I write a ridiculous number of drafts. The characters change and grow through the drafting, and my understanding of them deepens. Creating characters in a novel is like shooting at clay pigeons and missing, and then missing more productively as the narrative continues.

There are two kinds of sculptures. There's the kind that subtracts: Michelangelo starts with a block of marble and chips away. And then there is the kind that adds, building with clay, piling it on. The way I write novels is to keep piling on and piling on and piling on.

Memory depends mainly upon myth. Some even occurs in our minds, in actuality or in fantasy; we form it in memory, molding it like clay day after day - and soon we have made out of that event a myth. We then keep the myth in memory as a guide to future similar situations.

Weird stuff, for me, is not that weird. I guess if it were other people, they'd think it was weird. I eat nutritional yeast. And sometimes I take clay shots to help pull toxins out of my body. I eat weird L.A. food, so I guess that's probably weird in other people's eyes.

Clay is molded to form a cup, But it is on its non-being that the utility of the cup depends. Doors and windows are cut out to make a room, But it is on its non-being that the utility of the room depends. Therefore turn being into advantage, and turn non-being into utility.

Reconstruction was a vast labor movement of ignorant, muddled, and bewildered white men who had been disinherited of land and labor and fought a long battle with sheer subsistence, hanging on the edge of poverty, eating clay and chasing slaves and now lurching up to manhood.

Michael Chabon has long moved easily between the playful, heartfelt realism of novels like 'The Mysteries of Pittsburgh' and 'Wonder Boys' and his playful, heartfelt, more fantastical novels like 'The Amazing Adventures of Kavalier & Clay' and 'The Yiddish Policemen's Union.'

What do young, budding artists do, but go to law school? I had creative periods now and again, but it wasn't until I was practicing law that I really needed a creative outlet. I'd come home from long days at the office and draw, paint, and sculpt from clay, wire - even candy.

Freedom can never be true of name and form; it is the clay out of which we (the pots) are made; then it is limited and not free, so that freedom can never be true of the related. One pot can never say "I am free" as a pot; only as it loses all ideas of form does it become free.

For me, one of my favorite parts of stop motion is not even the animating or the writing, but actually building. I always say that my favorite stage is just fabrication. It's just sitting on a workbench, making a little thing out of clay or whatever. That just totally excites me.

Any quality player can adjust well to the different demands. It is like a good tennis player who is expected to adjust to the clay at the French Open, the grass at Wimbledon, the hard courts of the U.S. and the heat of the Australian Open. A professional is expected to do all that.

When I'm sculpting, I work with wood and clay, and though some say that an image is already in the material and the sculptor just has to discover it, I also believe you have an image in your head that you're trying to get to. So you're in a dialogue with the piece, a back-and-forth.

I was shaped by a pit environment and the Second World War. My playground was on the pit tip at Clay Cross and I grew up with that mining background. My father was a miner and my granddad was a miner, and I would say three out of ten on the street where I was born were working in the pits.

There's something about materials like copper, woods, stone, trees, shells. You walk outside and these materials are part of the world before we touched anything. There's a feeling of pleasure that many of us have in materials that have some presence before us, like clay and wood and copper.

I don't want to think too much about how I'm carving and what I'm carving - you are just carving away the excess clay and there's a piece underneath there. And it's kind of like getting out of the way. Maybe that's what the commonality is: It's getting out of the way so that the art can speak.

My daddy wanted me to be a farmer; feel the smoothness of Alabama clay and become one of the first blacks in my town to own land. But, I was worried about my history being caked with that southern clay, and I subscribed to a different kind of teaching and learning in my bones and in my spirit.

Clay Hunt was the kind of individual that has made America a great country. In 2005, when his country needed him, he enlisted in the Marine Corps. Shot in Iraq, he earned a Purple Heart, and after he recuperated, he graduated from Marine Corps Scout Sniper School and was deployed to Afghanistan.

My first job was in sixth grade, sweeping the clay tennis courts at the yacht club near my house, which I was not a member of. Always had to pay my own rent. But I don't really have any concept of how money works. I don't know how much things cost. Like a BMW. Or a quart of milk. It's embarrassing.

