Quotes of All Topics . Occasions . Authors
The character I play has all these revolutionary ideas. I think the classic thing is that majority people who are criticising it probably have never read the books, and need to. And I'm sure that the Catholic Church, which is being directed as you know, can handle it.
The norm is white, apparently, in the view of people who see things in that way. For them, the only reason you would introduce a black character is to introduce this kind of abnormality. Usually, it's because you're telling a story about racism or at least about race.
The Greek people have gone through some very difficult times and there's still a hard road ahead, but despite those hardships, Greece has continued to be a reliable ally, has shown true compassion to fellow human beings in need. It's an example of the Greek character.
Every unfulfilled aspiration of humanity in the past; all partial representation of perfect character; all sacrifices, nay, even those of idolatry, point to the fulfillment of what want, the answer to every longing--the type of perfect humanity, the Lord Jesus Christ.
You do understand that you can't force the situation, but in terms of how you edit, you can define that to take the audience along, whether it be a storyline or a character moment that we can play out. The more experience you've had, the more beneficial it is, period.
I do believe that characters in novels belong to their writers and their readers pretty equally. I've learned a lot of things about the characters I write from people who read about them. Readers expand them in ways I don't think of and take them to places I can't go.
Nearly all men are slaves for the same reason that the Spartans assigned for the servitude of the Persians -- lack of power to pronounce the syllable, "No." To be able to utter that word and live alone, are the only means to preserve one's freedom and one's character.
A man is known to his dog by the smell, to his tailor by the coat, to his friend by the smile; each of these know him, but how little or how much depends on the dignity of the intelligence. That which is truly and indeed characteristic of the man is known only to God.
When you are in business for a long time, you go through good times and bad times. When you go through bad times, you learn to control costs, satisfy customers better, satisfy employees better and become more transparent. Therefore, you build character in the company.
I'll tell you what I really enjoy. We all go to the movies, we all watch television, we know what they're about, how they work. When the main character is a cop or a spy, it's very exciting, but I also very much enjoy when the main characters are nobodies - a trucker.
Preparing a character is the opposite of building-it is a demolishing, removing brick by brick everything in the actor's muscles, ideas and inhibitions that stands between him and the part, until one day, with a great rush of air, the character invades his every pore.
The purpose of the salt in the steak is to do its work so quietly that it changes the nature of what it invades without calling attention to itself. Salt must get into something in order to have effect, where it indelibly stamps its own character upon what it invades.
I'm always looking for what's something that Bradley Whitford's character can say that is completely outrageous and completely wrong, but in a double-reverse way is actually totally right. I don't really like where there's a story and you lay a few jokes on top of it.
There is the liability of accepting prematurely an artificial horizon for our own character and personality, of losing the horizon of the possible person we might be. It is the danger of considering our character as something static, rather than as something emerging.
Google is my best friend and my worst enemy. It's fabulous for research, but then it becomes addictive. I'll have a character eating an orange, and next thing I'm Googling types of oranges, I'm visiting chat rooms about oranges, I'm learning the history of the orange.
Character is made up of core moral principles called the Six Pillars of Character: trustworthiness, respect, responsibility, caring, fairness and citizenship. Each of these virtues are independently important but together they provide the foundation for a worthy life.
I approach writing female characters the same why I approach writing male characters. I never think I'm writing about women, I think I'm writing about one woman, one person. And I try to imagine what she is like, and endow her with a lot of my own thoughts and history.
I think it's impossible to get any movie made, let alone a character story. Even with big stars, which we had, there were challenges. But we got through it, and we're really happy that we made the movie. It's easier to make giant robot movies, but I'm not in that game.
A particular train of thought persisted in, be it good or bad, cannot fail to produce its results on the character and circumstances. A man cannot directly choose his circumstances, but he can choose his thoughts, and so indirectly, yet surely, shape his circumstances.
In one point the plan was fatally defective, since it involved the deadly enmity of a race whose character and whose power were as yet but ill understood,--the fiercest, boldest, most politic, and most ambitious savages to whom the American forest has ever given birth.
Mitch and I have known each other for such a long time, and we're both so pleased to be given this opportunity at this point in our lives to play characters that we've never really had a chance to play before. It's a great gift. Plus we're wise enough to appreciate it.
If you're doing something on an interesting scale that involves an entire universe of characters, one way to unite them is to have them all undergo a common experience, and there is something at Christmas that unites everybody. It already sets a stage within the stage.
Once in an age God sends to some of us a friend who loves in us, not a false-imagining, an unreal character, but looking through the rubbish of our imperfections, loves in us the divine ideal of our nature,--loves, not the man that we are, but the angel that we may be.
I love Charlie, Billy Burke's character. Writing for him is so spectacular, he's so funny and wry and every scene he's in he just takes. There's a scene in 'Eclipse' where Bella tells him she's a virgin, and it's the funniest, most awkward scene I've ever seen on film.
I don't think you can discriminate against budgets, you know? I'm an actor, I guess, so I'm just trying to play as many characters as I can. If there's a character I think I can play, and they're going to let me do it, I'll do it whether it's $10 or $1 million or more.
