gone, so there's a different caliber performer that's come along that hasn't had the time to work in the small clubs and get the experience.
There was a lot of freedom, so bands in those days did not have to play for the public. They played for club owners that enjoyed music. You know, what happened - there was a lot of clubs that had bebop music or different forms of music. It was great for musicians.
I think you've seen the likes of Liverpool, Chelsea, Man City - the top clubs - all now tapping into the women's market and developing that side of the club. It's great for women's football, and I look at how far we've come, and it's great to have teams like this.
We're playing small clubs and doing it all in a van. I have management, and they've done a good job of getting our tour plan together, but we're still having to go and rent the vehicles and all the little things you need to do. You really have to watch your budget.
Your man Daddy Yankee, some black and white people who know what's going on in the 'hood and the clubs are supporting him and loving him. But he's speaking Spanish, and he's speaking directly to the Latino people, and the people who know the language really dig it.
The truth is, I initially became a singer-songwriter while still in my teens because it was the only way to guarantee that somebody on earth would sing the songs I was writing. Since then, I've performed just about everywhere: rock clubs, concerts halls, arenas, TV.
I began singing in dive bars and really small clubs. I dragged my piano down the stairs, and I went down the street with my keyboard, and I would go to every different dive bar that I could get to agree to let me play. I'd call and pretend I was Lady Gaga's manager.
I remember those moments in my life when the tape came out on that Tuesday, and I went to Sam Goody to cop it. And sitting and listening to it. In awe of the music I was listening to, but also imagining this music at the hip-hop clubs and with the homies in the car.
I've always stayed on the periphery of things. When I used to go to the punk clubs and things like that, I was never up front. I always wanted to be in the back, or on the side, because I wanted to get the whole view, rather than be staring up at someone's nostrils.
You get weird, funny requests on Twitter. With our fan club, I was seeing a lot of fans were having some issue with the way the fan club tickets were being handled in one of the shows. So I was able to correspond with that fan, and be like, 'Listen, we'll be on it.'
One of the biggest misconceptions is that players care about transfer fees. For a player, they do not care at all. They do not care if they move clubs for one million, 10 million, or 100 million Euros. That is just something a player leaves to his agent and the clubs.
The first time on stage is such a blur to me. I remember how it felt more than anything. I remember everything about the day before I went on stage - what I ate, the first person I met in the club, how I felt beforehand - but the actual being on stage is a total blur.
I always said to the directors that the minute a player becomes more powerful than the manager of Manchester United, it's not Manchester United. You have lost control of the whole club. So I always made sure that I was in control. They always knew who the manager was.
Life changes when you have a child, when you have your own family. You become more careful about what you do. You're not going to be out late, going out to clubs, hanging out with your friends. You're going to be at home, taking care of your daughter, playing with her.
When there were just eight teams in each of the big leagues, I was always told, 'It's hard to come up, but it's just hard to stay in the big leagues.' That's because there's always somebody. The Cardinals had so many minor league clubs and had so many good ballplayers.
If you annoy the Hog-nosed Snake enough, he will roll over on his back and play dead. If you turn him right-side up, he will roll over to prove that he is dead... While he is playing dead, you can go straight up to him and step on his head or smash him with a big club.
I've played many matches against English clubs and the national team - and I always notice a difference in those games. When you play against the inventors of football, it adds more importance to the result, and you can see that demonstrated by the levels on the pitch.