Yes, Clay Matthews has a long, golden, Fabio-esque flowing mane that most women would chick-slap someone for. And yes, the shiny, beautiful, dark locks that cascade out of Troy Polamalu's helmet are the envy of volume-challenged women and bald men everywhere. But do we need to talk about it incessantly?

CG can do anything, but it can't do everything well. What it naturally can do is special effects. But using stop-motion comes from our desire to do handmade stuff. There are always going to be kids who get out whatever it might be - clay, bits of wire, Barbie dolls, Legos. They want to tell little stories.

In the fun house of today's metastisizing sports-entertainment megaplex, when every day brings another story revealing how these 'heroes' we create are fashioned from base clay, a pause might be in order to reflect on athletes who actually embodied the qualities we think we admire in the too-easily deified.

From 1936 on, I have taken more falls than any other 20 comedians put together. From the time I was 21, I've taken them on everything from clay courts to cement to wood floors, coming off pianos, going out a two-story window, landing on Dean, falling into the rough. You do that and you're gonna have problems.

He didn't know whether we created God in our own image or whether God created us without quite knowing what he was doing. He believed that God, or whatever brought us here, lives in each of our deeds, in each of our words, and manifests himself in all those things that show us to be more than mere figures of clay.

Since your time is your main involvement here - I mean, the clay doesn't cost very much. Even the glaze and the firing doesn't cost a great deal. But your time is the cost, and if you can keep your time to a minimum and still come out with the results you want, that means the pots can be sold for an economic price.

What do you do?' she asks, holding out the vest. 'What do you do?' 'What do you do?' she asks, her voice shaking. 'Don't ask me, please. Okay, Clay?' 'Why not?' She sits on the mattress after I get up. Muriel screams. 'Because... I don't know,' she sighs. I look at her and don't feel anything and walk out with my vest.

That result at the French was a big break for me. I had been playing quite well up until that point but nobody really expected me to do well on clay - it was my worst surface. I had had some success on the clay but I was a set and a break up in the semi-final against Jausovec and maybe the enormity of the occasion got to me.

Mitch McConnell, 72, is second only to Henry Clay as the state'€™s most consequential public servant. McConnell's skills have been honed through five terms. He is, however - let us say the worst - not cuddly. National Review has said he has 'an owlish, tight-lipped public demeanor reminiscent of George Will.' Harsh. But true.

'Empathy' is the latest code word for liberal activism, for treating the Constitution as malleable clay to be kneaded and molded in whatever form justices want. It represents an expansive view of the judiciary in which courts create policy that couldn't pass the legislative branch or, if it did, would generate voter backlash.

In my students, I'm always dispelling the notion that characters come like a light bulb over the head in cartoons. For me, it's like a shapeless big lump of clay. You just build it into something, and then you step back and go, 'That's not right,' hack it apart, put out a new arm, and say, 'Maybe this will walk around and work.'

Of course, with agriculture came the first big civilizations, the first cities built of mud and brick, the first empires. And it was the administers of these empires who began hiring people to keep track of the wheat and sheep and wine that was owed and the taxes that was owed on them by making marks; marks on clay in that time.

Are you as much of a criminal if you don't act when there's a crime taking place in front of you as you are one of the participants? That was something that I was thinking about a lot because there are many moments in 'Less Than Zero' where horrific things happen and Clay could do something about them, but his passivity stops him.

The earth is rocky and full of roots; it's clay, and it seems doomed and polluted, but you dig little holes for the ugly shriveled bulbs, throw in a handful of poppy seeds, and cover it all over, and you know you'll never see it again - it's death and clay and shrivel, and your hands are nicked from the rocks, your nails black with soil.

You must not be discouraged or let yourself become dejected if your actions have not succeeded as perfectly as you intended. What do you expect? We are made of clay and not every soil yields the fruits expected by the one who tills it. But let us always humble ourselves and acknowledge that we are nothing if we lack the Divine assistance.

The fact is, Scripture is filled with divine actions that don't fit our human standards of logic or morality. But they don't need to, because we are the clay and He is the Potter. We need to stop trying to domesticate God or confine Him to tidy categories and compartments that reflect our human sentiments rather than His inexplicable ways.

