You look at the absolute scorn that gets poured on a fallen celebrity, whether it's Tom Cruise or Lindsay Lohan or Marlon Brando, or Elvis when he got fat. They're not allowed the dignity of ordinary failure. And I think that plays into people's notions about Los Angeles, too. It's not allowed to be a regular city with problems.

In the United Kingdom, for example, the sheer overwhelming dominance of London makes it extremely for provincial cities to develop more than a very restricted financial function. London, in that sense, is akin to the notorious upas tree, a fabulous Javanese tree so poisonous that it destroys all life for many miles around itself.

We may not always agree with every one of our neighbors. That's life. And it's part of living in such a diverse and dense city. But we also recognize that part of being a New Yorker is living with your neighbors in mutual respect and tolerance. It was exactly that spirit of openness and acceptance that was attacked on 9/11, 2001.

The city of Copenhagen is a climate crime scene tonight, with the guilty men and women fleeing to the airport in shame. World leaders had a once in a generation chance to change the world for good, to avert catastrophic climate change. In the end they produced a poor deal full of loopholes big enough to fly Air Force One through.

What we saw was that the Ferguson Police Department in conjunction with the municipality saw traffic stops, arrests, tickets as a revenue generator, as opposed to serving the community, and that it systematically was biased against African-Americans in that city who were stopped, harassed, mistreated, abused, called names, fined.

It's rare that you have a policy issue that can be solved by throwing more money at the problem, but the technology to make bus service more frequent and equip buses with GPS systems that provide real-time schedule updates to bus stops exists and operates in many parts of the world. We should be installing it in our major cities.

The state of New Jersey is really two places - terrible cities and wonderful suburbs. I live in the suburbs, the final battleground of the American dream, where people get married and have kids and try to scratch out a happy life for themselves. It's very romantic in that way, but a bit naive. I like to play with that in my work.

L.A.: where there's never weather, and walking is a crime. L.A.: where the streetlights and palm trees go on forever, where darkness never comes, like a deal that never goes down, a meeting that's never taken. The City of Angels: where every cockroach has a screenplay and even the winos wear roller skates. It's that kind of town.

I'm the same kid who used to hop the trains with headphones and just go to downtown Manhattan, walk around and listen to music or walk through the city. The fame restricts that. It's a small complaint in comparison to the benefits I get from it, but the restrictive part is what I don't like - and the fact that it's not reversible.

We in the Himalayas have the problem of glaciers melting away and we had to make our own glaciers and I don't consider them proud or great achievement. It is only mainly to adapt to the problems that we have caused in this planet; The real solutions lie elsewhere; maybe people in the big cities of India, China and US can solve it.

I grew up in Chicago and was a huge fan of 'The Second City', so when I moved to L.A., I was looking for anything that resembled that... then I started 'The Groundlings', so I went to a show and it was very much like 'Second City'. I was so impressed that that same night I went backstage and I went up to the funniest person there.

My God, the suburbs! They encircled the city's boundaries like enemy territory and we thought of them as a loss of privacy, a cesspool of conformity and a life of indescribable dreariness in some split-level village where the place name appeared in the New York Times only when some bored housewife blew off her head with a shotgun.

I know that New York is big - there are huge buildings - but, in fact, it's quite small and contained... I like it when cities are melancholic. When it started snowing, for example, I felt very lonely. I felt very comfortable and very relaxed. When that happens, I write. So I've been writing, not a lot, but I'm inspired every day.

Nothing can be more striking to one who is accustomed to the little inclosures called public parks in our American cities, than the spacious, open grounds of London. I doubt, in fact, whether any person fully comprehends their extent, from any of the ordinary descriptions of them, until he has seen them or tried to walk over them.

I do a lot of urban fantasy, which is modern-day cities, but you've got magic, you've got fairies running around, or cryptozoological creatures running around, and I'm pulling very heavily on my background as a folklore major and having done some animation work and all of that, and I'm pulling from the modern fairy tale narrative.

The influence of the Shaw Brothers films on my work has been profound. In addition to the richness of Asian culture, we at Wu-Tang were fascinated with the struggles between the oppressed Chinese villagers and the repressive Manchu authority and how it mirrored our own experiences growing up as black kids in America's inner cities.

I'm one of those guys where you know, I'm 23 years into this and I love the road more than ever and rather than whittling down my schedule to just play the major cities, I've actually expanded the amount of places that I go to because I want to see a bunch of stuff. You know, plan it as I can while I'm still young enough to travel.

