I have a bit of a bucolic kind of upbringing, and so I certainly bring an amalgamation of different people that I've met over the course of my life, especially before moving to Los Angeles, so I guess my childhood was my homework in a lot of ways for Harlan County.

Speaking of childhood fantasy, we were doing a Western, but we were also just hanging out. You work, and you ride and ride and ride, and then, for the next two hours, you look for a place to kick out, in this amazing canyon with so much heritage and so much history.

The truth is that since childhood I had cultivated an existential independence. It came from perceiving the adults around me as unreliable, and without it I felt I wouldn't have survived. I cared deeply for everyone in my family, but in the end I depended on myself.

There's something about a roller coaster that triggers strong feelings, maybe because most of us associate them with childhood. They're inherently cinematic; the very shape of a coaster, all hills and valleys and sickening helices, evokes a human emotional response.

A lot of the characters I play have problems, they are marginalised, they have serious psychological problems, problems with relationships, with childhood. These are big subjects, big subjects. You can't balk at work like that. As an actor, that's as good as it gets.

What masquerades as sex education is not education at all. It is selective propaganda which artificially encourages children to participate in adult sex, while it censors out the facts of life about the unhappy consequences. It is robbing children of their childhood.

We have to understand how the extremists got the way they are. Without that kind of understanding, we'd never really get to know them. I put in nothing about their childhoods. But what I have put in is stuff about the weird symbiotic relationship between us and them.

There's this assumption that all children have the luxury of a childhood where their innocence is always respected and their main occupation is pleasant play - at the age of 18 or 21, they are then thrust into the real world and shown its uglier side, but not before.

There's childhood and early onset bipolar, but it transitions in your early adulthood into something a little bit different, and extremely severe. It was at that time that my impulse control just went out the window. Impulse control when you're manic just disappears.

Stuff like Buena Vista Social Club and Fela Kuti were quite a main thing to my childhood. As soon as I reached an age where I realized that Fela was singing in English, when I got past his accent, I loved the rawness of it, and the funk and the rhythm and the melody.

People ask 'do you make a conscious effort not to swear?' - if you're doing silly stuff you're not tempted to put swearing in. All the comics from my childhood, who were funny without swearing, were the people that influenced me. What I do is quite traditional anyway.

When I was a kid people always asked why I didn't act like the rest of my family, and parents would say, "Well, she needs a childhood! We would never allow her to do that even if she wanted to". They were as involved in my life as any parents are in any person's life.

Good theories of the mind must span at least three different scales of time: slow, for the billions of years in which our brains have survivied; fast, for the fleeting weeks and months of childhood; and in between, the centuries of growth of our ideas through history.

My maternal family are South African and when I was small and my parents separated my mother and I went back to South Africa. So for me the emergence of my own childhood consciousness was in the context of 1970s and 1980s apartheid South Africa and the movement there.

I'm inspired by my surroundings. That's why I create dresses or videos around simple everyday things! I also love playing with nostalgic things from my childhood like cartoons. I like my art to trigger some sort of memory from my viewers, something they can relate to.

What makes this story so remarkable is that throughout my early childhood I had ongoing learning difficulties, particularly in mathematics. I struggled to learn the multiplication table, and no matter how hard I tried, I simply couldn't remember 6 times 7 or 7 times 8.

The danger of growing up surrounded by endless sweet and salty industrial concoctions is not that we are innately incapable of resisting them but that the more frequently we eat them, especially in childhood, the more they train us to expect all food to taste this way.

The fact is that my mother is a cop and generally kids of cops are a little different from their parents - they tend to be quiet. In my case, I was never interested in joining the police force, because right from my childhood I have seen the challenges in a cop's life.

I have suffered from migraines since childhood and have long been curious about my own aching head, my dizziness, my divine lifting feelings, my sparklers and black holes, and my single visual hallucination of a little pink man and a pink ox on the floor of my bedroom.

You grow up listening to Eminem; your parents don't let you listen to it - you gotta sneak into a car to listen to this guy rap. He changed my whole life, my whole perspective on music, so to more or less co-sign something that I've done is the ultimate childhood goal.

When we suffer anguish we return to early childhood because that is the period in which we first learnt to suffer the experience of total loss. It was more than that. It was the period in which we suffered more total losses than in all the rest of our life put together.

There’s something about seeing an adult you knew in childhood that makes them marginally vulnerable to you, and vice versa. There’s also something comforting in thinking that if they made it this far, relatively unscathed, then maybe you didn’t turn out half bad either.

The biggest piece is my family... From watching films like The Godfather on our dining room wall, to having a great relationship with my sibling. Or going on weekend trips with our cousins to the beach and eating all day... it's been a crazy childhood; a 'bohemian one'.

I taught a class about the Tony Awards at a summer theater camp the year after I graduated from high school. So, the first time I was nominated for 'Spring Awakening,' it felt like a surreal dream: it was every childhood dream I had come true. It felt like a fairy tale.

Everyone has a bizarre childhood and unusual life experiences, whether they know it or not. There's no such thing as a normal childhood. What's useful in writing weird fiction is learning how to understand and articulate those moments of personal, particular strangeness.

I have a good memory for early life. My visual memory is good about childhood and adolescence, and less good in the last 10 years. I could probably tell you less what happened in the last 10 years. I remember what houses looked like, sometimes they just pop into my head.

