Quotes of All Topics . Occasions . Authors
I grew up in Florida in different cities. I was born in Mississippi. My parents moved a lot, so I moved to Tennessee, Alabama, South Carolina, Virginia, all through the South. But my family's roots were from central Florida, like Daytona Beach area, so we ended up moving there.
If I were a place, the area of South Bank, in London. Between the Hayward Gallery, National Theatre and all other activities, I'm never bored. I would also say New York for the breathtaking skyline formed by the buildings and the fast pace of the city, whatever the time of day.
Theatre has been a part of my life since before I can remember - my dad is also an actor and a director and a storyteller who lives and works in the Twin Cities; my mom is a nurse practitioner, but she also grew up doing theatre - so, it has always been a part of my experience.
I grew up in California. I was outside of the city, not directly in it. So I did have an experience of the sky, but for me, it was the idea of space exploration that fueled my interest. I grew up in that age of the astronauts, and I was fascinated that we could leave the Earth.
Gerry?' Laurel had to strain to hear thought the noise on the other end of the line. 'Gerry? Where are you?' 'London. A phone booth on Fleet Street.' 'The city still has working phone booths?' 'It would appear so. Unless this is the Tardis, in which case I'm in serious trouble.
It's time for us to come together. It's time for us to rebuild New Orleans - the one that should be a chocolate New Orleans. This city will be a majority African American city. It's the way God wants it to be. You can't have New Orleans no other way. It wouldn't be New Orleans.
There's a lot of evidence that shows that if we push as hard as we need to for net-zero emissions, we'll find ourselves with cities that are more secure, healthier, and have more economic opportunity - are frankly better cities to live in - than if we settle for the status quo.
No one thinks of Mexico and Peru as black. But Mexico and Peru together got 700,000 Africans in the slave trade. The coast of Acapulco was a black city in the 1870s. And the Veracruz Coast on the gulf of Mexico and the Costa Chica, south of Acapulco are traditional black lands.
The truth be told, the World Trade Center was neither a very good work of architecture nor a very successful piece of urbanism. Its shortcomings were somewhat mitigated by the westward and southward expansion of the World Financial Center and Battery Park City during the 1980s.
Chris [Nolan] comes at this with such a different take on Batman, so I didn't feel that I had to be true to any other actor playing this role. Of course, I read the comic books. His relationships with Lt. Gordon and with Batman, with Gotham City, those really helped me the most.
I have never got a grip on when the past begins or where it ends, but if cities map the past with statues made from bronze forever frozen in one dignified position, as much as I try to make the past keep still and mind its manners, it moves and murmurs with me through every day.
There is nothing so beautiful as the free forest. To catch a fish when you are hungry, cut the boughs of a tree, make a fire to roast it, and eat it in the open air, is the greatest of all luxuries. I would not stay a week pent up in cities if it were not for my passion for art.
If I wrote in Jacob Riis' time, I'd be writing about teeming slums in our cities and kids dying of tuberculosis or outhouses in Philadelphia or kids losing their toes because they were living in homes without heat. He took on a battle in 'The Battle with the Slums' - and we won.
All the downloading of films and music make sense just being able to receive the energy, that way since everything is energy, but it's also cool to have hard copies too of pieces. So I'm sure it'll be both for a very long time until we transcend into etheric cities or something.
Filming in India was one big adventure. For 'The Cheetah Girls', we were in Mumbai for two weeks, then Rajasthan for six weeks. Every day after shooting, I would hop into a rickshaw and start exploring the city. I even learned a bit of Hindi. It's such an amazing place to visit.
I shot many scenes of Hamburg, albums full of postcard motifs, and I discarded almost all of them. I ride my bike through Hamburg every day. I go shopping here, I go to the doctor - and yet I no longer have the eye for telling stories about this damn city, even though I love it.
They lived in a great city, a metropolis of many narratives that converged briefly and then separated for ever, discovering their different dooms in that crowd of stories through which all of us, following our own destinies, had to push and shove to find our way through, or out.
There's such a freewheeling nature to 'Second City,' and the greatest thing about 'Second City' was having a sophisticated audience night after night who appreciated what it was. They knew it wasn't all going to be great when you improvised, so they were very forgiving that way.
If it was in my control, Id still be wearing a Red Sox uniform, because its the place I know, I love. All of those fans, Ill always remember. But Im also going to another great place. Im going to a phenomenal city with great tradition as well, phenomenal fans, great organization.
Freedom so often means that one isn't needed anywhere. Here you are an individual, you have a background of your own, you would be missed. But off there in the cities there are thousands of rolling stones like me. We are all alike; we have no ties, we know nobody, we own nothing.
Learn how to grow out of yourself and into the world of others: Plant a shade tree under which you know you will never sit. Set some goals that may benefit your children or an orphanage or the employees of your company or future generations or your own city, fifty years from now.
When people condemn me for designing iconic buildings in cities and not having an idea what a city is, they haven't done their homework. I started in urban design and city planning. It's just that when I got out of school there wasn't much of a market for that. There still isn't.
I don't think we yet know - because it's probably not big enough - what exactly Amazon does to our cities, but whatever it is, I don't anticipate retail wastelands. If anything, it's maybe a wake-up call to retailers that they just have to offer something meaningful to customers.
New Haven cultivates ... an open gloom that seems happy to acknowledge disrepair and the superfluity of appearance. ... I realized that what cramped the town was the weight of unwritten volumes: they scored lines of unfinished writing on every second face that walked the streets.
The toughest part for me is the city - the people. They've got burgers named after me in Orlando, they've got a Web site saying, "Please stay." I love the people in the city. I've literally sat on the bench with a towel on my head crying, because I feel the passion in the stands.