Beneath the gore and smoke and loam, this book is about the evanescence of life, and why some men choose to fill their brief allotment of time engaging the impossible, others in the manufacture of sorrow. In the end it is a story of the ineluctable conflict between good and evil, daylight and darkness, the White City and the Black.

With good planning, Africa can have cities, farms, factories, export processing zones. But if the political will is there, the huge areas - the Serengeti, the Okavango, the Kalahari, Kruger - these wonderful, huge places for wildlife could still be set aside and protected, and be treasures for humanity for many generations to come.

Interest-rate swaps are a tool used by big cities, major corporations and sovereign governments to manage their debt, and the scale of their use is almost unimaginably massive. It's about a $379 trillion market, meaning that any manipulation would affect a pile of assets about 100 times the size of the United States federal budget.

The British bombed German cities [during World War II] to keep the workers awake at night. So instead of dropping one bomb, we sent a thousand planes and, yes, we took out the factory sometimes, but we also took out the city. It reached the point where we wanted more efficient ways to destroy a city. The result was nuclear weapons.

Cities, in many ways, are the best repositories for a love affair. You are in a forest or a cornfield, you are walking by the seashore, footprint after footprint of trodden sand, and somehow the kiss or the spoken covenant gets lost in the vastness and indifference of nature. In a city there are places to remind us of what has been.

...It is statistically irrefutable that those American cities with stringent "gun control" (e.g. N.Y.C., D.C., Chicago, L.A.) have higher crime rates. It is also irrefutable that those 31 states which have made conceal carry of handguns easy for law-abiding citizens have correspondingly enjoyed significant drops in their crime rates.

Technically, the city of Ankh-Morpork is a Tyranny, which is not always the same thing as a monarchy, and in fact even the post of Tyrant has been somewhat redefined by the incumbent, Lord Vetinari, as the only form of democracy that works. Everyone is entitled to vote, unless disqualified by reason of age or not being Lord Vetinari.

New Orleans is a city whose basic industry is the service industry. That's why it makes its money. That's - it brings people to the city. People come to the city and experience the wonders of this extraordinary city and everything else. The question is that, how do we create jobs which are the jobs that have pay, that - living wages?

In the early nineties, I was a cub reporter on a city newspaper in Limerick, and assigned to the courthouse there. One day, an old detective sergeant came and whispered to me in the press pit. He pointed out a young offender, a teenager who was up for stealing a car or something relatively minor, and said, 'See this kid? He'll kill.'

While it may be difficult to understand why cities and even entire states would doom themselves to insolvency by undertaking these obligations, the answer is simple: Democratic politicians, who have near-total political control of California and of America's biggest cities, support this massive transfer of wealth to public employees.

A shining city is perhaps all the president sees from the portico of the White House and the veranda of his ranch, where everyone seems to be doing well. But there's another part to the shining city. In this part of the city there are more poor than ever, more families in trouble, more and more people who need help but can't find it.

These past years, as we have been recovering and given our city a rebirth, we have been encouraged by our faith, knowledge, and steadfast belief that we will pull through. There will be challenges and setbacks, as there have already been, but we will continue, and we the citizens of New Orleans will prevail in bringing our city back.

As a spiritual person, nature for me has always been a healing place. Going back all the way to my childhood on the farm, the fields and forests were places of adventure and self-discovery. Animals were companions and friends, and the world moved at a slower, more rational pace than the bustling cities where I'd resided my adult life.

The moment that the state came into conflict with the higher power, the moment that it set itself up as an end in itself, it became identified with Augustine's earthly city and lost all claims to a higher sanction than the law of force and self-interest. Without justice, what is a great kingdom but a great robbery, magnum latrocinium?

It's one thing to execute dishes on your own time for family and friends, but quite another to perform and be judged in a competition. And that's what cooking in a high profile restaurant is. It's a competition. You're up against every other three-star restaurant in your city, and if you want to stay in business, you'd better deliver.

For carbon-neutral cities, there are things worth talking about in how our consumption patterns can change - sharing goods, etc. - but those are a fraction of the impacts of transportation and building energy use. If we need to choose priority actions, the most important things are to densify, provide transit, and green the buildings.

What Metallica always tries to do, as we go around and play a lot of the same cities, over and over again, year after year, is to give a different experience. We try to never play the same venues, or if we play indoors, we'll play outdoors, and all that type of stuff. It's always about just trying to do a different kind of experience.

