Quotes of All Topics . Occasions . Authors
The biggest similarity between me and my character is that we've both played clubs for 20 years. In real life, the clubs aren't quite as controlled - and my hair isn't quite as in place as it is on 'Ally McBeal.'
I have always given everything to the clubs I have represented and I represent. But I cannot lie to you: the club of my heart is still Real Zaragoza, who I have supported as a child and where I started my career.
It's quite different, the kind of love you get in a smaller club and the kind of love you get on a big proscenium stage. It's quite different. I like both of them, but I'm in love with the smaller, intimate club.
The Premier League is one of the most difficult in the world. There's five, six, or seven clubs that can be the champions. Only one can win, and all the others are disappointed and live in the middle of disaster.
I really loved touring with my band, but it felt like we would spend a lot of time playing in empty rooms - empty clubs. We had some good successes, but it's so physically hard to load up a van and drive all day.
I left school and couldn't find acting work, so I started going to clubs where you could do stand-up. I've always improvised, and stand-up was this great release. All of a sudden, it was just me and the audience.
In a way, Jersey really supports rock, maybe more than New York City and Long Island. I know plenty of bands that tour and do much better at Starland or other clubs in New Jersey than others in the tri-state area.
Big clubs in Europe always go through difficult spells where it appears as though there is no light at the end of the tunnel. But because they are big clubs, they always come back, and they do so with a vengeance.
Being in a smaller environment - sometimes I like that. As a comic, we start off in comedy clubs, and there are people right at your feet, right on top of you. And I realize, as I get older, I miss that sometimes.
My generation put in a lot more hours playing football after school than kids today. These days, all the football these kids play, they play at their clubs, so the clubs need to work seriously on the basic skills.
I worked at comedy clubs - if I can use the term 'work' - for several years. I middled at one point. I never made it; I was never a headliner. I never made enough time to write enough good material, in my opinion.
I get myself a gig somewhere, whether it's in a club, whether it's in a bar, it doesn't matter, and I just work on New Year's Eve because I always feel it's very symbolic for me for the next year, for the new year.
When I got to New York City when I was 18, I started playing in clubs in Brooklyn - I have good friends and devoted fans on the underground scene, but we were playing for each other at that point - and that was it.
There's nothing like the energy in a small comedy club room or a small theater when it's going really well. I can see everybody's face practically in the whole room. There's no cameras in the way, and it's just me.
Most recently we've been working in concert situations rather than clubs. because there aren't too many rooms there like Ronnie Scott's, that are pure music rooms, where people come specifically to listen to music.
We need a solution for European football. You need to help smaller clubs in European competitions get the right distribution of money so they can invest in coaches and attract talent for the level they can play at.
As the weeks went on, I realized there was an important role comedy would play in healing the tragedies of September 11. Comedy can help people cope, and many people were coming to the clubs to laugh out the stress.
I used to hang out a lot in jazz clubs, and the groups took to a kid like me who wasn't afraid to get up and sing with a jazz band. Then I started to hang out in rock clubs and learned to carry off different styles.
What we have to do is to find a solution that the interests of the national teams are respecting the interests of the clubs. And also the clubs they shall respect the interests and the aspirations of national teams.
If there is going to be any meaningful sales, it's going to be through word of mouth and people recommending it to their book club and then a thousand more book clubs do it, and then you get into real sales numbers.
I spent seven years with Jose and we were part of a very good technical staff. We went to top class clubs at Porto, Chelsea and Inter Milan and worked with top players who gave us such a tremendous volume of success.
The best gift I was ever given was the arts. My mum gave me those on a silver platter. Growing up, her and my grandmother would take me to ballets, classical concerts, even smoky jazz clubs I wasn't supposed to be in!
TV is easier: it's all planned out for you, and the audience is there to see a show and they are all pumped up, but when you are in a comedy club, you have to be really funny to win them over. To me, that's more pure.
You've got two huge clubs in Manchester that have got 'celebrity' managers, huge resources, massive turnovers. They can generate resources the rest of us can only imagine, and that's before the TV money even kicks in.
I always really loved soul music but all my friends were into the new romantic scene. I'd go to new romantic clubs and then go home and listen to soul music. I was sort of ashamed of listening to disco and soul music!
I shortly will introduce legislation banning the sale, manufacture or possession of handguns (with exceptions for law enforcement and licensed target clubs)... . It is time to act. We cannot go on like this. Ban them!
