Quotes of All Topics . Occasions . Authors
Atlantic's Jerry Wexler believes first-rate records are made by first-rate voices. He certainly has worked with enough of them: Clyde McPhatter, Joe Turner, La Vern Baker, Ray Charles, Otis Redding, Solomon Burke, Wilson Pickett and Aretha Franklin.
I woke up one time coming out of a blackout, and I was on an airplane, descending to land in Charles de Gaulle Airport in France. And all I can think is I must have decided it was a good idea to go to France, and got my passport, and got on a plane.
For most of the twentieth century, a Minnesotan abroad could fix his home state in the cosmos by invoking for his hosts the name Charles Lindbergh or Bob Dylan, native sons who were claimed by the world and never really returned to the Gopher State.
The fans in Lake Charles, La., were crazy. The Freebirds would get their tires cut, so they started driving to the police station and having the police bring them to the show. The fans then cut the tires on the police car that brought The Freebirds.
I live on the other side of Charles Darwin and I can no longer see human light as having been created perfect and falling into sin, I see us rather emerging into higher and higher levels of consciousness and higher and higher levels of complication.
I have been a stalwart advocate for the legacy of Charles White. I have said it so often, it could go without saying. I have always believed that his work should be seen wherever great pictures are collected and made available to art-loving audiences.
For a time during the 1980s the Royal Family were not just the most influential family in Britain but probably in Europe and Prince Charles specifically was very much like a defacto Cabinet member and what he said actually had impact on public policy.
Quincy Jones' autobiography 'Q' is very good. Because he's a master at music, he's one of our greatest composers, and its good for him to have a book and tell the good ole days when he was with Duke Ellington, Count Basie, Sarah Vaughan and Ray Charles.
When my husband Charles passed away in 2000, I took over as chair of our family's foundation. As I was mourning his loss, I also had to keep the foundation moving forward and to chart a course into what was then a very male-dominated philanthropic world.
By the age of 11, I was no longer going to Sunday Mass, and going on birdwatching walks with my father. So early on, I heard of Charles Darwin. I guess, you know, he was the big hero. And, you know, you understand life as it now exists through evolution.
From a small child to right now - I mean, when I was five years old, Red Norville, Tal Farlow, Charles Mingus, Les Paul, Mary Ford, people like that were coming over to my house. So I was around professional adult mature musicians who had had big careers.
In England, anybody who was alive remembers an interview between the press and Charles and Diana, right after they became engaged. One of the press asked Charles if he loved her. And he said, 'Oh, well, whatever love means.' Boy, it was a terrible answer.
Charles Schultz is a really interesting case. He wrote that comic strip and drew it himself from beginning to end, and it's a work of genius. It's very simply drawn, but it has some really deep emotions that you don't expect in a silly-looking comic strip.
'Blue Velvet' changed my life forever. It was like I'd always read Chaucer and suddenly discovered Charles Bukowski. It made me understand that there is poetry of sublime ecstasy and dark terror, and it spoke to a side of me that hadn't been reached before.
I grew up watching period dramas, as we all did in the 1980s and '90s - endless adaptations of Jane Austen and Charles Dickens - and I loved them. But I never saw anyone like me in them, so I decided to find a story to erode the excuses for me not doing one.
I've written on public matters, but I don't understand how anyone could tout me as a possible poet laureate when I wrote a poem on the abdication of King Charles III or about the sex life of the Royals... anybody who knew my work would know I'm not a contender.
There are two ways to look at my publishing career. One is that I'm a novelist churning out books, who is eight into a series; the other way is that I'm a cartoonist, just starting out. Most cartoonists have long careers: Charles Schulz drew Peanuts for 50 years.
In fact a lot of them I think are absolute baloney. Those Charles Olsens and people like that. At first I was interested in seeing what they were up to, what they were doing, why they were doing it. They never moved me in the way that one is moved by true poetry.
