I've never been much of a computer guy at least in terms of playing with computers. Actually until I was about 11 I didn't use a computer for preparing for games at all. I was playing a bit online, was using the chess club mainly. Now, obviously, the computer is an important tool for me preparing for my games.

With all due respect, but Juventus are not Real Madrid or the AC Milan of Ronaldinho's days. They can win games 6-2 or 5-2. Juventus are not like that. We have to win 1-0 or 2-0. It's in the club's DNA. That does not mean we will not try to win 3-0, but we are a team that cannot concede a goal when we are ahead.

I know I have this level of celebrity, of fame, international, national, whatever you want to call it, but it's a pretty surreal thing to think sometimes that you're in the middle of another famous person's life and you think to yourself, 'How the hell did I get famous? What is this some weird club that we're in?'

Temptation is just that - she's the girl you claim you don't want, but in the moment, you have more drinks than you should in the club. One thing leads to another, and suddenly you've done something really stupid. You've jeopardized what could've potentially been a really great relationship, all due to temptation.

Everyone's supposed to stay in their lines and be neat. 'You're a rapper. You're supposed to rap, carry a boom box, wear chains, and go to the club - that's all you do. What are you doing collecting art? What are you talking about? Wait a minute, you're getting out of the zone.' People hate when people cross lines.

I've always wanted to be a DJ so I could play the music I love for other people. That feeling hasn't changed, but my sets are always evolving. In terms of tailoring to a specific crowd, certainly I do play differently depending on the situation. It's a different feel, for example, in a small club versus a festival.

I made an awful mess of my first marriage. It was hard to live with me being me. I was so abnormal. I mean, most writers struggle. I hadn't struggled. I couldn't suddenly go down to the PEN Club and behave like a normal human being, because most of those guys were struggling to make a couple of thousand pounds a year.

What's hurtful is when you have portrayals like, you know, when you have someone like Jared Leto who accepts an award for 'Dallas Buyers Club,' after playing a trans woman, standing in a full beard and looking fully cis male: it is communicating to our audiences that underneath all of that, it's still a man under that.

I was discovered by Paul Marciano of Guess when I was actually, like, two years old. And so I started with Baby Guess; I did Guess Kids, and then I stopped because I was a really competitive horseback rider and a club volleyball player. I went to Junior Olympic qualifiers for volleyball. So, I kind of stopped modeling.

Any time women come together with a collective intention, it's a powerful thing. Whether it's sitting down making a quilt, in a kitchen preparing a meal, in a club reading the same book, or around the table playing cards, or planning a birthday party, when women come together with a collective intention, magic happens.

When you are young and you play football, you must play in the street. When you go to a club at the age of five, and the coach says you must pass this, eat this, drink this... it's not a life. Young people must train for themselves, play football every day, and not have three coaches, with each one saying this and this.

People have to understand one thing: at the age of 18, I arrived at a dream club like Manchester United. It was a dream come true. But, even at that moment, I was thinking about playing in England for some years and then going to play in Spain. Even at that time I was thinking that way, and I always gave 100% everything.

I did a 'Last Comic Standing' audition in 2006, where you're just performing for three people in a comedy club, in a big comedy club, and I remember them cutting me off, asking about my name in the middle of one of my jokes. Yeah, it's just real weird when you're doing stand-up in that type of sterile, unnatural setting.

I think, in a way, I invented the term 'fight club' and that these things have always existed, but they never really had a label. Nobody had a language to apply to them. I created that language in two words and I've been paid a great deal of money for inventing two words and labeling something that has always been around.

Increasingly, we're seeing two worlds in Canada. The world for most Canadians is increasingly unaffordable, involves more precarious work, and is a harder place in which to get by. The second world is an exclusive club for the wealthy and well-connected who get special access and are exempt from rules the rest of us play by.

In 2009, I traveled to South Sudan with my organization PSI. While there, I visited a local school and met with a group of children who had formed a water club. The group learned about how to treat their drinking water and use proper hygiene practices, such as washing their hands before eating or after going to the bathroom.

