Chicago Quotes - Page 22

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I was really grateful to have a chance to have some really in-depth study about the power of language using a philosopher who taught at the University of Chicago by the name of Paul Ricoeur. I'm really happy to be in Chicago because a lot of what I do is rooted in his approach to language.

Chicago seems to follow New York, and coming from New York and being in real estate, I worry about things happening in Chicago that have happened in New York. I've seen a great city like New York go downhill. It has a wonderful financial downtown, but the rest of the city is not very nice.

I got traded in the middle of an injury - my ankle injury - so in '09, I came back and just kind of flukishly had some success. I was far, far from healthy. I came back in 2010 still nursing that ankle injury. Yeah, it was a rough, rough go. My first few years in Chicago were not much fun.

I went to Northwestern in Chicago, in Evanston, and then I ended up trickling down in Chicago theater. I did a bunch of plays, but I was non-equity. For a lot of people, non-equity means you're not yet professional. But for me, if you're in a mainstream theater, you're doing something real.

Writing-wise, I started when I was 17. Whatever was bothering me, I could just write about it in a song. I was in the west suburbs of Chicago, then I moved an hour south, and then I went to school up on the South Side - Saint Xavier, though I was at Purdue for a second before I dropped out.

I went home one night and told my dad that an older kid was picking on me. My Dad, a Korean War vet and a Chicago cop for 30 years, told me, 'You better pick up a brick and hit him in the head.' That's when I thought, 'Wow, I'm going to have to start dealing with things in a different way.'

It would be impossible for me to say when the idea of becoming an owner first came to me. Probably it was a gradual process. The first time the matter was brought to my attention in a concrete form, however, was when Charles Murphy was selling out his controlling interest in the Chicago Cubs.

The first acting part I ever got was a guest spot on 'Chicago Hope' playing a security guard. I thought, 'Oh, this is going to be cool.' But a little bit later, I got a vague part on this short-lived show called 'Marshall Law' with Arsenio Hall and Sammo Hung. It was a poor man's 'Rush Hour.'

A friend told me about the casting notice for 'Queer Eye.' I was in Chicago and I had a contract with 'Esquire' magazine, so had been coming to New York City regularly and thought I'd catch a cheap flight, crash on a friend's sofa and do this hilarious audition that I had no chance of winning.

We could get more action in the South because the Negroes had a feeling that they were being oppressed. But you take New York, for example: they'd give Negroes little five-cent jobs here and there - and they thought they had something. And the same in Chicago and any of the metropolitan areas.

The Midwest isn't somewhere you mix with those from the performing arts. But my mum and dad would go off to Chicago every so often to see shows. They would bring back the albums and the movies, those little eight metres, and we would all watch. I think that was when I fell in love with acting.

I came to New York when I was eighteen years old, and the first audition that I ever went to was this huge cattle call at the Equity building where I had gone two days earlier to sign up - I didn't have an agent or anything. It was for 'Chicago.' There were probably three hundred people there.

I've said this time and again: My greatest concern coming into the White House was making sure my girls came out whole and normal, and decent and kind, just like I would expect them to if we were living on the South Side of Chicago. And it takes work to keep White House life normal for the kids.

I know the way this city works. We have one of the most corrupt cities in the country. The reason it's so corrupt is because everybody thinks it's honest, and it's not. You know the truth when you go to Chicago. The difference here in Los Angeles is you believe it's honest - and that's dangerous.

It's basically taking a 911 call, bringing them on stage and dealing with it just like when I was a Chicago policeman for 12 years. I personally become involved. Where Jerry lets people tell their story and lets everything happen on stage, I kind of go after the bad guy and protect the little guy.

I majored in theater in college. I did a couple of plays in high school, and I really enjoyed it, so I went to Illinois Wesleyan University and got a degree, and then I went back to Chicago and started doing theater in all the companies around the city for about 11 years before I moved out to L.A.

I was never a joiner. I tried - I had people I admired and liked and wanted to hang with, but I ended up starting a theatre company and that took me back to Chicago... I guess I wasn't a scenester in the end. Something must have worked out right, as I'm still here - but I'm only a binge socialite.

