Quotes of All Topics . Occasions . Authors
I grew up in Long Island City. When I was growing up, my parents owned a women's clothing store in Queens. It was for older women. I got my bras there, until I realized I didn't want those huge, taupe bras. Everything was beige, with massive amounts of hooks.
I was born in Iran, which has a predominantly Muslim population, and I have relatives who are devout Muslims, so I know what it means to be judged based on your appearance and what you're wearing. But your ethnicity and your clothing do not define who you are.
Clothing creates the illusion that bodies fit an aesthetically pleasing norm. And that illusion depends on getting the fit right. Garments that bunch, pull, or sag call attention to figure flaws and often make people look worse than they would without clothes.
I have this system where if I buy three or four new things, I give away three or four things. Sometimes, it's a very painful system, but shopping is even better when you know that someone else who needs it will be getting. Keep the clothing karma going, I say.
We're taking up some science experiments, some crystal growth things, we have a refrigerator that carries up some samples, new samples that go into the station, we bring the old ones home; we have a lot of clothing, we have a lot of food-U.S. and Russian food.
I plan to release just as much music as I can. Movies, I should be working on a cartoon, reality show, everything. Everything I could do, like a clothing line, like a lot of things are in the works. I plan on just performing everywhere. I'm gonna be worldwide!
I wore the hijab - a form of dress that comprises a head scarf and usually also clothing that covers the whole body except for the face and hands - for nine years. Put more honestly, I wore the hijab for nine years and spent eight of them trying to take it off.
It seems the most logical thing in the world to believe that the natural resources of the Earth, upon which the race depends for food, clothing and shelter, should be owned collectively by the race instead of being the private property of a few social parasites.
There are a couple of things that I'm sure people don't think are important, but I do. I don't like hair changes unless there's a reason for it. Clothing - I don't like to see an outfit worn more than one time in an hour - you can wear it again a few weeks later.
The essence of a person is not the clothing she wears or the things he does. People who love them do not stop loving them when they change clothing or do other things. Your essence is not even your history, culture, race, or what you think and do. It is your soul.
I wrote 'Airborn' after completing three books about bats. I loved my bats, but what a treat it was to write about humans again. They could eat food other than midges and mosquitoes, they wore clothing, they slept in beds - all this struck me as wonderfully novel.
If a man were living in isolation his income would be literally his product. Make him the monarch and owner of an island, and the fruits that he raises and the clothing that he makes constitute, in themselves, his income. This ceases to be true when trading begins.
That type of autograph, pictures and apparel thievery was not part of what I grew up with. I loved the artists and their music. I would be thrilled to meet them, but the thought of getting a scribble or stealing an article of clothing never occurred or appealed to me.
It was a lot of hard work, but everyone loved my Amy Childs' Collection, so I decided to have a boutique as well as my salon. I love designing my own dresses, and everyone is loving the collection. I can't believe how well the boutique and the clothing online is going.
Looking back now, I realise that belonging to the family of a labourer actually helped to prepare my body for boxing. There were many times when my family didn't have enough food or warm clothing to go around. All this made me physically, as well as emotionally, tough.
I stay very much undercover and behind the scenes - most places I go, people don't know how important I am. But I will admit that my favorite piece of clothing to wear out is an old T-shirt from a Boston tour that does have a Boston logo. But that doesn't change anything.
Although I'm sure she's completely charming and delightful, I'm not sure if Kate Middleton might be the best role model. This is a person who has got where she is by marriage, a person whose weight, clothing, hair we worry about - we don't worry about what she's thinking.
Men are taught they are going to make a lot less in the fashion industry, so they don't bank their entire lives on it. They're very supportive. Women, on the other hand, are more competitive. They always assume I'm trans and say, 'How did they make clothing in your size?'
I have always been very conscious of my way of dressing. During my years as a ballet and flamenco dancer, I outshone everybody with my embellished and beautiful clothes. The designers who created my clothing loved making outfits that were extravagant and out of this world.
The girls, like, in we'll say Hooters, have less clothing than the girls I worked with in those days. We thought it was wild when they just wore little bells and so forth. But today, in restaurants, some of the waitresses almost work in the nude, you know, to get business.
My boy and I move. We have this game where if we dress in a particular item of clothing, we have to do a different movement. A hat means 20 jumps - that sort of thing. When I put a scarf on, my son has to drop down and do push-ups, immediately. He thinks it's really funny.
I'm at the point, frankly, where I'd rather deal with a misogynist with a copy of Tucker Max's book in his backpack over someone in sensitive emo-boy clothing, because both are misogynists, only the one with the backpack is more honest about just how scared of women he is.
Priesthood quorums teach and assist their members to attain good health, financial stability, and a year's supply of food and clothing. They also teach their members to be self-reliant and to give their time, talents, and means in behalf of the Church, community, and needy.
The Emilia Wickstead customer is a sophisticated, accomplished woman who expresses her femininity and style through the way she dresses. She appreciates classic with a twist, yet luxurious and high quality clothing that make her feel confident, elegant, and ultimately chic.
More than 100 million women have worn my clothing and accessories,, and that's so fulfilling. My skincare line proves you don't have to spend a fortune to have beautiful skin. I've loved acting but if I never played another role and just focused on my business, I'd be happy.
We must recognize the fact that adequate food is only the first requisite for life. For a decent and humane life, we must also provide an opportunity for good education, remunerative employment, comfortable housing, good clothing, and effective and compassionate medical care.
