Quotes of All Topics . Occasions . Authors
What's weird is that I work with these directors and then I start channeling them. I kind of turn into them a bit - which is cool when you're working with Clint Eastwood.
When I was growing up, it was Clint Eastwood, it was Harrison Ford and Steve McQueen - these guys were tough. They were leading men, but they were also tough and physical.
I wanted people to know just who I am and what I'm all about and what actually happened. And to remind people that I had a life before Clint, and I intend to have one after.
I don't want a Hollywood career. It's wonderful to have the possibility in your life just to win a role in a Clint Eastwood film, and you are the happiest person in the world.
Rod Lurie is one of the most wonderful directors I have had the pleasure to work with. He shoots like Clint Eastwood: no fuss. When he gets it, he knows it - one or two takes.
Every single director-actor I talked to, from Warren Beatty to Clint Eastwood to George Clooney, said the biggest mistake they made is not shooting enough footage of themselves.
Each director is different. Clint Eastwood and Chris Nolan are completely different, and I need to adjust to the story and character and the director and just my duty as an actor.
I find that all great directors, and I would include Ben Affleck and Clint Eastwood in that, they have great confidence. And with great confidence comes great freedom for the actor.
I did a picture 40 years ago with Carroll O'Connor and Telly Savalas, God rest their souls, and Clint Eastwood, called 'Kelly's Heroes,' which we filmed in Yugoslavia for six months.
I loved cowboy movies when I was a kid. When I was five years old, I was already wearing a cowboy hat and suit. When I grew up, I knew John Wayne, Clint Eastwood, Kirk Douglas and so on.
I don't think I could do what Woody Allen or Clint Eastwood or Ben Stiller do, where they direct a movie and they star in it. I would just be like, 'Oh, I don't even want to look at my face.'
In recent years, anyone in the government, certainly anyone in the FBI or the CIA, or recently, in again, Clint's film, In the Line of Fire, the main bad guy is the chief advisor to the president.
My favorite movie is 'The Outlaw Josey Wales' with Clint Eastwood, a guy who gets his family killed by the bad guys then goes on a journey of revenge, eventually discovering himself - very existential.
I was growing up with a single mom who'd be at work when I came home from school. So I'd just turn on the TV. I grew up watching old Clint Eastwood westerns. I adopted him as one of my male role models.
The most beautiful gift I have received in my life is the trust of Clint Eastwood. When you have this respect and this kind of responsibility on your shoulders, of course you bring the best of yourself.
One of my favorite directors is Clint Eastwood, and I hear about the way he works, and I think I'm of a similar style. Very few takes - you get what you take, and you move on. It's very much a job and work.
Herb Solo at that time was the head of MGM. I said, 'I want to live like Clint Eastwood.' Did I know at that time Clint Eastwood, to him, Heaven was a truck, a dog, and a picnic basket for food or something?
Clint Eastwood. Here's a guy who's been involved in so many movies, lots of them masterpieces, and now he's a director. I just like everything I know about him. He's very decisive, he makes up his mind real quick.
If there is a less likely sight on this earth than Clint Dempsey, the Texas trailer-park kid, doing downward-facing dog poses, or the stalwart Michael Bradley deep breathing through a tree pose, I have yet to see it.
My real mom had two kids, my half-sister Tara and my half-brother Clint. When I was growing up Clint was a big wrestling fan and he instilled that into me. I was immediately encapsulated with everything pro wrestling.
Beowulf is not a superhero. He has a talent, very much like Clint Eastwood in 'Unforgiven.' He's very good at staying calm in the right moment, but he does bad things. It's very much about having talent in a tight spot.
To have someone like Clint Eastwood come along and shoot your first draft as written is just any screenwriter's dream. And Clint is very straightforward. If it's good enough to get his attention, it's good enough to produce.
I would not have been interested in doing just a revenge film simply because I have seen so many revenge films right from Clint Eastwood films to Amitabh Bachchan's 'Zanjeer', 'Sholay' and 'Ghayal' and various variants of them.
I think the American Western laid down a kind of subject matter that's about following your instinct or following your gut and having a sort of removed quality from your humanity. And I think Clint Eastwood helped to establish that.
Whenever I'd go anywhere with my dad - in his 1980 burgundy Dodge Ram - he'd always listen to mix tapes of country-music stars like Garth Brooks, Clint Black and Willie Nelson. Those were the first songs I ever learned the words to.
One of my earliest memories is being inside the recording studio and I see the shadow of a figure that looks an awful lot like Walt Disney. Then the door opened and Mr. Disney walked in and said, 'Hi Clint.' I won't ever forget that.
A changeling is one child substituted for another. I couldn't find anything more apt. We had to kind of fight that supernatural element in the publicity, and I offered to try and find another title, but Clint liked it, and it stayed.
I watched Westerns from the time I was a girl. My dad was a big Western fan. I always loved Clint Eastwood movies and 'Westworld', where the guy gets trapped in a western-themed amusement park. The western motif was fascinating to me.
