Quotes of All Topics . Occasions . Authors
For me it always comes down to what is a good song and I'm very old fashioned in the way that I like to make songs that have something classic about them whether you can play them with an orchestra or an electro synthesizer or an acoustic guitar.
I grew up in a household in which they'd always play old skool classic R&B love songs - Al Green, Sam Cooke, Marvin Gaye... And my mom has even said that, when I was in her womb, she'd put the headphones to her stomach and play those songs to me!
Fall 2013 was inspired by the 1970s equestrian lifestyle. I wanted to incorporate the moody and romantic - intricate baroque detailing and classic menswear elements - with something tougher and edgier in a nod to London's rock n' roll underground.
I had always loved music. I grew up listening to classic country, Waylon Jennings, Merle Haggard. My dad loved Vern Gosdin and Keith Whitley. So I kept going to class and started getting totally into playing guitar and teaching myself these songs.
In a way, a lot of my humor comes from presenting things that are dramatic or shocking and then people not having socially appropriate responses, having people denying the drama by failing to react to it, and that's a really classic form of humor.
Here's the thing: Tanahashi has this idea that wrestling has to be a certain way. There are borders that you shouldn't cross. Wrestling should be wrestling; there's a 'classic' way. But the thing is, when I watch a Tanahashi match, I feel nothing.
I had a very bad time with acid. I did that classic thing of looking in the mirror by mistake and seeing the devil. But I took it several times, because you always think that next time you might have the wonderful time that everyone else is having.
They used to tease me at the 'Oprah' show, 'Are you really going to do another white Shaker kitchen, with white subway tile and stainless steel appliances?' And my answer is, 'I can vary it a bit, but I'm never going to err from classic materials.'
On 'Heartbreaker,' I had to sing those songs. I drank the way I did those songs. I ate the way I did those songs. I communicated the way I did those songs. With 'Gold,' I was trying to prove something to myself. I wanted to invent a modern classic.
You know, I was really privileged to meet Woody Allen, who is now a filmmaker, let's be honest. He's also an actor. And he's classic. And because I have no conception of what classic fashion is now, I respond to his slightly outdated sensibilities.
Saturday night at my house, I often trot out classic movies and force the urchins to watch them. There is much wailing and gnashing of teeth, but I think it's important to teach kids about American culture, and films are certainly a big part of it.
Not all of E. Nesbit's children's books are fantasies, but even the most realistic somehow seem magical. In her holiday world, nobody ever goes to school, though all the kids know their English history, Greek myths, and classic tales of derring-do.
My father always told me that story was first and foremost. We would watch not just his films but a lot of classic American films. My father was a great David Lean fan, and David Lean's one of my favorite directors. We would discuss films endlessly.
Robert Osborne either has the best job in the world, or comes very close. As millions of viewers know, Osborne is the resident host of the great Turner Classic Movies (TCM) channel, the most reliable source of pure enchantment in the cable universe.
It's the classic story form. All staying equal, or proving equal, or being equal, this will all continue, and the next time around, we'll move on to see what happened to Harry after he dove in the river, or who his friend John really was, and so on.
My manager got the script for 'Under the Dome,' and I read it and just fell in love with the character. I grew up on Stephen King, and I love his whole aesthetic of the classic American story with supernatural events happening, so it just made sense.
I wasn't personally that familiar with the Classic Rock bands. That is where Jorn Viggo came in: he played me tons of that stuff - Deep Purple, Led Zeppelin, plus a lot of bands with cool songs, riffs, vocals, etc. We really listened to tons of music.
What we're most aware of in 'Eight-Legged Freaks' is how similar it is to other movies, a recombinant mutated species itself, the product of the crossbreeding of the suffering-from-gigantism movies of the 1950s and the 1990 B-picture classic 'Tremors.'
Growing up in New Orleans, when you're in seventh and eighth grade, and you're into music, and you're a dorky dude, you know, you listen to the entire Rush catalog and the entire Zeppelin catalog, and you go through these, like, phases of classic rock.
I'd love to tackle a classic Shakespeare play or take on Nora Helmer in 'A Doll's House.' Musical theater, it's the classics like Rodgers and Hammerstein and Cole Porter's 'Kiss Me Kate.' I'm much more a Julie Andrews-type soprano than an Idina Menzel.
With 'Stardust', I hope what I was doing is giving 30-year-olds and 40-year-olds and 25-year-olds and 60-year-olds a chance to get the same sense of wonder, the same feeling, the same magic, that they got in reading the classic fairy tales as children.
My mother's childhood was complex, disjointed, and disturbing. As children, we would gather round and ask her to tell us again and again The Story of Her Childhood. It was Grimmsian, Andersenesque: a classic fairy tale replete with goodies and baddies.
I think that a classic style in writing tends to remove the reader one level from the immediacy of the experience. For any normal reader, I think a colloquial style makes him feel more as though he is within the action, instead of just reading about it.
In the case of the classic Western helicopter parent, it starts with Baby Einstein and reward charts for toilet training, and it never really ends, which is why colleges have to devote so many resources to teaching parents how to leave their kids alone.
I don't usually direct actors in the classic sense of that word. Instead, I try to remind the characters before the shoot what's going on in a very simple way. I then watch them, their inventions as actors, approving or not approving what they're doing.