I have lived in other cities but been inside of only one. I once wore all the windows of Chicago and all its doorways on a key ring. Salons, mansions, alleys, courtrooms, depots, factories, hotels, police cells, the lake front, the rooftops and the sidewalks were my haberdashery.
Growing up in a suburban home, the world seems so massive to you. It seems like cities are so big and so far away, and there's so much in them. So your imagination runs wild, instead of when you are born in the middle of Manhattan, you'd know, like, that this is the biggest city.
Cities are natural, that's why they're everywhere. It's not like there's only one city, and everybody's like 'What the f**k is this?' No, cities are all over the place. They're natural. You know what's not natural? You, in the middle of the mountains, in the middle of the winter.
Today we see the steady stream from the countryside to the city, deadly for the Volk. The cities swell ever larger, unnerving the Volk and destroying the threads which bind humanity to Nature; they attract adventurers and profiteers of all colours, thereby fostering racial chaos.
He took a step toward her, than another, tentatively, gathering all his strength, as though about to throw a heavy switch that would, if his calculations were correct, bring light to a hundred cities and ten thousand darkened rooms. He was going to ask her to dance - that was all.
Binaries aside, we are the products of our relationships with our identities - cities we have built, bodies we have embraced, kindred souls we've cherished, our memories, our dreams, the fears we hide, the pain we hold - identities that cannot be reduced to a collection of labels.
I had, like, two goals in my career: One was to try to get into 'Second City.' When I moved to Chicago, my goal was to try to work at 'Second City.' And beyond that, my goal was to make enough money as an actor to not do anything else but act, not have to go and wait tables again.
The apparition of an evil, sick unconscious wild city rose before me in visible semblance, and about the dead buildings in the barren air, the bodies of the soul that built the wonderland shuffled and stalked and stalked and lurched in attitudes of immemorial nightmare all around.
Deep walkability describes a city that is built in such a way that you can move from one area to another on foot, on bicycle, on transit and have an experience that remains a pleasant one, that you feel you are welcome not just in the neighborhood but moving between neighborhoods.
The quality of life of European cities and towns of almost any size make life in America look not just like a joke, but a sick joke, a horror movie. But I'd rather stay involved and do what I can to make this a better place than move to the south of France and enjoy the good life.
I believe in the city as a natural human environment, but we must humanize it. It's art that will re-define public space in the 21st Century. We can make our cities diverse, inspirational places by putting art, dance and performance in all its forms into the matrix of street life.
Unfortunately there are still people in other areas who regard New York City not as part of the United States, but as a sort of excrescence fastened to our Eastern shore and peopled by the less venturesome waves of foreigners who failed to go West to the genuine American frontier.
I consider myself extremely lucky to have been born and raised in London, and to have had on my doorstep this most fascinating of cities with so many relics of 2000 years of history still to be found in its streets. One of my greatest pleasures was, and still is, exploring London.
The railway was part scalpel, part movie camera, slicing the city open, parading its inner workings at fifty frames per second. It was on the S-Bahn that she felt least abandoned, as if the act of travelling turned back the clock, and brought her nearer to the future she had lost.
The terrifying breakdown of social cohesion in the American city, in spite of intense institutionalized police surveillance equipped with every sophisticated aid to public control, illustrates that social behaviour depends upon mutual responsibility rather than upon the policeman.
What's the difference in opening from scratch in Philly or opening from scratch in New York? The old out-of-town tryout circuit - taking the show pre-Broadway to cities like Boston, New Haven, Philadelphia, Washington - has sort of been replaced with the amount of workshops we do.
Over a 10-season stretch from 1967 to 1976, eight Super Bowl champions either were the Raiders or had to beat the Raiders in the playoffs. The Jets, the Kansas City Chiefs, the Baltimore Colts, Miami, the Steelers each of the first two times... we all had to deal with the Raiders.
I would say that the single most important conclusion I reached, after traveling through Japan, as well as countless hours reading, studying, and analyzing this fascinating culture, is that you should always tighten the cap on the shampoo bottle before you put it in your suitcase.
The bottom line is that we have entered an age when local communities need to invest in themselves. Federal and state dollars are becoming more and more scarce for American cities. Political and civic leaders in local communities need to make a compelling case for this investment.
One voice can change a room, and if one voice can change a room, then it can change a city, and if it can change a city, it can change a state, and if it change a state, it can change a nation, and if it can change a nation, it can change the world. Your voice can change the world.
We see Lyft as not just an app, but a movement of people coming together in cities and having conversations about things that matter. You're around some of the most interesting people in the world, and you don't talk to them. More and more people are craving in-person interactions.
I grew up with family who liked to travel and sightsee, so I have this pressure inside me: If I'm in a city and I have enough free time, I'd better go to a museum. I try to see parks, go outside. Or else try to feel really normal like go to Target or a drugstore, or go see a movie.
As architects we are often involved in the concrete-steel-and-glass aspect of it, but cities are social structures, and to be involved in imagining the future of cities and the type of relationships and the types of places that we're making is something that intrigues me very much.
The confined air of a metropolis is hurtful to the minds and bodies of those who have never lived out of it. It is impure, stagnant--without breathing-space to allow a larger view of ourselves or others--and gives birth to a puny, sickly, unwholesome, and degenerate race of beings.
I never rebel so much against France as not to regard Paris with a friendly eye; she has had my heart since my childhood... I love her tenderly, even to her warts and her spots. I am French only by this great city: the glory of France, and one of the noblest ornaments of the world.