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If you're small and can speak clearly and you're a cute kid, that's the craft, really. The whole child actor thing can be dangerous sometimes. Other kids were taking piano lessons; I did ballet and acting.
As a child actor, you experience a lot of depression and anxiety... Yes, I went through depression, and it was not comfortable. Yes, I struggle with anxiety and being paranoid, trying to figure out who I am.
Going from a child actor to an adult actor is not an easy thing, and I was sort of lost in a no man's land for a while, trying to figure out who I was as a person, and going from a young actor to an adult actor.
My memoir is being published by Beaufort Books and will be available fall of 2015. It's about my unusual life as a child actor and how I made the unpopular choice to leave Hollywood, grow up, and stop pretending.
'Son of Frankenstein' is never talked about in the same tone as James Whale's 1931 'Frankenstein.' But it should be. It was Boris Karloff's last appearance in the Frankenstein series and stars Donnie Dunagan, then a child actor.
It's really a testament to my parents, because I was active, curious and creative as a child, and my parents nurtured that. But I wouldn't say that I was a professional child actor at all. I was never the breadwinner of my family.
I started out as a child actor. Back then, I didn't have a manager or company, and I couldn't even dream of having a stylist. My mom made and bought the clothes I would wear. I think that was probably when I first got into fashion.
Some people manage to make that transition from child actor to adult actor seamlessly. But I felt that if I spent my whole life on a film set without taking a few years to do something else, all I would ever know about was film sets.
I played Shah Rukh's nephew in 'English Babu Desi Mem,' which was my last assignment as a child actor. I was about eleven then. He's one of the best actors I have ever worked with. He really helped me with my lines and expressions. He's such an inspiration.
My dad took me for an audition once, to show me, 'OK, you want to be a child actor, this is what it's like.' I sang a folk song about donkeys on this West End stage with this big director, and there was a queue of 200 girls all singing 'Memory.' I was terrible. Terrible.
Kids kill a show! It's, like, a fun concept when the character is pregnant, but then if a show runs for a while, I'm sorry, but it gets annoying when it starts to talk. You get a child actor in there, and unless that child actor is freakin' awesome, it's going to be annoying.
Virtually all my conscious life I had been involved in theatre - I had been a child actor - but as a young man who had experienced the 1960s, British theatre seemed remote from my aspirations in life - theatre was still a posh thing, a middle-class thing, something for an elite.
I think there is a lot of loss in being a professional child actor. All of a sudden, you start to want to be an adult at the age of 8 or 9. I never did kid stuff, so to speak, so I was in many ways ostracized by the other kids. But I did get this other life, so it was a trade-off.
As a child actor, you haven't been allowed to be yourself for most of your life; you've been constrained by the demands of your job, your parents, directors. A fictional or amplified version of you exists, but when you're 17, you can't have a debate with yourself about authenticity.
I was in a movie with Marlon Brando. Now, I didn't have any scenes with Marlon Brando, but I had scenes with Martin Sheen and was around Dennis Hopper, who was a child actor in the studio system and was enamored of James Dean, as was Martin, and they were all sort of disciples of Brando.
I feel like I grew up differently, when you're a child actor you grow up differently, but it's not that different than growing up as, like, a child basketball player who goes to the NBA. There are certain kids who become professionals at a very young age. There's a lot of sacrifice that goes into that.
It took me a long time to make that leap to being a grown-up and responsible adult because I carried on being a child actor into my late twenties. It's OK to be precocious when you're young, but when you're a man of about 27 or 28 and playing a 17-year-old in a TV show, it kind of prolongs your childhood.
My mom had an audition for a commercial when I was about two and a half, and I ran in crying and interrupted her. They thought I was cute so they offered me a commercial role. My mom was skeptical and a bit nervous about the child actor thing, but I was extremely bossy and convinced them I wanted to try it.
I don't feel I was ever a 'famous' child actor. I was just a working actor who happened to be a kid. I was never really in a hit show until I was a teenager with West Wing playing First Daughter Zoey Bartlet. In a way, that was my saving grace - not being a star on a hit show. It kept me working and kept me grounded.
When you're a child actor and play the precocious kid, the temptation is to wear leather pants or a cutoff shirt to redefine yourself. But I never felt the need to randomly reshuffle the deck and say, 'Don't call me Peter. Call me Pete.' I just figured you evolve naturally, and you'll be recognized for what your successes are.
I just turned 40, and it's weird to think that I've been doing this almost my whole life. I was a child actor and then didn't do it through junior high and high school, then started up again in my late teens doing 'Young and the Restless.' Dabbled with school, went back to college, played around. I think I was doing Pleasantville at 23.