People sort of imagine Chris Morris and me sitting somewhere dark, with dripping taps and chilling background music. In fact, we like to sit on his roof in the sunshine - and there's an endless amount of just sitting there, going, 'So, erm, er, what shall we do?'

Chris Ofili's suave, stippled, visually tricked-out paintings of the nineties, with their allover fields of shimmering dots and clumps of dung, are like cave paintings of modern life. They crackle with optical cockiness, love, and massive amounts of painterly mojo.

There's a formula Chris and I used all the time. When you least feel like it, do something for someone else. You forget about your own situation. It gives you a purpose, as opposed being sorrowful and lonely. It makes me feel better when things are too hard for me.

When I was a kid, I used to cry every time I lost a game, up until, like, the 8th grade. I used to go ballistic. I used to go crazy. If I cried, it'd be like, 'Ah, Chris is crying again... damn it... come on, get in the car.' All that over one game. I hated to lose.

I really didn't want to rap; I was just a regular kid. My friend - his name is William Aston - we went to the same high school together, and he was rapping. He put out a freestyle over Chris Brown's 'Look at Me Now,' and it was fire, and the whole school went crazy.

I had a dream cast when Dan first went off and wrote 'Ghostbusters 3' by himself. It was so long ago that my dream cast was Ben Stiller, Chris Farley, and Chris Rock. That would have been cool. Now, a lot of time has passed, and there are a lot of young funny people.

It's quite strange looking down the list of players who've won the young player award in the past and then thinking I'm in there too now. There's some great names like Ryan Giggs, Craig Bellamy - and I can't miss out Chris Gunter - and it's a big boost to be included.

God has been my number one inspiration. I also look up to Will Smith and Jamie Fox who are also personal friends of mine. They give me great career advice. I would also include Chris Stokes, as a filmmaker and music producer. I've been working with him since I was eight.

It's like wine and food, or coffee and a pastry - coffee's awesome and a chocolate croissant is awesome, and together, they're transcendent. To me, music is the same way. Chris Stapleton is transcendent. Julien Baker is transcendent. Together, they're going to be euphoria.

On TV at night, I DVR lots of programs - I use it more like a magazine rack flipping through shows than actually watching them in full. 'Charlie Rose,' 'Meet the Press,' '60 Minutes' are musts for me. I also DVR 'NBC's Nightly News' and 'The Chris Matthews Show' on Sunday.

I had thirty weeks of prep on 'Captain America.' I have a small team of qualified, supportive, creative producers who are actually helping me achieve my vision of the film. I had a dream cast headed by Chris Evans. I had the best designers, artists, sculptors, craftspeople.

My favorite song I ever wrote is 'Yeah 3x' because it was my first placement. It was with a great artist, Chris Brown, and I couldn't believe it at the time. Honestly, I still can't really believe it! It is the first time someone ever gave me a shot, so that is my favorite.

It's intimidating when you have to stand onstage amongst a bunch of men who are dedicated to maintaining peak musculature and athleticism, and they're six-five, 240 pounds of twisted steel and sex appeal. It's a lot to stand up to... My goal is to not look like Chris Farley.

Certainly working with teens keeps me up to date with language and with certain kinds of thinking. I often feel like I have to go back to that 17-year-old Chris Crutcher, and that forms the core voice. I can draw on teens from 1964 to 2001 to find a part of the voice I need.

It's about the characters, it's about the film, it's about the process of making stunning visuals and a huge, epic movie. It doesn't matter if my head was covered in a black plastic bag and I was bouncing around in a space hopper: That's the villain of Chris Nolan's 'Batman!'

True enough, Osama bin Laden is dead and other al-Qaeda leaders have joined him. But, the assassination of Ambassador Chris Stevens and three other Americans in Benghazi is a brutal reminder that radical Islamic terror groups have not disappeared and certainly are not dormant.

Chris Hemsworth is like Christopher Reeve in that he can do two things: he can wear a big red cape without a shred of self-consciousness. But he's also funny as hell, and he's so sweet. So with all the fish-out-of-water stuff, he's so funny. So he does almost two jobs in a way.

My uncles used to call me 'Devil Child,' or 'Triple' for triple six. They used to tell my brother Chris that they were going to get the demons out of him because he was also a little crazy. But to me, they'd just be like, 'You're too far gone. There's no exorcising you anymore.'