I had no boundaries at home, so I had nothing to push against. I only rebelled with clothing when I was 14. I would wear purple Doc Martens and had purple streaks in my hair, dirty jeans, and baggy tops. Very Britpop. Anything that wasn't girly or feminine. My mother hated it.
As scientific research demonstrates, llama wool's very coarseness and its range of fibers from fine to thick mean that it can be woven into clothing that's superior to down, fleece, sheep wool, and alpaca wool in criteria ranging from warmth to water resistance to usable life.
My appearances are almost theatrical performances. I bring items for the children to see, such as photographs and actual piece of meteorite, a family quilt, sometimes spectacles, sometimes clothing, so that they can understand what I write about is family stories based in fact.
Dollywood is a family park, and all families are welcome. We do have a policy about profanity or controversial messages on clothing or signs. It is to protect the individual wearing or carrying them, as well as to keep down fights or problems by those opposed to it at the park.
Clothing that covers the body can be comfortable or uncomfortable, depending on the fabric. In India I typically wear a full salwaar kameez of cotton, because it is superbly comfortable, and full covering keeps dust off one's limbs and at least diminishes the risk of skin cancer.
I always want to try to make films feel timeless, because one of my biggest pet peeves is that there's a movie you love, and then you revisit it twenty years later, you show your kid or something, and it's like, 'Oh my God!' with hairstyles and clothing and all that kind of stuff.
If we had no hope - for a cure, for winning the lottery, for falling in love, for the end of war, for being free of abuse, or for having food, warmth, clothing, and shelter - we would have no reason to go on. What you hope for doesn't matter, but rather the essence of hope itself.
When I wrote 'The Assistants,' I knew very much that I wanted to write about income inequality and student loan debt and the gender wage gap, but I wanted to put it in a really slick, fun package. That book ended up being described as a socially conscious novel in chick-lit clothing.
If you take the fashion out of it, clothing has a lot of information - about how we feel about ourselves, how we'd like to feel about ourselves, and what we'd like to be: If you show up to an interview in sweatpants and a T-shirt, I'm going to deal with you in a really different way.
I think it's a different kind of activism. Like, women shouldn't have to step into men's roles to be empowered. They should be able to step into themselves. So that's what I try to bring, that we shouldn't be thinking of it as menswear or womenswear; it should be clothing for people.
Sisters, when about their work, should not put on clothing which would make them look like images to frighten the crows from the corn. It is more gratifying to their husbands and children to see them in a becoming, well-fitting, attire, than it can be to merely visitors or strangers.
Before I started LimoLand, I mainly bought my clothes in Harlem, where I found clothing my size in fun colors. I still like to go there and see the vibrancy and colors of the neighborhood. I am also very influenced by the colors of my contemporary African and Japanese art collections.
I loved all those classic figures from the '30s and '40s... Bette Davis, Joan Crawford, Humphrey Bogart, Rita Hayworth. They had such glamour and style. I loved the movies of those times too - so much attention paid to details, lights, clothing, the way the studios would develop talent.
Makeup and clothing and all that should be a fun way to be creative and express yourself. Just like in nature, where birds have all the colors. But instead, it's all focused on the aesthetics of being attractive to men. Even if you really don't think it is that, that's what we're doing.
Go out there and try on everything - short skirts, long skirts, mid length, little jackets, men's clothing - and really look at yourself; really walk around in the clothes. Don't just take someone else's advice. You must feel you in these clothes and feel what it's like to live in them.
I've always loved clothes, especially handbags and shoes. I'd rather save my money on clothing and wear crap, but have the handbags and shoes. I used to buy a Ferragamo or Louis Vuitton bag every job that I got. Now I have a child, and we pay for private school, so I've had to scale back!
Sportswear and activewear have been evolving over the years, and what makes it interesting is how you reflect the culture in which we're living in - whether it's creating clothing for a certain sport or creating new materials that we think athletes or people who are physical want to wear.
Clothing and makeup and hair and all of that so much indicates the kind of person you are inside and the person you are presenting on the outside. Sometimes they are in conflict, and sometimes they are the same. That psychology of the exterior informing the interior is just so interesting.
About 25 years ago, I took a bicycle across the United States. I soon found out that the greatest item of clothing was the trusty bandanna. There were dozens of uses for a bandanna - as a pot holder, a chain cleaner, a sun shield, a headband, a snot rag, a declaration of Kerouacian intent.
Well, I definitely have an artistic side to me as well. I write, I act, I draw. With that artistic mind I have, a lot of doors have opened for me. I can try to pursue, like - if it's something using my writing skills, maybe a book. Or maybe if it's my drawing skills, some clothing designs.
The wear time on clothing for plus-sized women is half the life span of a straight-sized woman's clothing. Straight-sized women's bras can last them three, six months? Our bras don't last as long as a straight-sized woman's bras normally do because we have more movement; we have more weight.
In almost every case, whenever a tariff or quota is imposed on imports, that tax is strongly supported by the domestic industry getting the protective shield from lower-priced foreign competition. The sugar industry supports sugar tariffs; textile mills lobby for tariffs on foreign clothing.
The place where I think social media fails is in showing the knowledge, the tradition of stitching the clothing, of cutting the fabric, of the tannery, of the skinning of the jewels - this knowledge needs respect. Online and social media is the future, but we need to learn from the past, too.
If you look at what people typically wear when they play, OK, my clothes could be considered provocative. But I'm not wearing them for a reaction. I'm just comfortable in fitness clothing. Golf is a sport, so dress like an athlete. Name another sport where people wear khakis and cotton polos?