Gospel music played a huge part of my life. I was too scared to audition for the choir, but through my own music, I was also able to find spirituality for myself.

I used to sing in the church choir. People would say it was unusual for such a small girl to have such a big voice. They would say, 'She sounds like she's grown.'

I studied voice when I was at school, and I was in the chamber choir, and I studied music theory as well, so I guess a lot of it came from being taught at school.

I have the background singers of Ray Charles, the background singers of Smokey Robinson, and the background singers of Barry White and I built a choir around that.

Preaching to the choir actually arms the choir with arguments and elevates the choir's discourse. There's a reason the right does it and does it well and triumphs.

I learned at an early age that what we were doing in the choir was just as important as the preacher. It was a ministry in itself. We could stir the pot, you know?

I did 'Oh Holy Night,' which is one that I grew up listening to because I was in choir in high school and we would do Christmas concerts and competitions every year.

Jeter was no choir boy, Jeter has lived a life. But it's always stayed separate from what happened when he showed up at Yankee Stadium. And that's really to his credit.

Sometimes I worry that science communication is just preaching to the choir, speaking to the converted. Social media gives us an amazing opportunity to reach new people.

My brother and I played music together, and we all liked to show off. But I wasn't a particularly musical kid. I did piano lessons and quit. I got kicked out of the choir.

To have a live choir there on the stage and then these singers from different countries signing with us in real time through Skype, it's as if there aren't borders anymore.

I was in a rock band; I was my own folk singer; I was in a death metal band for a very short time; I was in a cover band, a jazz band, a blues band. I was in a gospel choir.

My means of entry to 'Christianity was singing in a choir. As a boy chorister, I grew up with Ancient and Modern, the evening canticles, versicles and responses, and carols.

Chris Kirkpatrick and I were in college in choir together; we sang at our community college. I'm partially the reason why Chris even got into being in a boy band with *NSYNC.

I was the editor of the school newspaper and in drama club and choir, so I was not a popular girl in the traditional sense, but I think I was known for being relatively scathing.

I've been performing since I was a child; my mother would have to pull me aside and tell me that I wasn't onstage. I was a cheerleader, president of choir, and in the school play.

I was in musicals. and I was in the choir when I was younger. Before I started writing my own songs, I thought I wanted to be on Broadway, but it was nothing I ever really pursued.

I was a founding member of the 'Dungeons and Dragons' club at my high school. I was in chorus, I was in swing choir. I was an outcast but I was an outcast among a group of outcasts.

When I was a kid, my aunt coached me a little bit for choir, and what she taught me actually stuck with me. She basically taught me to sing from my diaphragm and not from my throat.

For Hunchback, we needed this live, gigantic choir. So we went to London and said, This is Disney! I need singers who can sing high D's, hold them for 18 seconds, and do it 60 times!

I was a competitive swimmer as a teenager, only stopping when I got persistent ear infections. Every day was a 6 A.M. start to swim before lessons, then choir or dance classes after.

My school had the dopest arts program - the dopest show choir, the dopest marching band. I couldn't sing or play an instrument a lick, but I was just going to fake it till I make it.

I loved going to church. I enjoyed being a part of the choir and just doing things in and around the church. But as a young girl, I certainly enjoyed watching and listening to my dad.

In one thousand years of Russia's existence, its first popular national election ever to be held occurred in June 1991. Six days later, the Mormon Tabernacle Choir performed in Moscow!

I grew up in the Midwest and had a lot of exposure to big religion. I went to church every Sunday - my mother even sang in the choir - and most families I knew where practicing Christians.

Gospel music was very prevalent in my house. My mother also loved Nat King Cole. That was some of the first music that I heard. Mahalia Jackson, Nat King Cole and the Mississippi Mass Choir.

When I was at Lakeridge High School, in my junior and senior years, my choir and theater department raised money so we could go to New York and see Broadway shows. It really changed my life.

I was on the cheerleading squad and drama and the choir, but I was friends with everybody. I was not a partier. I was too Type A and crazy about my grades, but I was still there at everything.

After writing 'The Omnivore's Dilemma,' I wanted to write a book that got past the choir, that got to people who didn't care about how their food was grown but who did care about their health.

I don't really sing... I just hear notes so I know what it's supposed to sound like, if that makes sense. You ever hear someone try to teach a choir how to sing, but they can't sing? That's me.

Documentaries are a powerful and effective way of bridging the gap between worlds, breaking through to new audiences that wouldn't otherwise be engaged - in essence, not preaching to the choir.

When your dad is a preacher and your mom is a choir director and you're in church all the time, as a youngster, you've got to find something to do. That's where my musical background comes from.

I grew up loving music and being super involved in church choir and school musicals and such, but when I started writing is when I fell in love with the idea of doing it for the rest of my life.

My grandmother would sing in the choir, while my dad - while he was in college - sang and recorded with a quartet. So yeah, it was definitely my dad's Southern side that impacted on me musically.

Me and my three younger siblings, we sang together in grandma's church, and I was in the Chicago Children's Choir in high school, but I didn't think I had the voice to be a singer professionally.

It was an extraordinary experience to have backup singers like the Mormon Tabernacle Choir. I have never experienced anything quite like it before and I wouldn't trade it for anything in the world.

I was in a show choir. I can't sing or dance to save my life, but I was very passionate. People said my parents paid the choir director to let me in. It was actually the parents who started that one!

I grew up in a Southern Baptist-style church with a choir, a band, and music, but I've been asking myself my whole life, 'Why is my own church, my own community, rejecting me because of my sexuality?'

My little brother and grandma told me I could sing. I used to sing in church, too. Not like in the choir or anything, but for people around the church... on the church bus going home and Christmas plays.

I was part of the Atlanta Boy Choir probably like fourth and fifth grade. I personally didn't enjoy the type of music that we were doing. I was more into like whatever was on Disney Channel and Nickelodeon.

When I went to college at the University of Nevada back in Las Vegas, I got tricked into singing in choir. The first thing we did was the Mozart 'Requiem.' That was the piece that changed my life overnight.

I was born in New York, but I grew up in Greenwich, Connecticut - that's where I went to school. I remember begging my way into choir in the 3rd grade, because you're not supposed to get in until 4th grade.

I grew up in Synagogue in the boys' choir. We didn't listen to music in the house; only at temple. Then I went to a mostly African American high school on the South Side of Chicago and joined a gospel choir.

In high school, I was very active in extracurricular activities such as art, theatre, and choir. I also wrote for the school newspaper, but not regularly, because I never liked writing non-fiction very much.

I've been playing music all my life, from being a choir soloist at Symphony Hall as a youngster to playing in bands through high school and college at Kent State. Went in the service at 17, out before I was 21.

Why preach to the choir? You reach more independents and even more Democrats on Fox News given their huge audience than you would on other networks. So I'm grateful to have that opportunity to have that platform.

My grandad was an opera singer, my uncle a jazz musician; I was a boy soprano in the church choir. But the first performance with Deep Purple was something I'll never forget. All elements were working brilliantly.

I was in musicals and I was in the choir when I was younger. Before I started writing my own songs I thought I wanted to be on Broadway, but it was nothing I ever really pursued. So this was pretty out of the blue.

Even the humble black grandmother, who sings in the church choir and struggles to raise a grandchild abandoned to her care, must assert ideological liberalism in order to make others comfortable about her blackness.

The virtual choir would never replace live music or a real choir, but the same sort of focus and intent and esprit de corps is evident in both, and at the end of the day it seems to me a genuine artistic expression.

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