Quotes of All Topics . Occasions . Authors
City life is stressful. Everybody is running around like crazy, stuck in traffic jams trying to make meetings, trying to make ends meet, trying to meet deadlines, trying to get kids to and from activities. There aren't enough hours in the day for all this business.
There's pride on Bourbon Street for the musicians that work there. They take it very seriously. I've never worked there or played in band there, but it's a part of the city. They play for the tourists and represent a whole different side of the culture of our city.
The importance of local governance may not be obvious to an America accustomed to treating city and state downfalls with doses of federal comeuppance. Sometimes there's a reason for that - the Civil War. More often, all reasoning seems absent - No Child Left Behind.
Growing up in Buffalo, I saw shuttered factories that once housed thousands of steel manufacturing jobs. I remember the hollowing-out of the middle class in our community. I witnessed hope turn to hardship as a once-thriving city reckoned with a fast-changing world.
'Girl in the City Chapter 2' will still continue to revolve around Meera Sehgal and her life, her friends, and her passion. The stark difference in 'Chapter 2' will be that all the characters have now grown up in the series - in terms of maturity if not so much age.
People may recognize me as some sort of superhero, but it's different. Spider-Man and all these other superheroes, they get superpowers and do what they want to save the city. If we need to save Hong Kong, we can't rely on superpowers, we can just rely on the people.
I grew up in rural Missouri about two hours north of St. Louis, and if the wind was blowing right on a Saturday night, I could catch All Star Wrestling out of Kansas City, which was run by Bob Geigel, and some of the stars there were Bulldog Bob Brower and Ray Candy.
City came in strongly for me, put their cards on the table, and what I have found out since is that every game in England is a privilege - the atmosphere, the fans, the interest that surrounds it. Every time I go out on the pitch, I know I've made the right decision.
I've seen neighborhoods that I would have never driven though because I'm riding my bike, because I'm looking for side roads, looking for maybe more hills or less hills depending if I'm exercising or not. You see a lot more, and you get the flow of a city a lot more.
Creation destroys as it goes, throws down one tree for the rise of another. But ideal mankind would abolish death, multiply itself million upon million, rear up city upon city, save every parasite alive, until the accumulation of mere existence is swollen to a horror.
San Francisco has always been my favorite booing city. I don't mean the people boo louder or longer, but there is a very special intimacy. When they boo you, you know they mean you. Music, that's what it is to me. One time in Kezar Stadium they gave me a standing boo.
That would really be my fantasy - maybe just do three shows a year and each year in a different city, just singing for the people who really want to see it, and then just write for other people. I do love to sing, but I'm just as happy singing in the bathtub, you know?
I'm already popular in my city. I was just trying to get rich. Man, I'm not gonna lie to you; I didn't really want to go back to school. I mean, my family was mad about that. Because, you know, you tell your family you want to rap, and they look at you like you're crazy.
We believe a large-scale, next-generation venue will not only become a premier destination, but also drive growth in London's overall music and entertainment market, benefiting artists and fans, and serving as a long-term investment in the future of this incredible city.
My art is an attempt to reach beyond the surface appearance. I want to see growth in wood, time in stone, nature in a city, and I do not mean its parks but a deeper understanding that a city is nature too-the ground upon which it is built, the stone with which it is made.
I think Paris smells not just sweet but melancholy and curious, sometimes sad but always enticing and seductive. She's a city for the all senses, for artists and writers and musicians and dreamers, for fantasies, for long walks and wine and lovers and, yes, for mysteries.
My dad worked at a mechanical factory for 35 years. I grew up in Union City, NJ. My mother is a social worker. My sister runs a 7-Eleven, and my brother is a detox counselor. They had no predilection for the arts. But from a very young age, I really, really loved theater.
No city owns me, you know what I'm saying? I'm from New York, but no city owns me. Nobody can bottle up my sound and box me in. Yes, I am a rapper, but am I a New York rapper? No. I am from New York, I love New York to death, but I will not conform myself to one place, no.
I think people who are not from here think the Inner Harbor is the only center for culture or fun in the city, and there's so much more to Baltimore. The Harbor's a beautiful place, but there are so many gems embedded in other communities that don't get as much visibility.
Whenever I'm in Kansas City, I think back to all the jazz-blues greats who played the blues here - like Count Basie, Charlie Parker and Jay McShann. I watched those guys jam in different places and heard a lot of things - but I couldn't do what they did. They were too good.
In New York City, it's popular. I used to think to myself, 'Man, there's a lot of gay people out here.' And it had me comfortable: it was like, I can be myself! I used to still try to hide it, until it was really overwhelming - there were just too much girls attracted to me!
After college, I knew I wanted to work in comedy, so the first thing I did was go to where the comedy was. I moved from Charlottesville to Chicago, because that's where The Second City and Improv Olympics are. You have to go wherever you need to go to study what interests you.
If you're on a freeway and want to know if you're being followed, what you do is enormously vary your speed. You accelerate to 100 and slow down to 30 and then accelerate again. In a city, you make a lot of turns against the stream of traffic. You go around a roundabout twice.
There's a lot of haters in Philly, but it's a lot of people that give you support - but way more haters. It's definitely a great city to be from. But it's not really a lot of people that come out of there. So when you, like, make it out of Philadelphia, everywhere else is easy.
I live in Paris, a city where you have a lot of stylish women, so I learned a lot by observing the women in the street. But my mother was always a big influence as well; she is always very feminine in high heels and perfectly cut dresses, with perfect makeup but never too much.
'Tracks' is based on the book by Robyn Davidson who, in the mid-Seventies, decided to leave the city, go to the outback, learn to train camels and walk across the Australian desert to the ocean: a journey that is about two thousand miles and will take about six or seven months.
