We know you have good runs and bad runs. The big thing you learn in the Premiership is you have to take it on the chin. You have learn how to lose without getting too down and too despondent. You have to box that up, put it to one side and make sure everyone who counts stays positive.

The singular point of beautiful objects, and people, is that they are experienced not as parts, or ratios between cheekbones and chin, but as wholes. The experience of beauty is a perception, but it is one that mixes up various other sensations and makes them converge in a particular way.

When I take good care of myself, it lifts my spirits, boosts my confidence, and makes me feel strong. When someone tries to throw me shade, it bounces right off. I look those haters straight in the eye, keep my chin up and shoulders back. Because I know I'm a fierce queen - and they know it, too.

I say don't overreact; cool your jets. Focus on things that you can control: your business, your employees' welfare, your guests, and the quality of the product that you dish up. Do that, keep your chin down, pay attention to business, and the sun will come up tomorrow. That's the way I figure it.

I think it's something you learn over a period of time; you learn to be more comfortable within yourself, appreciative of what you've got and what you haven't, you realise the talents you have and what you can do and you take on the chin the things that you have to. It's part and parcel of growing up.

I did a bit of modeling before I took up acting, and I was up for this big campaign - I can't remember which designer - and all these execs were looking at my portfolio. Then one said: 'We'd like to use you, but can you come back next year when you've lost this.' And he tapped the underside of his chin.

I originally got into this because of a five-year-old's begrudgery of his teacher. Mrs. Lawlor cast me as a tree, and I was disgusted. I was sure I had more to offer than that. It was like, 'OK, if you want me to be set dressing, fine, I'll take it on the chin but I'll show you - I'm going to be a big actor some day.'

I don't really do that much office work. I just go to the office, and I'm like Steve Carell in 'The Office.' You know, like, I just go around and like - I don't know what I do in the office. I look at paperwork and act like I'm understanding what's going on there, and I shake my head and put my hand on my chin and like, 'Hmm.'

I was badly bullied when I was in the seventh grade - relentlessly, mercilessly - by a group of 12-year-old girls. And it left me with a determination that no matter what, I had to throw my shoulders back, stick out my chin, and project a sense that no one and nothing could hurt me. That turned out to be a life-changing mistake.

There are times when fixing things quickly is the only option: when you have to channel MacGyver, reach for the duct tape, and cobble together whatever solution works right now. If someone is choking on a morsel of food, you don't sit back, stroke your chin and take the Aristotelian long view. You quickly administer the Heimlich maneuvre.

I love being brown, so I love using Guerlain Terracotta Bronzing Powder. I use it everywhere: my forehead, my cheekbones, a little bit by my chin. It gives me a golden balance that I really like. I also use the Becca Shimmering Skin Perfector for my highlighter right underneath my eye. It's a pretty color - it's not too much and not too little.

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