Quotes of All Topics . Occasions . Authors
I suppose when people are criticising you and saying that you are not really worthy of going to such a club as Liverpool, it gives you a little bit more drive and more desire to prove them wrong. And that can only help you in the long run: make you a little bit tougher mentally.
I feel like I have a lot of rhythm because I'm from the DMV. Because you got so many different types of music: Baltimore Club music, Go-Go, then you got the DMV rap music scene, then you got the DMV R&B music scene. It's a lot of music and it's a lot of taste that caters to most.
Along with my passion for horse breeding, I was a horse racing enthusiast... In 1974 I was elected as a committee member and subsequently as a steward of the Turf Club. I had a burning desire to clean up the sport, which had always carried the stigma of gambling and manipulation.
I was at a local club, Penketh United, and Mike Glennie, a Manchester United scout, came to watch me. He spoke to my grandad and offered me trials, but there was also interest from Liverpool, and I had to pick - I was only young, but obviously my heart was with United at the time.
California club pop chirper Dev's debut is as stark as it is sweet. This is owed partly to the casually giddy lightness of her talk-singing - familiar from her slizzered 2010 cameo on Far East Movement's smash 'Like a G6,' and around-the way-girl frisky like 1980s Latin freestyle.
If you had a global calendar, then you would have less games; you create more intrigue, create supply and demand with regards to the sport, and that will heighten the intrigue with regards to the Lions. Create more mystique not only at international level but at club level as well.
For sheer creativity and totality of involvement, 'Rolf's Cartoon Club' with HTV in Bristol was an amazing show to work on, but I think the 'Rolf on Art' series, culminating in the painting of the Queen's portrait to celebrate her 80th birthday, just nudges into the favourite spot.
It's been a long struggle. But we've made huge progress. I mean, when I started at Berkeley, women weren't allowed to be part of the band. No women were allowed into the male faculty club. I mean, I was there. I remember that! The worlds were so divided. So the change has been huge.
My mother went to a school called 'The Club of the Three Wise Monkeys'. And my grandmother, my father's mother, had a gold charm for her made with the speak no, see no, hear no evil monkeys. And I was fascinated by that charm. I'd sit in my mother's lap and play with it all the time.
I saw 'Joy Luck Club' when it came out, so that was early mid-'90s, and I remember seeing it with my long-time collaborator, Mina Shum. We'd just done 'Double Happiness,' and we saw this movie, and we were weeping. Like, shuddering weeping. Weeping more than really the film deserved.
People often say, 'I like your comics, even though I don't know enough math to get all of them,' as if it's some kind of club where they don't belong. But there's no club. There's just lots of people who are excited about thinking, learning, joking, and sometimes overanalyzing things.
For a while, gently bumping into my nightstand meant a pile of 50 books clattering onto my head and the floor. After the 10th time this happened, I moved most of the books to a shelf in the spare room. Now, my nightstand is sort of like a bookish country club. And not all books get in.
With the rabbit as our emblem, when we got to the point in 1960 of opening the first Playboy Club... one of our executives suggested the possibility of a bunny costume. We tried it out, and I made some modifications - added the cuffs and the bow tie and collar - and the bunny was born.
I had not been in the jazz environment, having been brought up in the church. But once I got to New York, and I was signed to perform at The Village Gate and the Vanguard and clubs like that, and these - the Vanguard was one of the most elite, if not the most elite, jazz club out there.
Do I feel I should have been given more time? Of course I do. To go to a club like Manchester United and follow someone like Sir Alex after the time he had been there, to stay for ten months... It couldn't be a revolution at Manchester United; it had to be evolution. It had to take time.
There was one point in high school actually when I was on the chess team, marching band, model United Nations and debate club all at the same time. And I would spend time with the computer club after school. And I had just quit pottery club, which I was in junior high, but I let that go.
If you're working out in front of a mirror and watching your muscles grow, your ego has reached a point where it is now eating itself. That's why I believe there should be a psychiatrist at every health club, so that when they see you doing this, they will take you away for a little chat.
