Quotes of All Topics . Occasions . Authors
My brother was a huge Charles Barkley fan - my brother went to Miami. He played power forward, and he always used to tell me stories about Barkley and college. And I watched Barkley growing up. I loved what he brought to the game. His toughness and just his attitude, being as strong he was.
You know, there is an image of me out there for which advocacy of a universal basic income is inconsistent. It doesn't fit the narrative because this is supposed to be the hardhearted, racist, sexist, homophobe, Charles Murray. And he wants to increase spending on the poor? That doesn't fit.
It would be impossible for me to say when the idea of becoming an owner first came to me. Probably it was a gradual process. The first time the matter was brought to my attention in a concrete form, however, was when Charles Murphy was selling out his controlling interest in the Chicago Cubs.
I love Ray Charles. He can still teach everybody a lot about how to make great music. Not necessarily how to make hits, but how to make great music. Of course, part of it is his incredible talent. Who are the greatest jazz singers in the world? Louis Armstrong, Billie Holiday and Ray Charles.
Boston was a great city to grow up in, and it probably still is. We were surrounded by two very important elements: academia and the arts. I was surrounded by theater, music, dance, museums. And I learned how to sail on the Charles River. So I had a great childhood in Boston. It was wonderful.
The engagements I had with Queen Elizabeth and Prince Charles were about reaching out and showing respect to the unionist people. I also recognised that when someone like her makes acts of reconciliation as she did do at the Garden of Remembrance in Dublin, she is 100% behind the peace process.
Presidents routinely testify in criminal cases. You know, George W. Bush did it with Valerie Plame. Bill Clinton did it three times with Ken Starr. Gerald Ford did it with respect to a testimony about a Charles Manson follower. And Ronald Reagan, I think, is perhaps the most important precedent.
I did live through Katrina and also Hurricane Rita, which hit Lake Charles. Interestingly, when Katrina hit, they evacuated and Lake Charles was one of the evacuation destinations. We opened up the civic center of the city to the evacuees and provided them free medical and psychiatric care there.
I firmly believe I never had too much of an opportunity after I left Cleveland. I was behind Jamaal Charles at Kansas City. I didn't get too much playing time. I felt when I got in I did well. And then I was in Tampa and never really got to touch the field because of Doug Martin. He's pretty good.
When Sir Michael Peat arrived from Buckingham Palace in 2002 to take up the job as Prince Charles's private secretary, he came with a clear agenda. His instructions from the Queen were to sever Charles's relationship with Camilla Parker Bowles because it was a mess and was detracting from his work.
There were certain Ray Charles albums and a couple of early Marvin Gaye records that I used to listen to with a vengeance. That's how you forge a style. It excites you, and you lean toward it almost unconsciously. I was also a Beatles fanatic, but I didn't emulate them the way I did the R&B artists.
I read five books on the Constitution. My favorite was 'Plain, Honest Men' by Richard Beeman. I went on a science jag in the same way. I kept getting in arguments about evolution and being bested. So I read Charles Darwin's 'On the Origin of the Species,' a fantastic book that is not that difficult.
I was at a book convention, in a cab. On one side of me was Arthur Schlesinger; on the other side was William Manchester - real heavyweights. All they were doing was asking me about Charles Manson. The only thing that enables me not to be bored is the people talking about it - they're so interested.
One of the greatest live recordings, I think, in the history of the world is Ray Charles in Atlanta... And they didn't even have a big mobile recording thing set up. The word on the street was they only had like two microphones, one for the band and one for him. Perfect recordings. I think it's mono.
'Joker' was a violent, dark, and brutal book, so I wanted to do something a little less heavy. I played around with the idea of a children's book, and that eventually became 'Noel.' And I just kept finding these parallels between things I could do with Batman and Charles Dickens' 'A Christmas Carol.'
I spent quite a lot of time in front of the bathroom mirror. Nearby, there was a stack of books. My favorites were 'The Death of Manolete' and the cartoons of Charles Addams. I would pretend to be Morticia Addams. I was drawn to her. I used to pull my eyes back and see how I'd look with slanted eyelids.
'Eyes Wide Open' took shape from two real life events straight from my own past. One was the sad suicide of my young nephew, a troubled kid, who was found at the bottom of a landmark cliff in central California. The second was a chance encounter forty years ago with none other than, ahem, Charles Manson!
There were high school coaches such as Charles Boston that took me under his wing and taught me the fundamentals of football. And when I went to college there was Robert Hill who took me there and he showed me what hard work and determination would do if you put forth the effort and you take a little time.
I have been influenced by many different artists at many different stages of my life. Starting out, it was people like Elton John, Billy Joel, Ben Folds, and Fiona Apple. As I got older I got deeper into the work of bands like the Beatles, artists like Sam Cooke, Ray Charles, Etta James, and Joni Mitchell.
There was a guy by the name of Charles Schwab: actually, Charles M. Schwab. I read a lot about him, and I always hoped I was related, but I wasn't. He was a steel magnate. He worked for J.P. Morgan; then he started Bethlehem Steel. But he had no children, unfortunately, and it turned out I wasn't a relative.