One thing that people keep on saying to me is that the wealth and the fame must have made up for missing out on my childhood. But the idea of money - putting a price on your childhood - is ridiculous. You will never get those years back and you can't put a price on them.

The intimation never wholly deserts us that there is, in the unformed activities of childhood and youth, the possibilities of a better life for the community as well as for individuals here and there. This dim sense is the ground of our abiding idealization of childhood.

The mass of people who are Bible-taught never get free from the erroneous impressions stamped on their minds in their infancy, so that their manhood or womanhood can have no intellectual fulfillment, and millions of them only attain mentally to a sort of second childhood

I imagine a child. That child is me. I can reconstruct and vividly remember portions of my own childhood. I can see, taste, smell, feel, and hear them. Then what I do is, not write about that kid or about his world, but start to think of a book that would have pleased him.

We [me and my husban] like to honor both of our family traditions whenever possible . We show the girls lots of pictures and tell a lot of stories about both of our childhoods. We also try to teach them both Portuguese and Serbian, though English is their primary language.

To me, Slow parenting is about bringing balance into the home. Children need to strive and struggle and stretch themselves, but that does not mean childhood should be a race. Slow parents give their children plenty of time and space to explore the world on their own terms.

There was this sausage factory a block away from my childhood apartment. It didn't smell nice, like chorizo or something; it was pretty foul. Just nasty. But that smell reminds me so much of my childhood because every morning when I was going to school, I would smell that.

What do you suppose makes all men look back to the time of childhood with so much regret (if their childhood has been, in any moderate degree, healthy or peaceful)? That rich charm, which the least possession had for us, was in consequence of the poorness of our treasures.

I was into all of the Pennsylvania teams at some point in my childhood. I would flip back and forth between the Pirates and the Phillies, and I was always a Steelers fan but not much of an Eagles fan. Then I became kind of a band nerd in school, and I went the music route.

My whole childhood was filled with classical music and going to concerts of the New York Philharmonic and other New York ensembles and organizations, but interestingly, I didn't become conscious of wanting to be a musician until I was about 11. I was a rather late starter.

When people chat to me about my childhood and getting into horses, they're like, 'Was it like the birds sang and the sun came out? Was it an amazing experience?' I'm like, 'No, it was rubbish. I was frightened. I was pretty unbalanced, and most ponies took advantage of me.'

When I look back at that freedom of childhood, which is in a way infinite, and at all the joy and the intense happiness, now lost, I sometimes think that childhood is where the real meaning of life is located, and that we, adults, are its servants - that that's our purpose.

I've got some great stuff in my sports memorabilia collection. But my favorite thing by far is the robe. I actually have a Ric Flair robe with 'the Nature Boy' on the back. That's awesome. When I look at it, it brings back so many memories of my childhood and my teen years.

You go to developing countries today and you'll find automobiles that you haven't seen since you're childhood and that's because they really are valuable, they're taken care of, they're repaired, and when something breaks, they just don't buy a new one, they actually fix it.

We have all been hearing from childhood of such things as love, peace, charity, equality, and universal brotherhood; but they have become to us mere words without meaning, words which we repeat like parrots, and it has become quite natural for us to do so. We cannot help it.

A certain construct of emotions that really define who you are and who you will become and I feel very much that my childhood is very alive inside of me, very close to me, very much part of me. And it's a sometimes painful, sometimes joyous inexhaustible resource for poetry.

What I remember the most about my childhood is constant fear and "good food." I don't want to get into the greasy, buttery, deep-fried, fatty, sugary, meaty, barbecued details here, but with no knowledge of healthy lifestyles or positive psychology, time took its toll on me.

I came from a very loving home, had a happy life with no great aspirations, but going to the seminary changed me. There was a chunk of my childhood missing. Once I'd realised it wasn't for me, I still felt a tremendous pressure to continue for fear of letting everybody down.

More than a billion adults worldwide are now overweight - and at least 300 million of them are clinically obese. Childhood obesity is already epidemic in some areas and on the rise in others. Worldwide, an estimated 17.6 million children under five are said to be overweight.

Kashi looks like twigs, so it makes me feel like I'm healthy. This cereal has been with me since childhood. Once a year in my family, we had a junk food day. I could eat Cocoa Crisps and Fruit Loops. Now I'm back eating Kashi. As much as I hate to admit it, my mother has won.

... social environment in childhood affects achieved adult height, life chances, and ultimately mortality rates in adult life. (...) ... social circumstances acting in childhood do have a persisting effect on adult disease rates, in addition to influences acting in adulthood.

Congress created tax-exempt 501(c)(4)s to operate exclusively for social welfare purposes like early childhood education, environmental protection, and veteran's assistance. However, an IRS regulation allows 501(c)(4)s to operate primarily for the promotion of social welfare.

If I remember the suffering of my childhood and youth, it could make me sad. But if one thinks of the benefits, it is precisely because of these sufferings since I was small that I have become a man. I have become a person who thinks, who has feelings, because I have suffered.

The surrealists, and the modern movement in painting as a whole, seemed to offer a key to the strange postwar world with its threat of nuclear war. The dislocations and ambiguities, in cubism and abstract art as well as the surrealists, reminded me of my childhood in Shanghai.

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