Write a lot. And finish what you write. Don't join writer's clubs and go sit around having coffee reading pieces of your manuscript to people. Write it. Finish it. I set those rules up years ago, and nothing's changed.
What Tupperware has stood for all these years is the independence of women, allowing women to work from home, earn a living - and that what this Boys & Girls Clubs of America program, the SMART Girls program, is about.
My posture is changing constantly with different length clubs. I have to. Whether it's subconscious or not I'm still changing. That's going to put another variable. I said, 'Why can't we make the lengths all the same?'
I think there ought to be a club in which preachers and journalists could come together and have the sentimentalism of the one matched with the cynicism of the other. That ought to bring them pretty close to the truth.
If you've never been fit for clubs, your game could seriously be suffering. People tend to stick to out-of-date, poorly fit clubs because they either don't see the benefit of a fitting or are intimidated by the process.
If a club like Barcelona can do it, then why can't other clubs? It's amazing that we can be here alongside the men and the way everyone is integrated in the club. People aren't just walking past you going, 'Who's that?'
My uncle who helped in a big part of raising me from when I was young, had moved from California, and would just tell me these legendary stories of these motorcycle clubs that he was around and that he used to ride with.
I would like to think that during my time at Stoke - and other clubs I was at - I was always a manager that wanted to play in the right way, with purpose, with drive, and to try to dictate to the opposition if you could.
You start in bars and then restaurants, then you want to get into comedy clubs where you feature, then you headline, and once you sell out clubs you're into theaters. I've been able to get there, and it's cool to do that.
The first time I went to Abbey Road and put those headphones on, I discovered I had two voices. I no longer had to shout in the studio, but I can't knock the Cavern or the other clubs because they gave me my strong voice.
I was surrounded at the time by about a dozen of the enemy, whose clubs rattled upon me without mercy, and the strokes of my sabre were rendered uncertain by the energetic pushes of an attendant who thus hoped to save me.
When I grew up, I lived in a neighborhood that had social clubs. It's never delightful to glamorize one's youth. My neighborhood was poor. But people felt part of the neighborhood. This was in Rockaway Beach, Long Island.
What I've realized is that when I walk into a club, I don't feel good, I feel uncomfortable. I wonder what to do, I look for my drink... it's not necessarily an enjoyable experience, so why would I put myself through that?
Jesse Jackson and Al Sharpton cannot write a timeless letter to us from a Birmingham jail or walk, as John Lewis did in 1965, across the Edmund Pettus Bridge in Selma, Ala., into a maelstrom of police dogs and billy clubs.
If people perceive you as a good actor then they'll wish for you to be a good actor and they'll root for you when they watch you, but if you come out and you're going to clubs every night people don't root for you anymore.
I don't know if it was a single-blade or one of those straight-edge razors, but I used to play in bands that were, like, show bands and would play different clubs, and, in those days, I would go to the barber twice a week.
People get DUIs, people get in fights with their boyfriends, it happens, life happens, but it's about being accountable for your actions. I don't know. I'm just not that girl, I don't go to clubs. I'm a pretty normal girl.
But the annoying thing is designing the same thing for two different markets. Like clutches - Japanese girls have no use for clutches because they just go to the clubs right after work. They are so different from New York.
I thought I had joined one of the best clubs in the world, one of the biggest names around, and I had, though within a few years, it became clear that I had arrived at one of the worst moments in Liverpool's whole history.
I started doing stand up when I was 19. Because I was underage at the time, at certain clubs I would be forced to wait outside until it was my time to go on stage. Then I would do my set, walk off, and be kicked out again.
At the beginning, there was no chance I'd get published so I thought I'd give it a go live. I had to perform in rock band places and working men's clubs, where you wouldn't expect to find poetry. I ploughed a lonely furrow.
In my Comedy Club sets, I just work on what is fresh and try to build that show as long as I can. I don't like to do burnt material on stage. Even though my crowd loves to hear me do old stuff, I don't like to do old stuff.
I used to go salmon fishing with the late Jim Slater, the renowned investor, and he would give me tips. He told me to buy shares in football clubs, so I invested in Manchester United before its shares went through the roof.
I have learned from my mistakes... the business we are in is cutthroat. I have seen too many older blokes give their all for clubs, then be told they are not wanted. Even blokes still on contract are told to look elsewhere.