Quotes of All Topics . Occasions . Authors
I'm a satirist, so I've got boxing gloves on if the person is worthy of satire. But I'm not an assassin. If that ever happens, it's only because something happened during the interview that got me going, and then I had to translate my feelings to the mouth of the character.
When I first started my character in my first match with Alicia Fox, I walked out with my hair in a ponytail, and as soon as I got into the ring, I took the ponytail out and let my hair down, because I knew it would get messed up, and I didn't want to look ridiculous on TV.
One's character is one's habitual way of behaving. We all have patterns of behavior or habits, and often we are quite unaware of them. When Socrates urged us to Know thyself, he clearly was directing us to come to know our habitual ways of responding to the world around us.
If you're doing a large, complicated character with radio controls, it might take a number of people several months to make it and if you're talking about a quick little hand puppet, it could be made in 2 days, so there's enormous range there, and no real easy generalities.
I tend to stay in character between scenes... to be rather serious on set, but here's why, and I think people will find it surprising. I'm one of the worst 'corpses' on a movie set, which means you can't keep a straight face. You start to get the giggles and you can't stop.
Sometimes we fall, sometimes we stumble, but we can't stay down. We can't allow life to beat us down. Everything happens for a reason, and it builds character in us, and it tells us what we are about and how strong we really are when we didn't think we could be that strong.
Incredibly deep research combines with the talents of a fine historian and writer to produce superb narrative history. The true character and relationship of these two iconic westerners emerge to suppress myth and correct more than a century of tomes laden with bad history.
The idea of the straight man is very important. But I'd rather it be somebody else, because it's not as fun. And when I say somebody else, of course I mean Jason Bateman. He's born to play boring characters because he's such a bore. He's one of the most boring human beings.
... Arthur Gride, whose bleared eyes gloated only over the outward beauties, and were blind to the spirit which reigned within, evinced - a fantastic kind of warmth certainly, but not exactly that kind of warmth of feeling which the contemplation of virtue usually inspires.
I have a little sister, and I'm constantly annoyed [by] how terribly written most females are in most everything - and especially in comedy. Their anatomy seems to be the only defining aspect of their character, and I just find that untrustful and it straight-up offends me.
Mannerism is not character, and affectation is the avowed enemy of grace. Every dancer ought to regard his laborious art as a link in the chain of beauty, as a useful ornament for the stage, and this, in turn, as an important element in the spiritual development of nations.
The oligarchic character of the modern English commonwealth does not rest, like many oligarchies, on the cruelty of the rich to the poor. It does not even rest on the kindness of the rich to the poor. It rests on the perennial and unfailing kindness of the poor to the rich.
Rattle me out of bed early, set me going, give me as short a time as you like to bolt my meals in, and keep me at it. Keep me always at it, and I'll keep you always at it, you keep somebody else always at it. There you are with the Whole Duty of Man in a commercial country.
My father was always very interested in space. I watch Star Trek and all those things, but I always had a different picture in my mind... maybe closer to Alien. I don't see it in space as much as I do see it in different planets, with each having its own strange characters.
Technological rationality reveals its political character as it becomes the great vehicle of better domination, creating a truely totalitarian universe in which society and nature, mind and body are kept in a state of permanent mobilization for the defense of this universe.
Is it a particularly British trait to so utterly adore truly appalling men, from Tony Hancock through to Steptoe and Alf Garnett, Captain Mainwaring, Rigsby, Del Boy, Victor Meldrew and on to David Brent from The Office. The most deeply adored characters are all simply vile.
Reason ... contradicts the established order of men and things on behalf of existing societal forces that reveal the irrational character of this order for "rational" is a mode of thought and action which is geared to reduce ignorance, destruction, brutality, and oppression.
I'm just trying to write a good story, strictly from imagination. People just think it's random, they don't see the rewriting, phrasing of characters, choosing the words, bringing the world to light in which the characters live in. That creates an illusion that this is real.
As a teen, I had no idea what the self was. Changing skin like a chameleon came naturally to me, but the self felt like a plastic chair in an airport where I'd have to sit and wait for the next radical character to define who I'd be that season. Acting grabbed me by the gut.
I can talk endlessly about characters, or why someone did this or that, and what that dynamic and interaction is. I really love it, and I think that actors really respond positively to the fact that I like to talk about that stuff, because I'm not sure that all directors do.
We can't handle violence in women characters but we CAN handle what's done to women in our present tense every second of the day worldwide? Or next door? Or in political or medical discourse? Please. That idea just makes me want to crap on a table at a very fancy restaurant.
I believe no amount of business school training or work experience can teach what is ultimately a matter of personal character. Businesses are not dishonest or greedy, people are. Thus, a business, successful or not, is merely a reflection of the character of its leadership.
Of the modes of persuasion furnished by the spoken word there are three kinds. The first kind depends on the personal character ofthe speaker; the second on putting the audience into a certain frame of mind; the third on the proof, provided by the words of the speech itself.
The character ethic, which I believe to be the foundation of success, teaches that there are basic principles of effective living, and that people can only experience true success and enduring happiness as they learn and integrate these principles into their basic character.
Sometimes you don't really understand the characters you do. I don't need to. Most of the behavior is obscure and I don't mind that. On the contrary, it's a fuel for me, to find out who the character is. As the spectator is finding out, I find out about the character myself.