I was at the 1976 Republican Convention in Kansas City. I was running 'Nobody for President' at the time. I printed up these press releases and handed them out to the crowd at the Kemper Arena. 'Nobody keeps campaign promises.' 'Nobody lowers your taxes.' 'Nobody should have that much power.' 'Nobody is in Washington working for you.'

Chicago's downtown seems to me to constitute, all in all, the best-looking twentieth-century city, the city where contemporary technique has best been matched by artistry, intelligence, and comparatively moderated greed. No doubt about it, if style were the one gauge, Chicago would be among the greatest of all the cities of the world.

Amazon is pursuing something called Amazon Key, which lets its couriers unlock Prime customers' doors and deliver packages. It's pairing the service, which it plans to make available in 37 cities next month, with a camera so users will have intelligence inside and outside their homes, presumably boosting trust and lowering creepiness.

Young poets worry that their experiences - whether urban or rural, immigrant or native, small town, suburb, or big city - aren't worthy of the written word. But for me the urge toward poetry, that seductive feeling of being swept away by words, was enough for me to overcome that fear that my experiences weren't worthy of poetry itself.

As artists and traders in medieval cities began to form organizations, they instituted tough initiation ceremonies. Journeymen in Bergen, Norway, were shoved down a chimney, thrown three times into the sea, and soundly whipped. Such rites made belonging to the guild or corporation more precious to those who were accepted, and survived.

Cities have always offered anonymity, variety, and conjunction, qualities best basked in by walking: one does not have to go into the bakery or the fortune-teller's, only to know that one might. A city always contains more than any inhabitant can know, and a great city always makes the unknown and the possible spurs to the imagination.

Tourism as a number-one industry is a terrible, terrible idea for any city, especially New York. If you were going to turn a city, which is a place where people live, into a tourist attraction, you're going to have to make it a place that people who don't live here, like. So I object to living in a place for people who don't live here.

Art deals with profound and simple moods. Let us suppose that the artist - in this instance (the artist) Picabia - gets a certain impression by looking at our skyscrapers, our city, our way of life, and that he tries to reproduce it. He will convey it in plastic ways on the canvas, even though we see neither skyscrapers nor city on it.

I have always had a strange relationship to Portland, Oregon. It's a great city. The people who live there love it openly and loudly, and it regularly appears on the lists of best American cities. But something has always felt weird to me about Portland. And not in the way Portlanders mean 'weird' in their slogan 'Keep Portland weird.'

Prophet may you be! If I be false, or swerve a hair from truth, when time is old and hath forgot itself, when waterdrops have worn the stones of Troy, and blind oblivion swallowed cities up, and mighty states characterless are grated to dusty nothing, yet let memory, from false to false, among false maids in love, upbraid my falsehood!

One thought alone preoccupies the submerged mind of Empire: how not to end, how not to die, how to prolong its era. By day it pursues its enemies. It is cunning and ruthless, it sends its bloodhounds everywhere. By night it feeds on images of disaster: the sack of cities, the rape of populations, pyramids of bones, acres of desolation.

Money and prices and markets don't give us exact information about how much our suburbs, freeways, and spandex cost. Instead, everything else is giving us accurate information: our beleaguered air and watersheds, our overworked soils, our decimated inner cities. All of these provide information our prices should be giving us but do not.

Bolivia's majority Indian population was always excluded, politically oppressed and culturally alienated. Our national wealth, our raw materials, was plundered. Indios were once treated like animals here. In the 1930s and 40s, they were sprayed with DDT to kill the vermin on their skin and in their hair whenever they came into the city.

Most brands that are called luxury brands today are not true luxury brands. The globalization of fashion and luxury means you now find the same luxury brands in every city. The stores look the same, the products are the same. It is still a very good quality product but it is now readily available to everyone. It's a kind of mass luxury.

We are all used to paying a sales tax when we buy things - almost 9 percent here in New York City. The application of this concept to the financial sector could solve our need for revenue, bring some sanity back into the financial sector, and give us a way to raise the revenue we need to run the government in a fiscally responsible way.

I would have to say that because I've lived in so many cities, by no means do I feel it's fair to call myself a 'fan' of any particular teams. I've lived in New York for a long time, and I did this movie about the Yankees called '*61.' I found out a lot about the Yankees during that time, so I love the Yankees, I've watched the Yankees.

Share This Page