I started out with V Shantaram. But my favourite director has been Gulzar, with whom I did intelligent cinema in movies like 'Khushboo,' 'Kinara' and 'Parichay.'

I really love sort of classical cinema where people were telling stories with very little dialogue, and people were using the camera in a really interesting way.

Who wants to get really granular with sabermetrics when you're going to see a two-and-a-half-hour Brad Pitt movie? You don't go to the cinema for a maths lesson.

There will always be a theatrical experience because there will always be cinemas no matter what. It's like there will always be theaters to have stage plays in.

Writers would hate me saying this, and I love words, but I have to say that cinema exists, on one level, for the power of the big image and what that image does.

The select group of people who do make realistic cinema, who do make cinema perhaps a little more acceptable to the Western audience, is a very small percentage.

Cinema is about people, and we are a very emotional people. That is why you see those ups and those downs and those colours. That is what Indian cinema is about.

I want to become actor not because I want money and become more famous. No I don't want that. It is not that l want stardom, I want to contribute to good cinema.

The whole aspect of cinema and film festivals should be a moment to come together and celebrate art and humanity. It would be a shame if there was such a divide.

And if you think this young boy, from Dallas, Texas, is adding to the canon of theater arts, of performing arts, of cinema, well I'm humbled and I'm very excited.

I love to go see films, even on my own. I just walk to the nearest cinema. There's nothing better than watching a movie alone; you can just sit there and zone in.

Studio movies are looking more like independent movies and independent movies are looking more like studio movies, and I think cinema is better now because of it.

Dibakar and Shekhar have the vision that we would associate with European cinema. They leave their actors on their own to give a personal narration on the screen.

Everybody has something that chews them up and, for me, that thing was always loneliness. The cinema has the power to make you not feel lonely, even when you are.

Unless we get out of these mindless comedies and a good-for-nothing fellow trying to win over the heroine kind of films, Tamil cinema will not be taken seriously.

I felt like, you know, my presence in the world of cinema had a different meaning than Meryl Streep... There was an impact that was made, but it wasn't the usual.

The whole 'R' rating depends on a strange sort of fantasy land where all adults are responsible people, and children only ever go to the cinema with their parents.

I was in jail four and a half years. When I came out, I continued the same struggle against injustice, but instead of using weapons, I began to use art and cinema.

The boundaries between contemporary art and cinema are so rigid. It's unbelievable. The film critics don't know my artwork and the art world doesn't know my films.

I still love the layers of cinema whether it's 35mm or 16mm or 8mm, super 8 which I love. I love the grain. If I had my druthers I'd film everything in kodachrome.

There's no certain type of cinema, but there's a certain type of promise every film comes with. The agenda is to keep an eye on quality and live up to that promise.

Strangers used to gather together at the cinema and sit together in the dark, like Ancient Greeks participating in the mysteries, dreaming the same dream in unison.

Children of Men' reinforces what few would doubt, but which British cinema would seldom lead you to suspect: the British landscape bristles with cinematic potential.

I've the highest respect and regards for Shankar sir. He has taken Tamil cinema to a new level. I would have loved to work with him, but there are some date hassles.

I think my dyslexia was a vital part of my development because my inability to read and write meant that I had to find knowledge elsewhere so I looked to the cinema.

I went to NYU thinking I was going to make a 'Die Hard' sequel, or maybe action and genre films for the studios, but I ended up falling in love with personal cinema.

In Majorca, I can be myself. I go to the supermarket and the cinema, and I am just Rafa. Everyone knows me, and it is no big deal. I can go all day - no photographs.

It is also difficult to articulate the subtleties in cinema, because there aren't words or metaphors which describe many of the emotions you are attempting to evoke.

I remember going to the cinema to watch 'Blade Runner' when I was 14 or 15. It was a huge flop when it came out. The cinema was almost empty. I was blown away by it.

Every actor's deepest desire is to reach a huge audience. So, I don't look down upon commercial cinema... there's a beauty in it that you understand sooner or later.

We felt we had to know something of his back story. I don't think people in the cinema would just accept that he's there. I think we had to learn how he (got there).

I had a really hard time in Orange County. I was a nerd. I was watching foreign cinema when I was 13 and talking about how 'Hope and Glory' should be a foreign film.

Cinema is still a very young art form with extraordinary techniques and very impressive special effects but sometimes it seems the soul has been taken out of things.

Many Mexican directors are scared to shoot in Mexico City, which is why there are many stories in Mexican cinema about little rural towns, or set a hundred years ago.

I prefer the Telugu film industry, as women are respected more than they are in the Tamil film industry. In Tamil cinema, they care only about their hero, who is God.

The Iranian government as a whole has no relationship with my films. They're not particularly interested, perhaps this kind of cinema is not very interesting to them.

The cinema is an institution nowadays, with its roots sunk deep in the hearts of the millions of people who find enjoyment and entertainment in going to the pictures.

If one lazily thinks of what a fashion designer might do if he's going to conquer cinema next, it would be taking the opportunity to display his fashion sensibilities.

Luckily, there is a wind of change happening in Hindi cinema. Good work is coming to people who are not conventionally good looking like Ranbir Kapoor or Akshay Kumar.

I love people who go out and say, 'If cinema is God, then I'm the pope.' As an actor working with these kinds of people, the older you get, the more you appreciate it.

As for radio and movies, I like the movies better, although the work is much harder. The cinema has microphone technique, staging, and glamour all wrapped up into one.

The thing is, making movies as an actress, you learn so many things. Like when you're making a movie with Quentin Tarantino you're just at the best cinema school ever.

A visit to a cinema is a little outing in itself. It breaks the monotony of an afternoon or evening; it gives a change from the surroundings of home, however pleasant.

I think my films are always quite self-reflexive and always question 'why am I doing this, is this the right way to do it, what is cinema for, does it have a purpose?'

I'm among the hardcore fans of 'Blade Runner.' 'Blade Runner' is one of my favorite movies of all time. It's a movie that is linked with my love and passion for cinema.

I'm of course disillusioned with what has happened to World cinema. Now cinemas in both Eastern and Western Europe are filled with the same blockbusters from Hollywood.

Murnau is neck to neck with Bergman as my favorite director. He's responsible for some of the best images in cinema of all time, from 'Nosferatu' to 'Faust' to 'Sunset.'

Each time I had an internship to do or an essay to write, I would always do it in the field of cinema. Nobody in my family worked in film and nobody could understand it.

The convergence of the Rhone and Saone. Paul Bocuse. The birthplace of cinema. Chateauneuf-du-Pape just a few miles down the road. It does not get much better than Lyon.

The trouble is that in south cinema, after you become successful at the box office, market realities dictate your choice of films, and it becomes difficult to experiment.

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