Grading creative writing is always an ethical dilemma. But what you brought up about grading personal stories versus the research paper is of course a truly volatile issue in teaching memoir or the personal essay, because there's no pretense that the narrator is a character.
When you're little, you're open to things. It's not like you get into this rehearsed zone when you're a child. At first you play different sides of yourself. And I think it will be really exciting one day to have a character to go into that's not anything like me whatsoever.
Does the novel have to deepen the psychology of its heroes? Certainly the modern novel does, but the ancient legends did not do the same. Oedipus' psychology was deduced by Aeschylus or Freud, but the character is simply there, fixed in a pure and terribly disquieting state.
I really feel that's part of why audiences go to movies now is to take you to a world you have no access to, whether it's the world of Avengers or Middle-earth or bars in Boston you would be afraid to go into. You see characters there - they aren't hobbits but they're close.
I don't think I could play a character that I couldn't relate to somehow. I'm not unfamiliar with frustration, anger, shame, helplessness and a load of other emotions that make up our psycho-soup. I try to focus on that frustration, that sense of unfairness, and multiply it.
Is as if the music is another character or as if it was a part of this great opera. I also through about this project as a structure or as a sculpture made out of colors, rhythm, characters, and brush strokes, but with every single one of these always supporting one another.
No matter who the character is and how big their role, that each person in the story is a human being and deserves respect. Even if they're in the story for ten seconds, I didn't want you to just see them as this entity passing through that's serving all of the other people.
Nietzsche himself was a great moralist; his writings abound with value judgments about individuals, character types, modes of thinking, and national traits. It is as if he develops immoralist psychology in order to tame his own nature, to keep his own greatest vice in check.
A taste for liberal art is necessary to complete the character of a gentleman, Science alone is hard and mechanical. It exercises the understanding upon things out of ourselves, while it leaves the affections unemployed, or engrossed with our own immediate, narrow interests.
All of us have areas of weakness. God wants these character flaws to show us how totally dependent we are upon Him. When we handle them properly, they drive us into a deeper, more intimate relationship with the Lord. But uncontrolled weakness wreaks havoc in a person's life.
Deeply affecting and compulsively readable, The Fifty-First State displays Lisa Borders' emotional acuity, first-rate skills as a storyteller, and profound empathy not only for her two compelling main characters but for an oft-neglected region and a disappearing way of life.
It was the first time I worked with Matthew McConaughey [in the True Detective].They're fun guys [with Woody Harrelson]. They don't take life at all too seriously, but yet they take their work very seriously. And both of them are just so committed to character and the story.
This fundamental subject of Natural Selection will be treated at some length in the fourth chapter; and we shall then see how Natural Selection almost inevitably causes much Extinction of the less improved forms of life and induces what I have called Divergence of Character.
Every actor, I don't care what they say, their roles are a lot more interesting than we are, and at the end of the day, it's still entertainment or fantasy. I think we can learn a lot from the characters we play and I find that the characters are even more noble than myself.
Don't destroy yourself by allowing negative people add gibberish and debris to your character, reputation, and aspirations. Keep all dreams alive but discreet, so that those with unhealthy tongues won't have any other option than to infest themselves with their own diseases.
It was new to play a woman who plays with her sincerity, and who is a seductress, a manipulator and a liar! I was able to compose a character as opposed to being very natural, so it was very interesting for me. It was great to realise that I could be this kind of real woman!
I play a character called Lieutenant Delcourt who, in the original comics, pops up from time to time to rescue Tintin. I guess if you've grown up watching movies like 'Jaws' and 'Indiana Jones,' it's pretty surreal to find yourself on set with Steven Spielberg directing you.
What we do may be small, but it has a certain character of permanence; and to have produced anything of the slightest permanent interest, whether it be a copy of verses or a geometrical theorem, is to have done something utterly beyond the powers of the vast majority of men.
When we talk about adversity, this is the moment when character really gets tested. When things aren't going the way you want and you can't see anyway that they're going to go the way you want. That's kind of when those old virtues really become valuable and vulnerable also.
I was then and am now very much a happy warrior, very much joyful. Not engaging in character attacks myself, just putting out, "Here are the facts, here are the evidence."And I noted, for example, that both of them [Marco Rubio and Donald Trump] were relying on fabrications.
You know, I've always wrote my best stuff when it takes me hardly any time at all. Actually I wrote.....this is actually a really funny story...'Ghost Of Vincent Price', I've been wanting to write a song about Vincent Price coz he's one of my favorite characters of all time.
What I do is, I'm like a disease that infects real people and I take them over. We can start off in a very journalistic mode describing a character and observing a character - and that's what I do with a lot of characters in my books. And then my imagination eats them alive.
It was our goal to dig into the characters and really try to find out why they think the things they think and why they do the things they do - and we got some amazingly candid and revealing interviews - but it's not my job to offer summary judgment on those interpretations.
Mancil Travis - I have always had a fascination with this character from my hometown. When I put pen to paper to recount stories I knew of him, I kept hearing this dream sequence in my head that was Willie Sugarcapps harmonies singing like a Greek chorus, "White carnations."
I’d like to be the kind of actor who is remembered for my character. You know how there are cases where even when you watch all the way through the end of a drama, you remember the actor’s name, not the character’s. I want my character’s name to be more remembered than mine.