From the start of our relationship Clint told me that he wanted us always to be together and that he would take care of me forever. Clint repeatedly assured me that, regardless of whether we were married, everything he had was ours together.
I was 17, and a friend said, 'Man, you've got to listen to this song,' and he played 'Man to Man.' From there on, I was hooked on country. Garth Brooks, Alan Jackson, Clint Black. Every show that came through America West Arena, I was there.
You see a Clint Eastwood movie, and you might not know if it's from Universal or Warner Bros. or another studio. He has affiliations with so many studios now, but there was a time when you'd just look at a movie and think, 'Oh, that's a Warner Bros. film.'
I still want to write Clint Eastwood a letter saying, 'I'm sorry, I'm sorry for all us wimp actors. You're the truth.' I guarantee he's not the person you want to fight, even now! You look at him, and you don't want to mess with him. He would still take you down.
I thought Clint Eastwood was cool in all the western movies, but I'm not gonna drive somewhere he's at and stand in line to see him. I told Missy, my wife, 'The only person I'd stand in line for is God Almighty. You made the universe? All right, I'll get in line!'
If you were in Clint Eastwood movies, you were in the Clint Eastwood movie business. You weren't in the movie business. You weren't part of Hollywood. This became clear early on; people stopped calling. They automatically assumed I was working exclusively with Clint.
I always find the more you can draw on real life characters, people, situations, it works better. Certainly for designing a character, I prefer to draw on real people rather than other guys I've seen in movies, rather than 'here's my version of Clint Eastwood' or whoever.
My dad traveled a lot, so I only usually saw him on weekends, growing up. His favorite actors in the world were Clint Eastwood and Burt Reynolds. If Clint or Burt had a movie out, we would go to the movies. He didn't like movies, generally, unless Clint or Burt were in them.
Gemmell's name guarantees a satisfying story and a thumping good read. I recommend all his heroic creations - 'Druss the axeman,' 'the Jerusalem man,' among others - but my favourite has to be 'Waylander': Clint Eastwood with a crossbow and the same 'Make my day, punk' attitude.
The one thing about doing all those movies and all that television is I know what I'm doing. And I can do what Sean Connery can do. I can do what Clint can do. People even say I look a little like Clint. But that's just because I'm skinny and tall and old. With a receding hairline.
There is an established tradition of actors directing films that have a particular, personal meaning for them - Warren Beatty, Clint Eastwood, Kevin Costner, and most recently George Clooney to name a few. Remarkably, their films share an unusually high percentage of being very good.
My biggest misfortune, my greatest regret, is that I wish I'd cut my time with Clint in half. I wouldn't say I wish I never had the relationship, but I wish I'd found a way - I'd understood who he was, where it would end - five or six years earlier so I could have gotten on with things.
I'm a big fan of Clint Eastwood, but the Westerns I draw from most directly come from an earlier period in Hollywood. I actually look back at movies like 'Rio Bravo' and others I've liked over the years, and I capture pictures from the movies and use them as a reference for the scenes I create.
I did a few movies, but the word 'star'... I cannot compare to a star like Clint Eastwood. I used to call Clint 'Larry Dickman' when he would come to my show; then, he started using the name when he would go under cover in a 'Dirty Harry' movie. That's why he's a movie star... he's so creative.
I always loved LeAnn Rimes and especially Clint Black for his soulfulness. As I've gotten older, my influences have broadened - John Mayer, Michael Buble, Stevie Wonder, Keith Urban, Stevie Ray Vaughn, the Beatles - all of these artists have somehow been a part of my development as a songwriter.
In the movies, every crazy old fart needs a cool old car. Jack Nicholson drove a spiffy yellow 1970 Dodge Challenger two-door in 'The Bucket List.' In 'Gran Torino,' the cranky pensioner played by Clint Eastwood not only owned a 1972 GT Sport, he also used to build cars like that at the Ford plant.
I think every culture - you can call it an American Ronin, a medieval knight errant, you could talk about 'Shane.' There is an archetype that I think is actually common to a lot of cultures, and even the Clint Eastwood stuff was probably as influenced by the Japanese stuff, and yet done by an Italian.
The music was the best thing about the Four Seasons and the central asset of the 'Jersey Boys' show. By concentrating on the group's personal wrangling, to the near exclusion of their songs, Clint Eastwood has jettisoned the joy and made this a one-Season movie: winter in New Jersey. And, man, that's bleak.
Your basic physical makeup does influence the parts you're offered. If you're big, they cast you either dumb or tough, although there are exceptions. Clint Eastwood and James Arness carved out niches for themselves in Westerns. I just hope I won't be faced with doing 'Li'l Abner' in dinner theater for the rest of my career.
Houston is my team, always and forever. But with the new TV packages, it's so easy to watch every league in the world, and my overseas fandom is driven by the American guys. If Sunderland's on TV, I'll watch Jozy Altidore. I try to watch Geoff Cameron at Stoke. When Clint Dempsey was at Tottenham, I watched a lot of his games.