I think a lot of people saw 'Fight Club' and thought, 'Right, here's our next Che Guevara, here's our next Fidel Castro, here's someone who's going to wave the flag.' And I was like, 'No, it's just a book. And if I beat that drum, if I play that song one more time, I won't have a career.'
I always take care to have interesting chord progressions, because you can have the best sound design in the club, and you'll kill it in the club, but in five years, kids will have better sound design. But if your music is good, you'll always be able to listen to it, even in 20 or 50 years.
In a small club you have to do everything: negotiate with the bus company, do all the contracts, all the press work, all the coaching work. It was really exhausting. There was very little time for other experiences and to see how other coaches work and how people work in different countries.
If I had the gift of Jerry Seinfeld, of Bill Cosby, of Lewis Black, these instinctively brilliant comic minds, then you go that route! But you gotta know your limitations. I'm more of an actor, more of a process guy. I did Tom Snyder, just as Danny Aykroyd did on 'SNL.' I did it in the club.
I belonged to the Columbia Record Club, and that's where my records came from. For some reason, I was in the 'jazz' category. I got Benny Goodman records and Miles Davis, J.J. Johnson and Kai Winding, and that kind of stuff. I really was not a jazz guy at all, but I knew some of those names.
I did a severe amount of plays in high school. I was in every single show that my drama club produced. Then in the summer I would do plays, and I was also playing sports. I was probably a hellish kid, come to think of it, for my parents' schedule. But then I went to college in North Carolina.
You're going up against the billionaire boys' club or trying to find your way into something you have no basis for, and it's bigger than anything you ever imagined - and then actually having that work. Having that risk pan out. It taught me to be very fearless - maybe too fearless in the end.
The summer before my third year of law school, I worked at a law firm in Washington, D.C. I turned 25 that July, and on my birthday, my father happened to be playing in a local jazz club called Pigfoot and invited me to join him. I hadn't spent a birthday with him since I was 3, but I agreed.
We danced on the lip of the volcano, so to speak. We were young, too. And New York was still a big, open city where anything could happen and anyone could be star. Rents were cheap, creativity was encouraged, and bottle service was still 20 years away. That was the era the Club Kids came into.
I'm happy here at Everton. When I decided to come here, I came thinking only in my club, which is Everton, and nothing else. What has to happen next will happen next. I feel comfortable here. I do not know whether my game is more suited to the Premier league or La Liga, but I am very well here.
I went through a few phases of finding myself: I dabbled in musical theater, chess club, dance troupe, splatter-painting, school mascot (go Wildcats), babysitter, photojournalist, drill team girl, emo kid - and not one of them defined me, but every single one will always play a part in who I am.
Hollywood is a boys' club, and that's something I thought was a stereotype - and it's not. That really shocked me. Still shocks me. Everyone's helping their buddies out and pressing their buddies and playing tennis with their buddies and making movies with their buddies, and that grosses me out.
Now, when an American has an idea, he directly seeks a second American to share it. If there be three, they elect a president and two secretaries. Given four, they name a keeper of records, and the office is ready for work; five, they convene a general meeting, and the club is fully constituted.
There's a cumulative effort within the course of a game, a series, and a season, too, where you see so many pitches and have so many at-bats that you can wear down an opponent. Once you develop that reputation as a club, year after year, players come in, and they tend to fit in with that profile.
I just played at a club in L.A. called the Baked Potato. It fits like 90 people. It's like playing somewhere in a basement in, like, Indiana or somewhere where all your friends show up. It's really fun and there's a very different energy to that than to play to 50,000 at a Tokyo baseball stadium.
Little details about young footballers catch your eye when you have been around a big club for a long time. At first, it can be minor things, like the way certain young players stand out from the group when the academy lads cross paths with the senior team on their way to training in the morning.
Perhaps it is no surprise I became an entertainer because many of my relatives were natural performers. Dad, who had a fine pair of lungs, was master of ceremonies at East Ham working men's club in east London. I felt so proud when I saw him in his white gloves calling out the names of the dances.
