Quotes of All Topics . Occasions . Authors
Many of the lower middle class are members of labor unions, churches, bowling clubs, fraternal, service, and nationality organizations. They are organizations and people that must be worked with as one would work with any other part of our populations - with respect, understanding, and sympathy.
[Virginia Madsen] big part in that movie ['Class'] required her shirt to get ripped off, and looking back, it couldn't be a more egregious, vintage, lowbrow, 1980s Porky's-esque, shoehorned-in moment. Like, you would never have that moment in a movie that aspired to be what that movie did today.
Since I was a baby my goal was to be on TV because film was just impossible - you never got any Asian women in Western cinema. I grew up wanting to be in 'East-Enders' because film wasn't even a dream. The community were very much like, 'How can you want to act? It's such a low-class profession.
Washington's answer to a self-inflicted financial crisis reminded Americans why they so deeply distrust the political class. The 'fiscal cliff' process was secretive and sloppy, and the nation's so-called leadership lacked the political courage to address our root problems: joblessness and debt.
People ask me, how is managing in the New Economy different from managing in the Old Economy? Actually, it's a lot the same. It's about the financial discipline of the bottom line, understanding your customers, segmenting your customers by their needs, and building a world-class management team.
Historically and politically, the petit-bourgeois is the key to the century. The bourgeois and proletariat classes have become abstractions: the petite-bourgeoisie, in contrast, is everywhere, you can see it everywhere, even in the areas of the bourgeois and the proletariat, what's left of them.
There are two great classes of men: the people and the scholars, the men of science. For the former, nothing exists but that which directly leads to action. It is for the latter to see beyond. They are the free artists who create the future and its history, the conscious architects of the world.
My school reports always used to point out that my concentration levels were appalling. I never listened in class because I was always daydreaming about racing. I never thought for a moment about doing anything else. There was no guarantee that I'd make a career in it but I never had any plan B.
How do we work together? For if we want liberation for women, then we're committed to building a society in which these distances--of class and economics--dissolve, and all our authentic differences--cultures, personalities, sexualities, talents, and aspirations--emerge and are equally nourished.
As the classes in modern life come together, we have become much more intensely class conscious. It's a very curious thing. But I deal with human beings with whom I've come in contact and have had a chance to closely observe. Their upper-classness is not a matter of particular fascination for me.
It helps immerse yourself in what you potentially want to do. Being involved, learning firsthand and observing the craft and absorbing all you can, makes it easier to define what you want. It will also ultimately make you a better Chef. Culinary school, or even a single class, is a great bet too.
Hip hop classes and ballet are what I've been keeping up with, and of course my usual abdominal workout, which consists of 500 sit-ups a session. Or I take a 30-minute abs class at my gym. But dance classes are a full-body cardio workout, which always brings me success and keeps me feeling great.
The world, we are told, was made especially for man - a presumption not supported by all the facts. A numerous class of men are painfully astonished whenever they find anything, living or dead, in all God's universe, which they cannot eat or render in some way what they call useful to themselves.
I don't know if it was a defining moment. I knew it as soon as I could comprehend the possibility of having a career. I knew very young I wanted to be a movie star. As much as I grew into love of the craft. As soon as I could speak I was auditioning and going to classes every day. It was my life.
I played with English and Sociology in college but dropped out to work in the anti-war movement. I was going around denouncing the Viet Nam war as immoral but one day it dawned on me that I didn't know what that meant. I signed up for an ethics class at San Francisco State to find out the answer.
One of the highlights of my career was playing first class rugby for my province, which was Wellington. Another highlight was playing first class rugby with my brothers. Not many brothers get to do that. I can't explain what it felt like to be out there, playing with them. It was a great feeling.
If the members of a class do not understand -- if those directly addressed fail to listen, or listening, fail to recognize a power in the voice -- surely the fault lies with the speaker, who, having attempted to secure their attention and enlighten their understandings, has failed in the attempt.
The piano is just a different animal. It's expensive, it's big, it's heavy, and it doesn't fit in the mix easily. Everyone grew up with a piano in their living room, so rocking out on the piano was accessible - it wasn't an upper-class thing. Now pianos have become very much a piece of furniture.
It doesn't matter if it's in my class or around the world, anywhere, the first thing I say is "First of all guys, I want to give my Heavenly Father credit for all I do and the Lord Jesus Christ to give me the opportunity to go out and reach and save lives." To me, that's the most important thing.
I took lessons for about everything you could imagine - gymnastics to karate to flute and piano. My mom always definitely kept me in some kind of class or program, but for guitar, I kinda gave up on then kinda just taught myself. Same thing with piano. I've never been good with following lessons.
Before you can write a check, you must first make out a deposit slip; before you can draw money out of a bank, you must put money into a bank; before you are entitled to a living, you must give the world a life; if you want to make a first-class living, learn to give the world a first-class life.
merica was middle-class for the very start - the people who came first were hyper-strivers from England. There were no vested interests, no ranks, no classes, it was very lightly populated, there were unlimited natural resources - for free essentially - if you failed, you could always start over.
My parents were not at all backstage parents. We had none of that in the family. It was just very clear right away that I was an actor, even from 4 years old. I've never waited a table. I taught some - I'll teach classes in improv or Shakespeare, but there's some motor in me that needs to do that.
Voting in particular is an embarrassment, being a public display of weak character and low intelligence. Let us face the truth: Democracy, like spitting in public or the Roman games, is the proper activity of the lower intellectual and moral classes. It amounts to collusion in one's own suckering.
Excellence means that you're prospering spiritually, mentally, physically and in every area of life. What does it mean to prosper? It means to do well, to have over and above, to walk in a high level with God. It means to be in a high class with God, where you can think like God and live like Him.