Even though Chinese society was really closed, there were two windows for me to explore the world. One was from my mother and grandmother, the unseen and invisible world. Another window was brought from my father's side, those classic and Western books.
Everybody's got baggage, and not just the classic, 'Oh I have so much baggage,' but everyone comes with so much context, and you're not just dating a person: you're dating all their context, too. Part of relationships is negotiating each other's context.
There's the classic charitable contribution, which we receive thousands, and we're extremely grateful and they often come with notes from people, which are very heartwarming, about how much difference our products have made in their life on the Internet.
I've grown up on American songwriters my whole life - listening to Paul Simon and Bob Dylan and people like John Prine - you know, classic, real songwriters. They've been the lion's share of what I've really focused on as a writer and as influences, too.
Over the years, I've heard pop artists do some Christmas songs, and I haven't fully cared for them. They weren't the traditional Christmas music that I was raised on and love. Thinking of that, I wanted to make my songs mimic the classic Christmas songs.
I'm not a huge scary movie kind of guy; like, I don't do slasher movies, because I'm really squeamish. But if I had to pick a favorite, it would definitely be 'The Shining' with Jack Nicholson. Not only is that a scary movie, it's just a flat out classic.
And in an era where radio stations that are inclined to play Styx music are your classic rock stations and the stations that play current music look at us as dinosaurs - the only way we could reach people with our new music, generally, is to perform live.
My mother, Robin Bell, is the master of balancing the finite line between classic and creative when it comes to fashion. Mom has no qualms about unleashing the pinking shears on a vintage Givenchy dress if it means she'll wear it more once it's sleeveless.
I have friends of mine that are actors or singers, and they're the classic guys where, they're onstage, and they're like, 'Okay, the blonde in the third row, seat 24, bring her to my dressing room.' I've never, never taken advantage of that, I swear to God.
My style overall is whatever is comfy, whatever I feel like wearing that day that I feel good in. I have some really classic pieces that I can dress up, dress down, wear to the movies or wear to a really nice dinner. And I love a really good leather jacket.
When I buy clothes, I like to buy them in outfits so I know they go together. I like a very simple, natural style. I never like to be the attention getter; I like to come under the radar and be cool about my look, very classic and stylish. I'm not into fads.
Magne Furuholmen is a very dear friend of mine. A-ha are a classic pop band and they've got some brilliant songs. I'd say 'The Living Daylights' was one of my favourite Bond tunes: regardless of it being a Bond song, it stands alone as a great piece of music.
The classic problem as an entrepreneur is that they have a hard time delegating. But that's really crazy. Recruiting other executives is critical, so is dealing with customers and dealing with regulators. Those are functions that only the top founders can do.
Hip-hop is one of the most free art forms there is. There's so many sounds you can use, so many things you can bring in. You never know, man. I bet years ago people would've never said they would hear me with Rick Ross, and we did four classic songs together.
I purchased a 1955 Rolls-Royce that my wife liked because it was new the year we were married. Then came a 1926 Hispano-Suiza Cabriolet that I bought at my first classic car auction after I had three martinis. As more cars were added, I had to buy a warehouse.
Those who claim that to leave the E.U. would damage the City are the very same as those who in the past confidently predicted, with a classic failure of understanding, that the City would be gravely damaged if the U.K. failed to adopt the euro as its currency.
I've made classic records, and going into making 'R.A.P. Music,' I was determined to top the entire legacy of the 'Pledge' series, and the fact that I won a Grammy, and the fact that I was associated with OutKast, and the fact that I'm a Dungeon Family member.
Sirkian films really aren't - at least the way I see them, they're not about identification. They don't have voiceover. A lot of the love stories that are rooted, classic love stories rooted in point of view, use voiceover as a mechanism for locating you there.
Every demo I do has a mandolin or resonator on it - some element of the bluegrass or classic country world that I grew up listening to and that first drew me in. And then I always try to find somewhere for a bluesy guitar sound, because that's also what I love.
'Insidious 2' is a direct continuation of the first movie. We literally pick up from where we left off at the end of the first film. And whereas the first movie is a twist on the haunted house genre, the second movie is a twist on the classic domestic thriller.
As a crew, G.O.O.D. Music is taking it to levels that really haven't been done collectively. Kanye is someone who knows how to make classic albums, a true thinker. He got me in the mindset of being a true thinker and always planning out every move you got going.
My kids love old Hollywood movies and look forward to watching the Charlton Heston classic, 'The Ten Commandments,' every year. The retro special effects and over-acting are fun to watch and the story is a great reminder of our Jewish roots in the Passover meal.
The shock of the way I mix patterns and fabrics can be disconcerting, but what I am trying to do is provoke new ideas about how pieces can be put together in different ways. I think this is a more modern way to wear clothes that in themselves are fairly classic.
The act of seeing any film generally is you knowing more than the characters, even if it's the classic Hitchcock shot of two people talking and a bomb being under the table. Part of the pleasure of it is seeing where people go wrong, and the irony of situations.
The Smurfs - and they're this way in Peyo's comics as well - do have a rubbery indestructibility about them. They can get bruised & battered. But they then just sort of bounce back very quickly, like those classic cartoon characters Wiley Coyote and Tom & Jerry.