Today, Negroes play on every big league club and in every minor league. With millions of other Negroes in other walks of life, we are willing to stand up and be counted for what we believe in. In baseball or out, we are no longer willing to wait until Judgment Day for equality - we want it here on earth as well as in Heaven.

The owner or president is the person who controls the club. The coach's job is to keep him happy. But the key to success, as a manager, is your relationship with the players. Important clubs and important players succeed when the environment is correct. The players must enjoy their work and feel free to express their talents.

Lyrics came quite easy early on in my career. But I always wanted to push it further and stand out a bit more. We were coming from the garage era when lyrics were simplified, purposefully, to work in the club environment. They were about hyping up a crowd or bigging up a DJ. Moving into grime, our lyrics became more in-depth.

Kids are the ultimate trump card: a way to get out of co-op board meetings or lunch with a friend you don't want to see or your brother-in-law's set at a comedy club. It's fair to use your kids as an excuse to sidestep what you don't want to do; it's less fair to blame them for not being able to achieve what you do want to do.

Like most places, America has always had potent strains of anti-Semitism - crude and polished, K.K.K. and country club. But unlike many places, we have always had important strains of philo-Semitism as well; there is a long American tradition, with both Protestant and Enlightenment roots, of really liking Judaism and the Jews.

Every day I am being told to sign up for Tumblr, Yammer, Friendfeed, Plaxo, Last.fm, ping.fm or the hot social-media tool du jour that happened to get mentioned on Mashable.com. It is like a social-media arms race. Each one of these new tools is like a cool new night club. Hot today, gone tomorrow, replaced with something else.

I've never stopped being Argentine, and I've never wanted to. I feel very proud of being Argentine, even though I left there. I've been clear about this since I was very young, and I never wanted to change. Barcelona is my home because both the club and the people here have given me everything, but I won't stop being Argentine.

Brother Colm is one of the best coaches who's ever been here in Kenya. He's been, of course, my coach since I started running. He saw me in high school when I was still doing 400, and 200 meters. He decided for me to join his club and we'd been training for one month. That is when he saw me and he thought I could do a good 800.

There was a lot of criticism in Boston that we weren't going to spend money on the Red Sox after we did the Liverpool transaction. Then there was the fear we wouldn't spend in Liverpool. Hopefully the fans of both clubs will eventually see what we see clearly - that there is nothing to fear from the existence of the other club.

It is hard to imagine that, having downgraded the US, S & P will not follow suit on at least one of the other members of the dwindling club of sovereign AAAs. If this were to materialise and involve a country like France, for example, it could complicate the already fragile efforts by Europe to rescue countries in its periphery.

I went to school with Steven Wright, who was the shyest guy I knew, and one day someone suddenly told me that he was in a club doing standup comedy. I went down to his club and he was great. Another friend of mine, who was pretty much a thief by trade, was hosting the show. So I thought, 'If these guys can do it, then so can I.'

Performing comedy in San Francisco to begin with is pretty wild. You've got to - you've got the human game preserve to play off of. And it's a lot of great characters everywhere. You work off that, and then you play the rooms, and eventually you get to a point where you're playing a club that is a comedy club, with other comics.

I watched Leicester City lose in the 1969 FA Cup final with my dad and granddad when I was eight and cried all the way home. I have seen them get promoted and relegated. I played for them for eight years. I even got a group of like-minded fans and friends to stump up a few quid to salvage the club when they went into liquidation.

Even though I feel very privileged to play football, with the things I have experienced within the game, it is not something I would be shouting from the rooftops, to recommend to people's children to be footballers. Because there are a lot of things that happen on a day-to-day basis at club football that I wouldn't wish on anybody.

The objectification of females is not a good thing! Not every rapper does this, but when the lyrics focus solely on the strip club, 'poppin' bottles' and how many girls they can 'tap,' it distorts what kids are learning. I think if there was more of a female presence in hip hop we could break up the monotony. It's all about balance.