A beautiful city is Richmond, seated on the hills that overlook the James River. The dwellings have a pleasant appearance, often standing by themselves in the midst of gardens. In front of several, I saw large magnolias, their dark, glazed leaves glittering in the March sunshine.
The 1890s was a decade when life began to change in urban America. Modern conveniences that we now take for granted came into use; women's roles became less restrictive; and San Francisco, a port city with influences from all over the world, was a lively place in which to reside.
Since I got into the movies, 'Running Scared,' that did $40 million. 'Princess Bride,' I got good reviews for the character Miracle Max. 'Memories of Me' didn't do well. 'Throw Mama from the Train' did $70 million. 'Harry and Sally' did 95 or 96. 'City Slickers' did $120 million.
I went to really good New York City public schools that had arts programs. So in junior high, I got into the drama department. From there, I went to a performing arts high school in New York City called Laguardia and I just kind of fell into the professional side by happenstance.
The whole London football scene is now financially more powerful and ambitious than ever before. That reflects the city's economic might and its multiculturalism. Now West Ham have a new , and Spurs and Chelsea will follow. And the London clubs have widened their areas of support.
Devo and The Cramps didn't get big until they went to New York City. Chrissie Hynde didn't get big until she moved to London. When I was growing up, there wasn't even a place to play - just one little bar. If we wanted to have a gig, then we had to drive 45 minutes up to Cleveland.
I grew up hearing stories about how my maternal grandfather had put himself through engineering school in New York City. He saved money by walking down to a gas station once a week to take a shower. When I applied to college, both education and investment value were important to me.
Call it a hunch, but I sense that many of us are not entirely comfortable with a world in which every single thing we buy creates a cloud of data. I'd like to have an option to not have a record of how much I tipped, or what I bought at 1:08 A.M. at a corner market in New York City.
Minneapolis just embraced me. There are a lot of weirdos here. It's awesome, because I'm a weirdo. Thankfully, the city embraced me with open arms. A lot about Minneapolis helped carve my musicality and open my eyes. The whole town is so open-minded compared to like, you know, Texas.
I grew up in Texas City, Texas. I didn't know anybody who was a director or whose parents or grandparents were directors. I met somebody from a nearby town one time whose father had been to the moon - it was far more likely to be an astronaut than it was to be a writer or a director.
I like the city. I like the concrete. I like big business. I like being a CEO of my own company and having a lot of responsibilities. At the same time, when I can go off with a backpack or off on a surfboard or even off on a run somewhere in the woods - that's where I'm really happy.
When I was a little kid, all I wanted to do was to escape what I thought was the country and get to a city. Probably film and television had influenced me so much, I really thought the key to happiness was living a very artificial life in a penthouse in New York with martini glasses.
When I started doing 'The City' in 1990, most papers ran it the width of the page, 10 inches or so. It was great! I had lots of room to draw and write. It was the golden age of weekly comix. Today, most run my strip half that size. I just try to make it legible. It's very frustrating.
I think Hitchcock had a thing about hills: think of the house on the hill in 'Psycho.' Then, in 'Vertigo,' Scottie is forever traversing the city, going downhill all the time as he goes deeper and deeper into himself. It's as if Hitchcock is using San Francisco as a psychological map.
I think the rebuilding of the city has to start with the spirit first. So the music, the vibe, the connection spiritually with the artists. Everybody out here is the main key. A lot of people are still in a lot of tough situations. My heart still goes out to the people of New Orleans.
The great thing about coming to Melbourne is that people talk about Sydney being the food capital but Melbourne is a lot more; it has that residential feel, a feeling of homeliness. When you go to restaurants, it's known as a creative, artistic city. That's what you get with the food.
I was born on December 30, 1930 in Ningbo, a city on the east coast of China with a rich culture and over seven thousand years of history. Although it was a tumultuous age in China when I was a child, I was lucky enough to have completed a good education from primary to middle school.
After the Berlin Wall came down I visited that city and I will never forget it. The abandoned checkpoints. The sense of excitement about the future. The knowledge that a great continent was coming together. Healing those wounds of our history is the central story of the European Union.
Kabul is a walled city, which sounds romantic except the walls are pre-cast reinforced concrete blast barriers, 10 feet tall and 15 feet long and moved into place with cranes. The walls are topped with sandbags, and the sandbags are topped with guard posts from which gun barrels protrude.
I was a cub reporter on a local newspaper in Limerick city, and I used to cover the district court meetings. All of life passed through the Limerick courthouse. Misery, malevolence, the dark side of humanity... I tell ya, it made 'Angela's Ashes' look like 'The Wonderful World of Disney.'
As a child, I was always intrigued by the question: what is it that distinguishes a city from a town? Is it size? Population? Location? When I asked grown-ups, the confident answer was that a city has to have a cathedral - which, to a child raised in a devout Catholic setting, made sense.
New York is big, fast, energetic, and has the most and best of everything. While it can push the senses, it's the most convenient place to live. It's much easier for a ninety year old to live in New York City than in the suburbs. NYC is the best mass assisted-living facility on the planet.
I started when I was 15 years old. And at that time, I was not thinking about changing the world, I was doing graffiti - writing my name everywhere, using the city as a canvas. I was going in the tunnels of Paris, on the rooftops with my friends. Each trip was an excursion, was an adventure.
'Hound Dog' took like twelve minutes. That's not a complicated piece of work. But the rhyme scheme was difficult. Also the metric structure of the music was not easy. 'Kansas City' was maybe eight minutes, if that. Writing the early blues was spontaneous. You can hear the energy in the work.