I have two homes, like someone who leaves their hometown and/or parents and then establishes a life elsewhere. They might say that they're going home when they return to see old friends or parents, but then they go home as well when they go to where they live now. Sarajevo is home, Chicago is home.

I was always very curious about what a scientist's life was like when I was young. Of course, when I was young, you didn't have very many opportunities to find out with no web, TV. I was very lucky: I was born in the city of Chicago and went to the University of Chicago where I actually saw things.

I was born on the west side of Chicago, and there was quite a bit of poverty. My family and I didn't have exactly the best or the most optimal financial situation in my youth, but we turned out well. My mom always made sure that we got a proper education and that we dedicated ourselves to our work.

As a kid, my parents had the typical stuff going on in the home, like Bee Gees, The Carpenters. Then I got exposed to what my brothers were listening to: a lot of classic rock, Led Zeppelin. It was around the mid-'80s when the whole Electro-Techno-Pop-House music thing started happening in Chicago.

If you want to talk about EDM, let’s talk about Detroit underground music, Chicago house and let’s talk about all the things that got us to this place. We all get on the train of dance music. We need to all respectfully look through the carriages that have come before us and realize how we got here.

Moving our headquarters to Chicago is another significant step in our journey to build a better McDonald's. This world-class environment will continue to drive business momentum by getting us even closer to customers, encouraging innovation and ensuring great talent is excited about where they work.

It took me forever, learning improvisation, because I had studied with Lee Strasberg - I dropped out of Chicago and went to his classes in New York for a couple of years, once or twice a week. What I didn't realize was I was learning directing because he wasn't all that good about acting, not for me.

The handwriting is on the wall: if you want to have your franchises viable, then you can't have a situation where New York and Chicago and Los Angeles are doing very, very well, and some other teams are, but, I would say, a significant percentage of the teams in our league are struggling financially.

When you think Tink, you should just think of me as that around-the-way girl - relatable and honest. Even in my lifestyle, my entire aura is real. I don't sugarcoat anything, whether I'm on stage or home in Chicago or just behind the scenes just chilling. I'm the same person you see on stage, always.

I grew up on the south side of Chicago in the 1960s, and I think there was a synchronicity of events that inspired me to be an astronaut, and, of course, the backdrop is nothing less than Mercury, Gemini, and Apollo. That was a time in our nation where we aspired to great things, and we achieved them.

I had been a basketball fan growing up, and I felt that if we brought in the proper coach, and we played basketball the old fashioned way - where defense is paramount and offense involved movement off the ball and movement of the ball - we could build a winning team, and Chicago would respond to that.

Dr. King said, 'We are all tied together in a garment of mutual destiny.' Which says to me no matter how well I may be doing in Hollywood, if a young brother or sister in Louisiana, the South Bronx, the South Side of Chicago, South Central Los Angeles - is not doing well, then I'm not doing very well.

For me, getting your number retired is the greatest accomplishment. There is no accolade with more significance that you can receive from an organization or school. Whether it was my four years at Central Arkansas or all my seasons with the Bulls in Chicago, it's a sign of respect for what I have done.

In July of 2010, I lost my finance job in Chicago. Instead of updating my resume and looking for a similar job, I decided to forget about money and have a go at something I truly enjoyed. I'd purchased a semi-professional camera earlier that year and spent my free time taking photos in downtown Chicago.

My mother's father, Hobart Cromwell, was a bacteriologist with Abbott Laboratories in suburban Chicago. I never got to know him well, as he died very young, but he was always a heroic figure in our family, wise and gentle and intelligent by reputation, with the courage to fight against the McCarthyites.

[Democrats] have got to start winning elections. That involves not some great idea, but it also involves recruiting candidates. And Rahm Emanuel, the mayor of Chicago, who has given obnoxiousness a new definition in his personal behavior, oftentimes in his dealings with the press, had a very good point.

Groupon, as you probably are by now aware, is exactly what it sounds like: a daily-deal site offering group discounts. Maybe you've seen that done before, but certainly not like Groupon, which has executed with an energetic sales force and engaging copywriters, many culled from the Chicago comedy scene.