As soon as there are no more classes, as soon as boundaries between classes are effaced, as soon as only a few but non-fundamental differences between various strata of the socialist society remain - there can no longer be nourishing ground for the formation of parties struggling among themselves.
Social class has worked for years. Born into the right family, go to the right schools, even if you're not super bright to start with, you'll turn out bright. You go to the right university, you get the right job, you have the right connections, you'll make it to the top. Job done, very efficient.
I was starting to realize the extent of the problem here: everyone is always lying to each other, and even when they're trying to tell the truth, it can still be misleading or wrong. In fact, it almost always is wrong from at least one angle. I mean, the truth is really just a better class of lie.
I started classes and it wasn't because I was like, 'I want to be an actor!' - I was really interested in the theory of what acting can be and what it's about. It's all about living in the moment and kind of being present, which is something that at that time in my life I really wanted to explore.
I was a disruptive student. I hated my teachers, especially my Spanish teacher. When I went to see the musical 'Matilda,' the horrible Miss Trunchbull brought back all sorts of horrible memories. I'd go into Spanish class, put on headphones, and sing at the top of my lungs until they threw me out.
I was born in a middle class Muslim family, in a small town called Myonenningh in a northern part of Bangladesh in 1962. My father is a qualified physician; my mother is a housewife. I have two elder brothers and one younger sister. All of them received a liberal education in schools and colleges.
When I first moved to L.A., I didn't have a lot of money to join a gym or take classes, so I improvised. My sister and I went to the library and looked over their DVD collection and discovered Neena and Veena, these Egyptian twins who have a whole series of belly dancing routines. We did them all.
This is what oligarchy looks like: Today, the top one-tenth of 1 percent owns almost as much wealth as the bottom 90 percent. The top one-hundredth of 1 percent makes more than 40 percent of all campaign contributions. The billionaire class owns the political system and reaps the benefits from it.
I created 'Captain Underpants' when I was in the second grade. I was constantly getting in trouble for being the class clown, so my teacher sent me out into the hallway to punish me. It was there in the hall that I began drawing 'Captain Underpants'. Soon I was making my own comic books about him.
What fiction offers us is an intimacy shorn of the messy contingencies of human existence - gender, race, class or age. Those moments of transcendence when we exclaim "You know exactly what I mean!" depend for much of their force on the anonymous character of the intimacy between writer and reader.
I'm not suggesting that social scientists stop teaching and investigating classic topics like monopoly power, racial profiling and health inequality. But everyone knows that monopoly power is bad for markets, that people are racially biased and that illness is unequally distributed by social class.
I tell a student that the most important class you can take is technique. A great chef is first a great technician. 'If you are a jeweler, or a surgeon or a cook, you have to know the trade in your hand. You have to learn the process. You learn it through endless repetition until it belongs to you.
And when I first started writing, it was literally in acting classes. And what would happen is now it's really easy to get scripts and stuff but back then, you know, oftentimes you'd buy the novelization to a movie if you wanted to get an idea of what the scene, you know what happened in the scene.
The biggest start-up successes - from Henry Ford to Bill Gates to Mark Zuckerberg - were pioneered by people from solidly middle-class backgrounds. These founders were not wealthy when they began. They were hungry for success, but knew they had a solid support system to fall back on if they failed.
Scholesy is one of my favourite players of all time. He was a great professional who had everything and I used to love playing with him. You could give him the ball in any position, he would take one touch and you would know exactly what the next move would be. [ . . . ] He was magical, pure class.
What fiction offers us is an intimacy shorn of the messy contingencies of human existence - gender, race, class or age. Those moments of transcendence when we exclaim 'You know exactly what I mean!' depend for much of their force on the anonymous character of the intimacy between writer and reader.
You have the upper class Negroes who are the modern day Uncle Toms or the 20th century Uncle Toms. They don't wear a handkerchief anymore. They wear top hats. They're called Doctor, they're called - Reverend, but they're still - they play the same role today that Uncle Tom played on the plantation.
The American elite ... is almost beyond redemption. Moral relativism has set in so deeply that the gilded classes have become incapable of discerning right from wrong. Everything can be explained away, especially by journalists. Life is one great moral mush -- sophistry washed down with Chardonnay.
In the Shadow of Slavery covers two and a half centuries of black life in New York City, and skillfully interweaves the categories of race and class as they affected the formation of African American identity. Leslie Harris has made a major contribution to our understanding of the black experience.
I have never said, as is sometimes believed, or even suggested that lower-class children should not learn the so-called educated norm of the Portuguese language of Brazil. What I have said is that the problems of language always involve ideological questions and, along with them, questions of power.
According to Jewish legend, only the very wisest and very holiest rabbis had the power to make golems, animated servants of clay. Strictly speaking, the golem is not in the same class with Frankenstein's monster, because the golem is neither alive nor dead. He is, rather, the ancestor of all robots.
Following graduation from high school in 1948, I attended Harvard University where I became a physics major. Having grown up in a small town, I found Harvard to be an enormously enriching experience. Students in my class came from all walks of life and from a great variety of geographical locations.
You must want to be first-class ...meaning the best, the very best you are capable of becoming. If you deliberately plan to be less than you are capable of being, then I warn you that you'll be deeply unhappy for the rest of your life. You will be evading your own capacities, your own possibilities.
I have dark skin. My nickname is El Negro. They call me El Negro in Mexico because even in my country, the dark skin is evidence of Indian blood, a sign that one technically belongs to a third class. Even my grandmother had some kind of differentiation with me, because I was darker than my siblings.
When Jim Irsay called me five years ago, he told me, 'I want you to be our coach and help us win the Super Bowl.' He told me, 'We are going win it the right way. We are going to win it with great guys; win it with class and dignity. We are going to win it in a way that will make Indianapolis proud.'