Chuck Quotes - Page 4

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They always say you don't want to follow a legend. A few have been able to do that. I think Bill Cowher followed Chuck Noll pretty well with the Pittsburgh Steelers. But it's hard to do at a lot of places.

There was a movie I was trying to make right after 'Monster,' a bigger behemoth: the Chuck Yeager story. It was a life dream, but it just didn't line up. We just had issues with the life rights, ultimately.

When Chuck Berry came along, what he did was more rock & roll than it was blues. It was more exciting. He was like the next step. I thought his first single, 'Maybellene,' was the greatest song in the world.

I'm no Robert Christgau or Chuck Klosterman, but I would say that Landlady is like if Harry Nilsson was produced by Brian Eno. Or, if David Byrne fronted Wilco. Those are my two hoity-toity musical epigrams.

As an American, I would really like it if, just for once, Pelosi, Sen. Chuck Schumer, D-N.Y., and 'The Squad' would focus on proposing and shepherding meaningful policy reforms for the country, wouldn't you?

I just sort of grew up with music always in the background like a soundtrack. And it really hit me hard when The Beatles came along, like so many people. That got me started digging back further to Chuck Berry.

Many people we consider legends, such as Jerry Lee Lewis and Chuck Berry, remain so scarred by scandals, injustices and regrets from decades earlier that they're barely able to appreciate their accomplishments.

One summer I remember, I got exposed to Chuck Berry and Buddy Holly and Buddy Holly was a very very big, made a very big impression on me. Because of a lot of things, you know, the way he looked and his charisma.

I found a sound that people really liked - I found this basic concept and all I did was change the lyrics and the melody a little bit. My songs, if you listen to them, they're quite a lot alike, like Chuck Berry.

I think it accrues to Hawaii's benefit that I have friends in Harry Reid and Chuck Schumer and Dick Durbin. We're already geographically isolated, so it's really critical that we don't become politically isolated.

And, as soon as I could put together the, you know, three or four notes that made up, like, sort of a rock and roll lick, you know, like a Chuck Berry kind of thing, I was off and running. Just completely taken over.

I miss my friends in London, and I really miss New York. But I also miss the stability of staying in one place and being able to just open a drawer if you've run out of sticky tape and chuck a new roll in the holder.

I learned from Chuck Noll in Pittsburgh that speed and explosiveness on defense is the way to build a team. Both are difficult for your opponent to assimilate in practice and then in games it is even harder to match.

I'm influenced by Django Reinhardt, Stephane Grappelly, Roland Kirk, John Coltrane, B.B. King, and then by bluegrass. But when I was 16, bluegrass wasn't cool. We was rock n' rollers then: Chuck Berry, Jerry Lee Lewis.

I was headed in the wrong direction. I didn't think I'd make it to 21. My Uncle Chuck saved my life. He was a graphic designer, and he gave me my first sketchbook. In the front, he wrote, 'Wear it like your underwear.'

I've heard stories of pickup bands that can't follow, but here's the thing: If you want to play with Chuck Berry, you listen to his greatest hits and learn the format of the songs, but don't try to play it note-for-note.

I love Chuck Lorre. I did a little guest spot on 'Roseanne' when I was fourteen. It was a whirlwind experience in a week and I think with Chuck, I had auditioned for him for a couple of other shows of his over the years.

I started out as an assistant to a director on two movies, Miguel Arteta. The movies I worked on were 'Chuck and Buck' and 'The Good Girl.' I didn't even know I wanted to be a director until I started working with Miguel.

When the fearsome foursome of rock music, Chuck Berry, Bo Diddley, Little Richard, and Jerry Lee Lewis, decided to show up in Toronto for a rock and roll festival, I knew we had to go there to try to get them all on film.

Dude, I've played almost every position except for President. When I did 'The Event,' I was head of the CIA. When I did 'Chuck,' I was head of the NSA. For a guy that's a hippie at heart, I don't know where they think of this.

One day between takes on the 'Oz' set, I went into one of the cells and laid down and dozed off. When I woke up, I thought I was back in a federal pen. But I did my time, and today no one is more of a free man than Chuck Zito.

Venues had segregated seating - but when Chuck Berry fused together blues, boogie-woogie and country music, it caused people not to be able to sit still. They bounced up out of their seats, knocking over ropes, dancing together.

Tito Ortiz vs. Chuck Liddell III, the fight that all the fans wanted to see for the longest time and never got a chance to. I never got a fair shake when I was with the UFC against Chuck, any of the times I ever fought against him.

And then we've got Blades of Glory, and we've got Brothers Solomon, and I've got a script in development with this guy Chuck Martin who used to write on Arrested, and, you know, we have a few things in various stages of development.

I was inspired by the classic rock radio of the Seventies. They separated Chuck Berry and the Beatles from the Led Zeppelins and Bostons and Peter Framptons of the time. In many ways, classic rock became bigger than mainstream rock.

The whole idea behind the EB-5 visa was to help create jobs in economically disadvantaged areas. But where big bucks are involved, corruption soon follows, and with Chuck Schumer and the EB-5 visa program, you need to follow the money.

Raphael Saadiq said to me, quite often, that Chuck D was his history teacher. And so he got a lot from the music, things that he wasn't getting maybe in school. And I feel the same way with regards to Earth, Wind & Fire, Stevie Wonder.