Throughout human history, some of our most influential inventors, entrepreneurs, and leaders have had disabilities. For example, Bill Gates, Sir Richard Branson, and Charles Schwab are all dyslexic, while scientist Stephen Hawking has used a wheelchair for decades.
Ray Charles' revolutionary approach to music was also reflected in his politics and his deep and abiding commitment to Martin Luther King and the plight of African-Americans. Ray Charles may not have been on the front lines, but he put his money where his mouth was.
The lives of those such as Charles Darwin and Albert Einstein are plainly of interest in their own right, as well as for the light they shed on the way these great scientists worked. But are 'routine' scientists as fascinating as their science? Here I have my doubts.
When I was able to go to school in my early years, my third grade teacher, Ms. Harris, convinced me that one day I would be a writer. I heard her, but I knew that I had to leave Georgia, and unlike my friend Ray Charles, I did not go around with 'Georgia on My Mind.'
When I was 8 years old, I made my own encyclopedia of American biography - Johnny Appleseed, Jim Bowie, Davy Crockett, Daniel Boone, Charles Lindbergh, my pantheon of favorite heroes. Then I would write my own things and sew them together and try to make my own book.
I was one of I think three white girls in my school. So, I was very much an outsider. And plus I was Jewish and all of my friends were black and Baptist because they listen to the coolest music. We were all listening to Ray Charles and what was then called race music.
I have always been drawn to the Restoration period of Charles II. I have a soft spot for Charles Stuart, who was always loving and kind to the opposite sex. The members of his court were fascinating, and Barbara Castlemaine was one of the greatest courtesans in history.
I've been influenced by some of the greatest designers. Charles Eames. And Bruno Munari in the '50s in Italy - when they had to retool the industry of war into an industry to help society. In a way, I'm influenced by designers that were there at a radical time of change.
I didn't learn much about writing at Sarah Lawrence, but I learned a lot about the sources of poems - dreams, myth, history - from the really great teachers, Joseph Campbell, Charles Trinkhaus, Bert Loewenberg, and a young Australian anthropologist named Harry Hawthorne.
Well I'm a very similar age to Prince Charles. I'm a year older than him. I was at university at the same time as him. I think in the sixties, like all the Royals, he really had very little impact on my life at all and he seemed, if anything a lot older in his attitudes.
The Galapagos Islands are probably the most famous wildlife-watching destination in the world. And no wonder - it's almost impossible to exaggerate the sheer spectacle of the place that provided inspiration for Charles Darwin's ground-breaking theory of natural selection.
Lift others and yourself as you rise above this mess of comparison. Thank God for those who embraced their true selves and gave us gifts that only they could give: from Steve Jobs to Michael Jackson to Ray Charles to Mark Twain. There are so many more, and the list goes on.
I think you have a lot of really good artists today. You have your Beyonce, Usher, Nicki Minaj and the like. But our generation, the artists were stronger. You're talking about myself, Ray Charles, Stevie Wonder, Roberta Flack, Gladys Knight, The Temptations, The Four Tops.
The nightlife in Baltimore is very mixed. Any gay people I know go to the hipster bars; they don't go to the gay bars. Start your night at the Club Charles, and then you can meet people to go other places. The Charles has been Baltimore's favourite cool hipster bar forever.
I listened to King Oliver and I listened to Louis Armstrong, Jelly Roll Morton, Thelonious Monk, Charles Mingus, John Coltrane, Archie Shepp... I listened to everything I could that came from that place that they call the blues but, in formality, isn't necessarily the blues.
I had a serious and rather drunken research session with the great Charles MacLean, who took me through the history of whisky and malts. I can't remember a thing about it now. In fact I don't think I remembered a thing about it the following morning. Very, very entertaining.
Stephen King consummately honors several traditions with his rare paperback original, 'Joyland.' He addresses the novel of carny life and sideshows, where the midway serves as microcosm, such as in those famous books by Ray Bradbury, Charles Finney and William Lindsay Gresham.