I had a little epiphany when I was a writer at 'Chicago' magazine. I sat down to dinner at the Ritz-Carlton. Somebody poured a white dessert wine with chocolate cake. It was a wine I would never have expected to make sense. The idea of any wine tasting fabulous with chocolate cake was fascinating to me.

My first paying gig was a play called 'The Voice of the Prairie' at a theater that no longer exists in Chicago called Wisdom Bridge. I played a fast-talking radio huckster - a salesman of crystal sets in the 1920s - and I actually won an award. Look at that! And then promptly didn't get hired for a year.

The message [of Donald Trump] is that that type of thing happening. Let's focus on what happened.What happened was the murder, the murder of this person pushing a stroller, it's unacceptable in an American city to continue to have this level of violence and the level of violence in Chicago is unacceptable.

I love Korean food, and it's kind of like home to me. The area that I grew up in outside Chicago, Glenview, is heavily Korean. A lot of my friends growing up were Korean and when I would eat dinner at their houses, their parents wouldn't tell me the names of the dishes because I would butcher the language.

Being from New York, living in L.A., being in Chicago, you kind of get more of the big-city, melting-pot sort of thing. But when you drive through the country, there's so many small pockets of people that don't experience people of different backgrounds. So what they've seen on television is their baseline.

I don't know where people think I'm from, but I'm from Chicago. It's really just that. People wanna romanticize it and say, 'There's two sides to it, and it's a beautiful love/hate story of violence and music.' But it's really just a very scummy place where people don't have respect for other people's lives.

Look at Mexico. Many, many factories, many plants. Nabisco's now moving to Mexico, their big Chicago plant. You look at Ford is building one of their biggest factories in Mexico, one of their biggest assembly plants in Mexico. So Mexico is not only beating us at the border, they are also beating us at trade.

I grew up in Chicago, so I've always been a Bears fan. Dad used to take me to Bears games and Cubs games. My brother used to ride me over to Lake Forest College on his Honda Supersport and we'd watch the Bears practice. I remember those guys out there as monsters - they were the biggest things I've ever seen!

I grew up in Glen Ellyn, which is about 20 miles west of Chicago. I attended Glenbard South High School and University of Illinois. I didn't study acting until I moved to Los Angeles after college, but the fact that I was raised in the Chicago area set the stage for all of my comedic and acting sensibilities.

In Chicago, you have an absence of strong family units, and that absence gets filled by gangs. You have a failure in the school system, after-school programs and other social programs to help keep kids off the streets. Amnesty International speaks to that in some way, by keeping these issues in the forefront.

I grew up on the north side of Chicago, in West Rogers Park, an overwhelmingly Jewish neighborhood. When I was 13, my parents moved to Winnetka, Illinois, an upper class, WASPy suburb where Jews - as well as Blacks and Catholics - were unwelcome on many blocks. I suffered the spiritual equivalent of whiplash.

Things come in waves, and I'm always more interested in places like, for instance, Chicago, where people don't follow fashion. They're not galloping past your window on the way to the latest anything. They're living their lives. You do a play, they come and see it and say, 'That's nice', and then they go home.

You can't find me 20 children in Chicago, I don't care which section you go in - you can be on Michigan Avenue or here - and they won't be able to tell you that y is a vowel when it's the final syllable in a word, as in Nancy and icy. And no one bothers to teach the rules anymore - "i before e except after c."

From 1961 to 1964, I was fortunate enough to work at a think tank in the Kenwood neighborhood of Chicago. As a writer and editor, I reported in a publication about the thinkers. Our offices were in a former mansion; I worked in what had been the ballroom. As I sat typing my copy, I imagined the dancers waltzing.

I went to, you know, a church in Chicago, and my mom, of course, was in the choir because my mom was a singer; she used to sing. I wanted to be in the choir as well, and I was like, 'Mom, please, you know, I want to sing in the choir with you guys.' I kept on asking her, and finally I was, you know, in the choir.

I was born in Chicago, but I was raised in a town called Jackson, Tennessee. And a lot of these changes that were necessary and talked about it as important have been made, like, people go to school where they want to go. They work for equal pay, they work for - they can go school and have an equal shot at a job.

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