I don't even want to fight Pacquiao now because Pacquiao fought Jessie Vargas, Chris Algieri, Jeff Horn... They were talking that Terence Crawford wasn't a worthy enough name for Pacquiao. Why are those guys worthy when a fight with me and him would've been bigger than any of those?

I was fortunate to be born when I was. There's been a massive rise in British cycling since I joined the junior programme when I was 17. It all started in 2004 when Chris Hoy won gold for the 1 km. time trial in Athens; when one person starts doing well, they take everyone with them.

There was a bidding war between Epic Records and Jive - now RCA - which was bittersweet. Just having labels bid over me was really cool, but I ended up going with Jive because it felt better over there, and they have my favorite artists like Usher, Chris Brown, and Justin Timberlake.

My personal life is the same. At the end of the day, this is just a job. I love what I do, and it's a great job. But it's like my alter ego. There's Chris Brown the singer. And there's Christopher Brown, the down-home Tappahannock boy that plays video games and basketball and hangs out.

A lot of the original people on 'SNL' came through Chicago - and Toronto, I'm sure - but Chicago was the center of it all. When I was there, Chris Farley - I knew him; we hung out and stuff - he went off to 'Saturday Night Live,' it was like, 'It's possible to be from here and make it.'

I was influenced by a lot of stand-up comedians... Eddie Murphy back when he was doing 'Raw.' I watched that so many times as a kid, I can probably still quote the entire thing to this day. Chris Rock. Dave Chappelle. George Carlin. A lot of the guys who were sort of edgy for their time.

My siblings, along with my parents Chris and Kath, are the reason that I am successful. Whether I wanted to become an elementary school teacher, enter and win Alternative Miss Ireland, enroll to do a Ph.D., or visit the White House to speak about fashion and disability, they supported me.

I like 'The Usual Suspects'. Great film. I also like 'Scarface', films like that. Lots of gangster films. I really like watching all kinds of films, dramas, romance. I'll watch comedies. I like Al Pacino, Robert De Niro, Denzel Washington, Chris Rock, Dave Chappelle. I'd like to meet them.

My daughter is 15. None of her friends know who the hell Chris Rea is, but they know that song - as soon as it comes on, they start singing it. I've played with everyone from Status Quo to Talk Talk, but nothing impresses them as much as the fact that I play on 'Driving Home for Christmas.'

There are many styles of standup, but the comedians I like are people like Dick Gregory and Richard Pryor. Because Richard Pryor told the truth. Chris Rock. I love Chris Rock. He's funny, but he's also poignant. He's not there just to make people laugh; he's there to make people wake up, too.

As a kid, I'd buy novels with these magnificent Chris Fosse covers which showed an enormous contraption hovering over a planet, and you'd always think 'Where's that going to come in?' And it never did! It was always slightly disappointing when the contents of a book never lived up to the cover.

Paul Gascoigne was one who I watched as a young boy. He was a hero to all of us really. Chris Waddle was one for me too, just because of where I grew up. Where I'm from, he was somebody who was representing England and playing in the Premier League, and as a young boy I always wanted to do both.

Every Olympics, when I was growing up and playing basketball, my parents and I made it a point to sit down and watch the U.S.A. compete. To join that team later, and play and practice one-on-one with David Robinson, Larry Bird, Chris Mullens and all these guys I looked up to, was a dream come true.

Chris Guest has his own form. It's a way of working that is really intense, and you can commit a lot, and you focus a lot. You get to bring a lot. You get to bring things maybe you haven't seen before. You're asked to care a great deal for these people who you're playing and create heart and empathy.

We weren't wealthy but we weren't poor either. My mum was a teacher and my dad, Chris, was an England international cricketer. We were always taught respect when it came to money, and that stands me in good stead now. I've always respected my parents, and still look to them for advice when I need it.

Chris Cooper once told me to never have any regrets. After Chris said that to me, I walk into every scene thinking, 'exhaust every possibility.' Once you get to a certain place, it's like you just deliver everything you've got. Don't have any regrets. It pops up in my mind over and over and over again.

In my eyes, I will never be up there with the Sir Steve Redgraves and the Sir Chris Hoys of this world. It's not something that drives me; I just enjoy going to the Olympic Games. Just to be mentioned in the same breath as those people is an honour for me. I don't ever think about those kind of things.