I remember hearing Sonny Terry and Brownie McGhee, Big Bill Broonzy, Chuck Berry and Bo Diddley and not really knowing anything about the geography or the culture of the music. But for some reason it did something to me - it resonated.

I wore Chuck Taylors for a couple shows, and the second show I wore the Chuck Taylors, that was the one and only time I fell onstage. I haven't really bit it onstage in high heels yet. It will happen. It's not about if, it's about when.

I needed the 'Chuck' phase to appreciate the 'Captain Awesome' phase because otherwise I don't think I would have realized the flip side of that coin. I think I needed to see the world through Chuck's eyes before becoming Captain Awesome.

Chuck is definitely my favorite co-writer, and my best. It is really hard to make yourself vulnerable enough for somebody to get inside your head while songwriting. Chuck and I find writing together very non-competitive and just really easy.

If I were running against Chuck Schumer. I would take every one of his Sunday press releases - and there are 52 for as many years as he's been there - and I would ask, 'How many of the things he said he was proposing became law?' I doubt many.

In 2014, with the help of Donald Trump, my friend Chuck Sonntag and I got a group of Big Tree Boys together to organize fans to help keep the Bills in Buffalo. We started Bills Fan Thunder, and we played a small public role in saving our team.

Being outspoken was important... I helped make the UFC what it is today with Chuck Liddell, Royce Gracie, and Randy Couture. Some said I was outspoken in a bad way, but I was just trying to educate the fans what being a UFC fighter is all about.

Obama and his me-too Senate majority led by Nevada's Harry Reid and New York's Chuck Schumer - given the chance - would indeed wipe out our tradition of the right to keep and bear arms, and with it our right to self-protection in a dangerous world.

With so many serious issues and responsibilities before the United States Senate, I think New York needs an independent senator who thinks for herself, not someone who just rubberstamps the Obama agenda or checks with Chuck Schumer and says, 'Me too.'

You get sick of jokes, you know. Either I do them on TV, and then you worry, like, "Oh, everyone's gonna see it," so you chuck it, or you just get sick of saying it. After a while, a joke, if you say it too much, just becomes contrived, or fake-sounding.

When I listen to hip-hop, I listen to Just Ice, Boogie Down Productions, Ultramagnetic MCs. I grew up in that age, and it was memorable. But I'm down with all of it. Chuck D or Danny Brown? I feel comfortable with all of them. Word up, kid! Word up, man!

I was growing up at a time when music was growing and changing so fast. I had learned all the big band sounds of the 1940s, Glenn Miller, Tommy Dorsey. But then along came Chuck Berry, Les Paul, Fats Domino and I figured out how to make their music as well.

I tried to emulate my favourite guitar players, the old bluesmen like Blind Willie McTell and Big Bill Broonzy. I used to sit by the record player and copy Chuck Berry and the Beatles. You can never copy someone completely, so you end up developing your own style.

Go back to the very beginning, when we first started playing in local pubs. We used to play Chuck Berry covers. Every now and then, we'd slip in one of our own songs, and we found that we were getting away with it - nobody seemed to know these were original tracks.

Over the years, I've come to realize that writing 'I Ain't Living Long Like This' was an exercise in combined musical influence, mostly that of Hank Williams, Chuck Berry, Elvis Presley, Jerry Lee Lewis, the Beatles, and Bob Dylan - artists no one has ever heard of.

It's amazing because people come up to me and say, 'Chuck, you're the luckiest guy in the world to be a world karate champion and a movie and TV star.' When they say this to me, I kind of smile because luck had nothing to do with it; God had everything to do with it.

In 1980, Atari was bringing in around two billion dollars in revenue and Chuck E. Cheese's some five hundred million. I still didn't feel too bad that I had turned down a one-third ownership of Apple - although I was beginning to think it might turn out to be a mistake.

Get your butt in a chair and write. If it comes out weak or bad or clunky or ordinary, then accept that this happens to everyone. Everyone. Get it down, get it done, and fix it in the rewrite. Just like everyone from Stephen King to J. K. Rowling to Chuck Palahniuk does.

There is a great book out called 'Everything I Needed to Learn I Learned in Kindergarten,' and I believe that everything I ever needed to learn on guitar was in my first two years of hungry learning: Scotty Moore, Hank Marvin, Chet Atkins, Lenny Breau, Chuck Berry and Bo Diddley.

When I go back to seek inspiration - whether it be from Chuck Berry, Howlin' Wolf, the Beatles, Hank Williams, Ray Charles or Bob Dylan - it's from the performance. Those artists are in the studio playing their instrument and singing. There's no going back and redoing the vocals.

Buddy Holly had something very different from the other great early rock n' roll stars, whether it was Chuck Berry, Elvis Presley, Little Richard, Bo Diddley. He came across as so ordinary, as such a nerd. You know, he was a big guy, and he carried a gun. He was anything but a nerd.

We talked about many issues, like welfare, is it the way of life or hand up? Talked about size of government, how much should it tax families and small businesses? And when we left that lunch, we got in the car and I looked over at Chuck and said, 'I'll be damned. we're Republicans.'

When I was wee, in the middle of the summer, the big field behind the shops would be filled with dry grass and I'd get a box of matches. You chuck one match on that and the whole thing goes up in flames. Twitter's a bit like that. You can just say one thing and it explodes from there.

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