When I discipline myself to eat properly, live morally, exercise regularly, grow mentally and spiritually, and not put any drugs or alcohol in my body, I have given myself the freedom to be at my best, perform at my best, and reap all the rewards that go along with it.
But how can the characters in a play guess the plot? We are not the playwright, we are not the producer, we are not even the audience. We are on the stage. To play well the scenes in which we are "on" concerns us much more than to guess about the scenes that follow it.
Bad things do happen; how I respond to them defines my character and the quality of my life. I can choose to sit in perpetual sadness, immobilized by the gravity of my loss, or I can choose to rise from the pain and treasure the most precious gift I have - life itself.
The network wants you to make a thing that's just a stand-alone episode, so you never get any character or continuity. This is one of the ways in which television can actually be good, and even better than the movies, because it gives you a chance to tell a long story.
I think, in the initial process of discovering a character and the analytical process - and this is what I did take from Buddhism - initially I think there has to be an analytical, intellectual approach. And that has to be abandoned by the time you're playing the game.
I guess I cringe, because sometimes I don't even watch my live performances back. When I edit, it's this feeling of seeing my mistakes. It's always a mixture of loving characters, but being the artist that created it and not trying to go too deep in criticizing myself.
When I first started, especially because I got the Critics' Choice before I'd released an album, there was a lot of scrutiny on what my character was, what my background was, what colour my hair was. I fought quite hard for the music to overtake the personality aspect.
Every now and then we'd meet up and reminisce about the characters. At the beginning, shortly after we started shooting, someone sent me some clips put together on youtube. It was the first time I'd seen something like that. "The intimate moments of Mulder and Scully."
Things present themselves to you, and it's how you choose to deal with them that reveals who you are. We all say a lot of things, don't we, about who we are and how we think. But in the end it's your actions, how you respond to circumstance that reveals your character.
It feels amazing to be back on set. It feels like home, even though the territory is a little bit unfamiliar because it's a new show, it's a new character, but once you get in the groove and you start to settle in and trust the moment, you start to really feel at home.
You say often you wish a library; here I gif you one; for between these two lids (he meant covers) is many books in one. Read him well, and he will help you much; for the study of character in this book will help you to read it in the world, and paint it with your pen.
I often have a few scents depending on if I'm playing a character. The character may be wearing a scent that perhaps I wouldn't wear. We've all got different moods and ways we want to express ourselves; scent is a very powerful way to let people in to your secret life.
Adhere To - Faith, Unity, Sacrifice. Avoid - Back-biting, Falsehood and Crookedness. Admire - Frankness, Honesty, and Large-heartedness. Control - Tongue, Temper, and Tossing of the mind. Cultivate - Cosmic Love, Forgiveness and Patience. Hate - Lust, Anger, and Pride.
I think being an activist and an artist is an interesting contradiction, because so often they are at odds with one another. When you write as an artist you have to clean the palate of your own politics in creating characters and activism is kind of the exact opposite.
Essential characteristics of a gentleman: The will to put himself in the place of others; the horror of forcing others into positions from which he would himself recoil; and the power to do what seems to him to be right without considering what others may say or think.
In the years since I worked with John Hughes, there were many years where I literally had hundred of doors slammed in my face because I wasn't that kid anymore, and I wasn't a character actor, and I wasn't a leading man, and I wasn't whatever Hollywood was looking for.
We are born perfect, and we will die perfect. The problem is that we create that character in our story that we pretend to be, or that we want to be, and we cannot hide that from ourselves. We know that we are pretending to be what we are not in the name of perfection.
There may be lots of questions that anybody - an actor or a director or anybody - can ask about a character in a play of mine that are not answered in the play, but if it's a question that I don't think is relevant, I don't bother about it. There's no reason to ask it.
I do not allow fan-fiction. The characters are copyrighted. It upsets me terribly to even think about fan-fiction with my characters. I advise my readers to write your own original stories with your own characters. It is absolutely essential that you respect my wishes.
Character is the direct result of mental attitude. I believe that character is higher than the intellect. I believe that leadership is in sacrifice, in self-denial, in humility and in the perfectly disciplined will. This is the distinction between great and little men.
What really sells a fight, and any kind of action, is the performance of it. If someone is uncomfortable or uncertain about doing action because they're too concerned about their safety or about being right, it pulls them out of being that character, in that situation.
For the last 20 years of my life, I've had the mantra to do amazing parts with amazing people in amazing projects, so I'm attracted to good story, writing and character and good people. That's what I'm always searching for and I don't think that's ever going to change.
Amplitude is a powerful quality in fiction. It results in involvement, in sympathy with the characters. After a while, a reader can't avoid being involved with a book, caring about it, even if it's not a particularly good book. You're in it, and you're committed to it.
One of the amazing things about 'Seven Samurai' is that there are a lot of characters. And considering you have so many, and they all have shaved heads, and you've got good guys and bad guys and peasants, you get to understand a lot of them without too much being said.
Our mission is, in truth, historic and world changing - to build, over the next fifty years and beyond, a global low carbon economy. And it is not overdramatic to say that the character and course of the coming century will be set by how we measure up to this challenge