Boo," I said. He reacted as all mutts react when I confront them. He leapt from his chair and dove for the nearest exit, shaking in terror. In my dreams. He glanced at me and started looking for Clay. It never failed. Mutts only quaked when I appeared because it usually meant Clayton wasn't far behind. I was nothing but a harbinger of doom.

There is always shame in the creation of an expressive work, whether it's a book or a clay pot. Every artist worries about how they will be seen by others through their work. When you create, you aspire to do justice to yourself, to remake yourself, and there is always the fear that you will expose the very thing that you hoped to transform.

Walk with me, but don't follow me blindly. Hold fast to the truth, not to my garments. My body is merely a clay structure; today it is here, tomorrow it shall be gone. If you attach yourself to me today, what are you going to do tomorrow when I am not with you? Attach yourself to God, attach yourself to humanity, only then will you be closer to me.

Dice Rules is one of the most appalling movies I have ever seen. It could not be more damaging to the career of Andrew Dice Clay if it had been made as a documentary by someone who hated him. The fact that Clay apparently thinks this movie is worth seeing is revealing and sad, indicating that he not only lacks a sense of humor, but also ordinary human decency.

We were working from very exact models and dimensions and weights of clay to make these pots which had been designed some 10 or 12 years previous to our arriving [at Bernard's Leach studio]. And we, being, I guess you would say young, arrogant Americans, thought that we ought to be able to somehow express ourselves a little bit more in the daily work of the pottery.

We put thirty spokes to make a wheel: But it is on the hole in the center that the use of the cart hinges. We make a vessel from a lump of clay; But it is the empty space within the vessel that makes it useful. We make doors and windows for a room; But it is the empty spaces that make the room livable. Thus, while existence has advantages, It is the emptiness that makes it useful.

Rowww!” Bast wailed. The wrecking ball rolled straight over her, but she didn’t appear hurt. She leaped off and pounced aain. Her knives sliced through the metal like wet clay. Within seconds, the wrecking ball was reduced to a mound of scraps. Bast sheathed her blades. “Safe now.” “You saved us from a metal ball,” Sadie said. “You never know,” Bast said. “It could’ve been hostile.

We drove to the airport. On the way, Clay gave him "the lecture," including all the do's and don'ts of meeting the Alpha, which was only slightly more complicated than an audience with the queen. Don't sit until you're invited to. Don't talk unless he asks you a question. Don't eat before he does. Don't make direct eye contact. Jeremy demanded none of this, but that wasn't the point.

Mountains have been formed by one [or other] of the causes of the formation of stone, most probably from agglutinative clay which slowly dried and petrified during ages of which we have no record. It seems likely that this habitable world was in former days uninhabitable and, indeed, submerged beneath the ocean. Then, becoming exposed little by little, it petrified in the course of ages.

When we worked at the pottery, we did learn to make pots, that is, the physical act of making the pot. We learned to control clay, to put it where you want it and not just wherever it wanted to go, and that was valuable. At the end of about six months, though, I think if that was all we had, we may have been inclined to leave because the workshop did not challenge us so much as living with [Bernard] Leach did.

It's incredibly arrogant to pick and choose which incomprehensible truths we embrace. No one wants to ditch God's plan of redemption [the cross], even though it doesn't make sense to us. Neither should we erase God's revealed plan of punishment because it doesn't sit well with us. As soon as we do this, we are putting God's actions in submission to our own reasoning, which is a ridiculous thing for clay to do.

Where are they written?" "In the world around us. Merely be attentive to what happens in your life, and you will discover where, every moment of the day, He hides His words and His will. Seek to do as He asks: this alone is the reason you are in the world." "If I discover it, I'll write it on clay tablets." "Do so. But write them, above all, in your heart; there they can neither burned nor destroyed, and you will take them wherever you go.

Go out and ask her into the alley.” Clay looked at Jeremy as if he’d just been told to dance the rumba on a public thoroughfare. I bit back a laugh. “Just walk over to her and point at the alley. Maybe say…I don’t know…something like ‘fifty bucks.’ ” I looked at Jeremy. “Does that sound right? Fifty?” His brows shot up. “Why are you asking me?” “I wasn’t—I just meant, as a general…” I threw up my hands. “How am I supposed to know how much a hooker costs?

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