That's why this generation is the least racist generation ever. You see it all the time. Go to any club. People are intermingling, hanging out, having fun, enjoying the same music. Hip-hop is not just in the Bronx anymore. It's worldwide. Everywhere you go, people are listening to hip-hop and partying together. Hip-hop has done that.

Consider the social proof of a line of people standing behind a velvet rope, waiting to get into a club. The line makes most people walking by want to find out what's worth the wait. The digital equivalent of the velvet rope helped build viral growth for initially invite-only launches like Gmail, Gilt Groupe, Spotify, and Turntable.fm.

I spend up to two hours a day on correspondence. Hearing from fans on the Internet and being able to directly respond to the fan base is exciting. You can cut out the middle man like the fan club... before a recent appearance in Tyler, Texas, I had fans reaching out on MySpace offering their lake house, Mavericks tickets. It was amazing.

My dad's also a musician, so jazz was always around the house. When I was 11, I developed an interest in it, and he took me to Leimert Park. At that time, it was the artistic hub of L.A., and it was right in South Central. The first concert I went to, I saw Pharoah Sanders at the World Stage club there, which only holds, like, 30 people.

Ajax is a multicultural club, and we have found that many talented immigrant players quit when they reach puberty. So we wanted to tackle this problem with someone from the same background who had come through it. And that was Edgar Davids. During one of our fights, I pointed that out to him. But it had nothing to do with his skin colour.

The only thing I won't watch is darts. And I don't watch cricket. How can you like a game that requires you to take four days off work to follow a Test? And I don't really like golf. I know a lot of English footballers play, but I know that if I go with the club to play, sooner or later I will end up trying to smash the ball with my foot.

Club culture is always going to be a reflection of youth culture, but I think we're maybe moving into a time when the club is a place where older people can go, too. And it's a place people go to connect to themselves, it's not always about the party. It's also about letting off steam and expressing yourself and connecting to other people.

I was so intimidated by the thought of improvising back in the '80s when I was in Chicago. I think the opportunity only even came up once that I can recall, and I turned down the offer. It was to go improvise in some club in the suburbs or something. Good God, I couldn't think of anything more frightening than to get up there without a plan.

The whole - it's the economy's bad. It's bad for everybody. I have my own comedy club. I opened it three years ago in a horrible economy. I created jobs. And we just started breaking even after a year and a half, barely. For that entire time, I have had to pay the difference of what we owe in rent and taxes and everything out of my own pocket.

It doesn't sound that cool to say it, but I still get nervous for any show. But it's different degrees - playing a small basement of a club versus playing a festival like Firefly or Bonnaroo. The feeling is, 'Crap, I'm about to be blasted in the face,' and once you get started, then it's like, 'OK, I've done this before. I know what I'm doing.'

The first club that reopened in New Orleans was Caesar's, and they called me immediately and said let's do a regular night with you here. So we started FEMA Fridays. It was the only club open in the city, and a lot of people had a lot of money from Katrina, the checks and stuff, so the joy inside that club - I don't think that'll ever come back.

As a company, the best that we can do is not only penalize but rehabilitate. Speaking for myself, I've always been strong. I don't need that club to put in my bag. This is a choice of the athlete, not the sanctioning body. We do substance abuse testing, impact testing, cardiac testing, so we try to sniff out these problems before they even start.

There are many clever contractual ways to let a young player continue his career elsewhere while still having first option to bring them back in future. Contracts can include a buyback clause such as Barcelona had with Cesc Fabregas, or a sell-on clause where the development club benefit financially from all the work invested in the young player.

You approach faith with humility. You can have some idea, but it boils down to do you see religion as a club, or do you see religion as a path? Do you see it as a wall that separates you or do you see it as a bridge that connects you to God and other people? When you see it as a bridge, you aren't so worried about bringing others over to your side.

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