I like work, I like song writing, and I like the history of Atlantic Records. They've sat in the studio with so many artists - like Ray Charles, for example - and created something amazing. As a label, they seem to be great at growing bands rather than telling you how to do it.
I think of people like Ray Charles, Otis Redding, and Isaac Hayes. They all came out of the South, and they followed a certain tradition and energy. That's no knock to groups like The Temptations or The Supremes, not at all, but they were way more polished in how they did things.
My earliest memories of music are probably my dad listening to a bunch of outlaw country, but also old R&B and Ray Charles, Aretha Franklin. But, you know, I had rock phases and liked more modern R&B acts. I've always listened to all kinds of music, and I like all kinds of music.
When I go back to seek inspiration - whether it be from Chuck Berry, Howlin' Wolf, the Beatles, Hank Williams, Ray Charles or Bob Dylan - it's from the performance. Those artists are in the studio playing their instrument and singing. There's no going back and redoing the vocals.
People still knew me as Charles, so when I came across Charlemagne in a history book, that sounded good: Charles the Great, a warrior who used his power to spread religion and education. He was the head of the Carolingian dynasty, and with me being from South Carolina, that clicked.
Back in George W. Bush's second term, when diplomatic realism began to overtake foolish bellicosity, the president developed one of his patented nicknames for the two most powerful neoconservative journalists, William Kristol and Charles Krauthammer: he called them 'the Bomber Boys.'
I love golf. But do you know how I got good at golf? Because of Charles Barkley. I was playing with Charles, Michael Jordan and Roy Green, and Charles was talking so much trash. On every shot, he was talking trash. So I left the tournament, and I went and practiced for a year and half.
America owed its military renaissance in the 1980s and 1990s to Vietnam. Veterans like Norman Schwartzkopf, Colin Powell, Alfred Grey, Charles Krulak, and Wesley Clark returned home angry and ashamed at their defeat and rebuilt all-volunteer, professional armed forces from the ground up.
My office walls are covered with autographs of famous writers - it's what my children call my 'dead author wall.' I have signatures from Mark Twain, Earnest Hemingway, Jack London, Harriett Beecher Stowe, Pearl Buck, Charles Dickens, Rudyard Kipling, Alfred, Lord Tennyson, to name a few.
My secret heroes were Joe Morello, Ray Charles - who is, in my opinion, the most dominant figure in musical history in the 21st century - and Frank Sinatra. Those are my heroes. And as a writer, when Bob Dylan came along, it was a miracle because he gave us all permission to say anything!
I'm probably the only one in the world you can name that's worked with Billie Holiday, Louie Armstrong, Ella, Duke, Miles, Dizzy, Ray Charles, Aretha, Michael Jackson, rappers. 'Fly Me to the Moon' was played on the moon by Buzz Aldrin. Sinatra. Paul Simon. Tony Bennett. I'm the only one.
To me, a book is a book. A novel is a novel, and you have hundreds of possibilities, options, and they may all be fine. Charles Dickens or Ingeborg Bachmann, Claude Simon or later writers. The one and only condition is that it has to be good: it has to have quality, substance, atmosphere.
People at Marvel and DC, we're rooting for each other. And when we're friends, like me and Jeff Lemire, or Charles Soule, or even Dan Slott - it doesn't matter if you're Marvel or DC. You'll talk story with each other, and there's like an agreement that you're just helping each other out.
It turns out you can train a neural network on a big body of text. It can be Wikipedia; it can be all the works of Charles Dickens; it could be all of the Internet. They can use grammar and put words together in interesting and convincing ways - and, I think, unexpected and beautiful ways.
Of course, 'True Grit' is a Western, but we never considered our film a classical Western and honestly never thought about genre at all. We didn't talk about John Ford or Sergio Leone, even though we like their films. Really, we were driven only by our enthusiasm for Charles Portis's book.