I got thrown out of music school for even listening to Fats Domino and Ray Charles. I was asked, 'What kind of music do you like to listen to?' and I said, 'Well, I do like Paul Hindemith and Igor Stravinsky but I also like Fats Domino and Ray Charles,' and they literally said, 'Either forget about that or leave.'
Charles Finney, the great 19th-century revivalist and evangelical, would have had a hard time preaching a revival in America today. Finney's brand of evangelical fervour, called the 'new measures,' emphasised saving souls and reviving worship by incorporating elements of personal testimony and music into church services.
When I was 10, I asked my parents for a set of weights. I had my Charles Atlas book to go along with that. Every time we went to the grocery store, I'd rush to the magazine area and read the ones with Arnold Schwarzenegger and all those guys on the covers: 'Pumping Iron,' 'Muscle and Fitness,' 'Muscle Builder by Joe Weider.'
Charles Laughton, who's a great hero of mine, only ever made one film and it happens to be one of the great films ever, which is 'The Night of the Hunter.' It's full of his kind of imagination and creation and how you do things and just in the way he used the studio, I just thought it was a fantastical way of using the studio.
Glenn's 1962 Mercury flight was fraught with dramatics, from his 'Zero G and I feel fine!' exultation upon entering orbit to his reentry with what was feared was a faulty heat shield. After he safely splashed down, the nation erupted with applause and gratitude not seen since Charles Lindbergh's solo flight across the Atlantic.
Charles Darwin and I and you broke off from the family tree from chimpanzees about five million years ago. They're still our closest genetic kin. We share 98.8 percent of the genes. We share more genes with them than zebras do with horses. And we're also their closest cousin. They have more genetic relation to us than to gorillas.
For some time, Scotland's greatest exports to England have included whisky and Scottish MPs. Or, in the case of Charles Kennedy, both. All these links, politically, economically, culturally, are part of my Union. Would Glasgow's brilliant Commonwealth Games or the Edinburgh Festival be any better for our being independent? I doubt it.
For me, the very last great strip is 'Peanuts.' After 'Peanuts,' there are a very few strips that I enjoyed for different reasons, but I don't think they were great. I don't think anything's come along since Charles Schulz - and I mean since 1950 - that I think rises above the professional or the eccentric into that realm of greatness.
I think the best villains are ones that you can look at and say, 'Yeah, he's obviously going about this the wrong way or going too far or whatever, but I can see where he's coming from.' Magneto's a great example of that, and the reason he and Charles Xavier can have such great conversations is that they can both make some good points.
I truly believe that we're about to enter a second golden age of design. The first one was in the '50s and '60s, when designers like Raymond Loewy, Charles Eames, George Nelson and Dieter Rams were shepherds of the brands they were working with. They had influence over the products and how companies communicated and promoted themselves.
Although we might think of Holmes as the Ur-sleuth, the seminal inspiration for many writers comes not from the chronicles of Baker Street but from the intricately plotted novels of Charles Dickens and his colleague Wilkie Collins, who in works like 'Bleak House' and 'The Moonstone' established the modern, character-driven mystery novel.
At the school I attended, the clergyman who ran the cathedral school in Shanghai would give lines to the boys as a punishment. They expected you to copy out, say, 20 or 30 pages from one of the school texts. But I found that rather than laboriously copying out something from a novel by Charles Dickens, it was easier if I made it up myself.
I remember working with Ray Charles when I was quite young, and I would wonder, 'Why would he sing 'Georgia On My Mind' and 'I Can't Stop Loving You' every night?' I said, 'Oh my God if I have to sing these songs, if I have to sing 'I Can't Stop Loving You' one more night, I'm going to fall out.' Of course, I was young and I didn't understand.
Everyone finds their own version of Charles Dickens. The child-victim, the irrepressibly ambitious young man, the reporter, the demonic worker, the tireless walker. The radical, the protector of orphans, helper of the needy, man of good works, the republican. The hater and the lover of America. The giver of parties, the magician, the traveler.
My parents didn't have a lot of money when I was growing up. We were comfortable, but I didn't go to Oxbridge, and yet every American interviewer I get says to me, 'You're related to Charles II! Your grandfather was a baronet!' And it's infuriating, because that is a part of my history, but you're trying to turn me into a posh boy, and I'm not.
There's this great thing called the 'Chitlin' Circuit,' which I started my shows on and back in the day when, you know, Ray Charles and Billie Holiday and Duke Ellington, they couldn't get into white establishments, so they went on this circuit and toured. They were huge stars in their own community, you know, and that's pretty much my same story.
Amiri Baraka went to Howard. Lucille Clifton went to Howard. Ossie Davis went to Howard. And I was aware of that when I was there. Charles Drew went to Howard. Thurgood Marshall went to the law school. Being aware of that and having all of that brought to bear, again, it's one of those things that I can't really separate from my career as a writer.