You know how Bette Midler always says her obituary will read, 'Bette Midler dies. Started her career at the Continental Baths?' Mine will say 'Chris March died. He was on Season 4 of 'Project Runway.'' It's an amazing show, it did a lot for me, and I'm fine with it. Unless it becomes terribly disreputable.

I haven't had the recognition I deserve. You can go back to anybody's career - Ricky Hatton, Joe Calzaghe, David Haye, Amir Khan, Chris Eubank, Nigel Benn, Steve Collins, Naseem Hamed. My record is better than all of theirs. I've won against more unbeaten fighters than any of them, had more exciting fights.

When they sold me on 'Supergirl', I went and sat down with Andrew Kreisberg and Greg Berlanti, and they described the character to me. Greg Berlanti used a couple of music theater references to kind of explain who the character was. They threw up Chris Pratt in 'Guardians of the Galaxy' as a reference point.

I would love to do a track with Will.I.Am. He's always creating amazing songs. I mean, to be honest, Chris Brown has always been amazing, so I would hop on there and let him do his thing and create some magic there. As for a producer, I would love to work with J.R. Rotem. He's my favorite producer out there.

First, I wanted to be Chris Farley. When I was growing up, Chris Farley was still on the stages and fun to us. In my house, John Belushi was king. I didn't grow up when he was - I was born in '78 - the reruns of Belushi in 'Animal House,' and knowing he was at Second City, he was viewed as a king in my house.

I had actually finished the manuscript of 'The Wild Trees' and turned it in to Random House when all of a sudden word came. Michael Taylor and his colleague, Chris Atkins, another explorer, have just knocked one out of the park. They found the world's tallest tree. The tree is named Hyperion, 379.1 feet tall.

If I were to ask you who the first million-pound show winner was on British TV, you'd probably go for Judith Keppel. She was, indeed, the first 'Who Wants To Be A Millionaire' contestant to win £1 million, but the first one on TV was actually Clare Barwick, who won £1 million on Chris Evans' show 'TFI Friday.'

I don't stop. It's my nature. People have to tell me to slow down. I plan on playing every role on Broadway. I want to do 'Evita.' I want to do 'Sweeney Todd' with Chris Colfer. We want to do 'Wicked.' I'll be Elphaba and he wants to play 'Guy-linda.' I want to do movies, make music. 'Glee' is only the beginning.

I started to understand how important it was for me to make my own name pretty early on after years of noticing people treating me a certain way because of who my dad was. Some people wanted to be friends, others wanted to test me because I was Chris Eubank's son - inside schools, outside of school, on the streets.

Chris Jericho and I were really excited about teaming together, but we didn't get to sink our teeth into what we could have done as a team. We really wanted to throw it back to the glory days of Pat Patterson and Ray Stevens. We were committed, we were coming up with team moves, and all of the things were made to work.

Fox News is really two news networks. It's a center right news network that has good, solid, interesting coverage if you're watching Chris Wallace or the panel on 'Special Report' or anything like that. Then, it has what Hannity and others like him do, which is just a sort of tribal identity politics for older white people.

The Bay Area has become my second home since I arrived here in 2007 and I can't accurately describe how good it feels to be wanted and appreciated by an organization. The Warriors - from Chris Cohan, Robert Rowell, Chris Mullin and Coach Nelson to the last person working in the front office - have embraced me since Day One.

Chris Ferguson brought up a really interesting point that I agree with, and he said science is a human endeavor. The more someone tells me that they're absolutely objective, the less I believe they are. So people need to fact-check things. They need to understand that science is easily damaged by politics and personal opinion.

I started when Chris Rock did 'Bigger & Blacker.' I used to watch that before I went onstage as inspiration to get hype, but I noticed I started taking on his cadence and talking like him. I was also doing the New York-style comedy thing, which was angry and annoyed. I was creating a persona instead of trying to embrace my own.

I know for myself, every now and again on HBO, they'll show some of the young comedian specials from the '80s and early '90s, and it's just fascinating to watch those comedians - some of whom are people that are world-famous, like Chris Rock or Judd Apatow - to see the jokes that people had, but also, the way everything looked.

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