I fell in love with Dungeons & Dragons, and the storytelling of it, and the weird dice, and the fact that it didn't use a traditional board. It felt like I was a part of something special and almost kind of like a secret club because a lot of people didn't know what it was and didn't understand it.
You become very angry and depressed that you keep getting offered only these exceedingly demure and repressed roles. They're so not me. That's why films like Fight Club were so important to me because I think I confounded certain stereotypes and limited perceptions of what I could do as an actress.
My first job was in sixth grade, sweeping the clay tennis courts at the yacht club near my house, which I was not a member of. Always had to pay my own rent. But I don't really have any concept of how money works. I don't know how much things cost. Like a BMW. Or a quart of milk. It's embarrassing.
Bayern is a big club and a big brand, but on a daily basis, it's a family club. You get to know the physios, the kit man, the chefs. It's also a club that's very close to the supporters. That proximity to the fans makes it special. That was surprising. In Liverpool and Madrid, there's more distance.
Border collies predate the British Kennel Club. They've been bred consistently for 100 years. They're the last working dogs in the world, with some minor exceptions. Bench shows, dog shows have ruined the other breeds, like the hunting dogs. Border collies are peasant dogs, and that's protected them.
From 1975-'79, I worked for PGA professional Tony Bruno. For five years I watched, lost in admiration, as Tony ran the golf shop at Battleground Country Club in Manalapan, N.J. Tony put in 80-hour weeks doing what nearly 29,000 men and women club pros do every day: Keeping the game alive with a smile.
I want to help Leeds United return to the level our history and fans deserve. When I came to the club, I gave myself three years to deliver that and my vision remains the same: return the club to its rightful place in the Premier League and make our fans, players and staff proud of their football team.
Mainstream American society finds it easiest to be tolerant when the outsider chooses to minimize the differences that separate him from the majority. The country club opens its doors to Jews. The university welcomes African-Americans. Heterosexuals extend the privilege of marriage to the gay community.
There are different groups of people in your life that you behave slightly differently with. You behave one way with your family. You behave in a different way with your work colleagues. You behave differently with your friends from the movie club, your fitness instructor - all subtly different personas.
People always ask, 'Man, why don't you come out and enjoy it? Why don't you celebrate? Why don't you have any fun?' My fun is Sundays. Anybody can go to the club. You don't have to be good at going to the club to go to the club. You have to be good to be playing on Sundays, and to me, that's what's cool.
From middle school to the first year of high school, I went to a school in Miami that seemed like a private country club. The whole cheerleader, football player, clique-y thing there was terrifying. Those people were so scary. They're the scariest kinds of people because they are idolized by their peers.
I try to make music with emotion and integrity. And authenticity. You can feel when something's authentic, and you can feel when it's not: you know when someone's trying to make the club record, or trying to make the girl record, or trying to make the thug record. It's none of that. It's just my emotions.
When I was growing up, if there was a Young Adult section of my town's library, I missed it. I wandered right from 'The Babysitter's Club' over to Stephen King. His books were big and fat and they seemed important. I eventually worked my way through most of the shelf, but 'It' is the one that stuck with me.
I don't go out drinking and stuff like that. My friends say 'Just have one drink, JD.' I say 'What's the point?' I'll go to a club and have a Red Bull, get my buzz. And the next day I feel cool. It's discipline, not just with drinking but a lot of things in life. You've just got to look at the bigger picture.
Fitness has always been a strength of mine. People seem to look at ages and think once you get over 30, you're coming to the end. I'd like to think I've got a number of years left in me. I feel really good, and that's down to the great work the staff at the club do looking after us and the facilities we have.
We toured the U.S. and Canada for two years, which was a lot of fun. It was very much a do-it-yourself, punk-rock ethic of booking your own shows, sometimes sleeping on the floor of the club you had played or meeting folks that would take you in, or sleeping on the side of the road or at rest stops in the car.