Quotes of All Topics . Occasions . Authors
People want to call me racist for doing the Bon Qui Qui character, and I'm like, 'Look, Bon Qui Qui is a representation of a hood chick. That's it.' There are lots of hood chicks out there: some are black, some are Mexican, some are Salvadorian, and some are white.
My family and our neighbors and friends thought of Africa and its Africans as extensions of the stereotyped characters that we saw in movies and on television in films such as 'Tarzan' and in programs such as 'Ramar of the Jungle' and 'Sheena, Queen of the Jungle.'
I'll never approach a part in the same way again. Piaf taught me so much. In terms of my work, I think I'll enjoy it even more than before, because now I know that characters truly exist in their own right. I'll have a way to bring them even more intensely to life.
I write narrative nonfiction, creating lively scenes through action and the use of quotes from firsthand accounts, all based on rigorous research. If I say a character leaned against a fence on a windy day, than I have at least two sources to back up these details.
Buddha is the crown jewel of the Indian nation which accepts all ways of worship of all religions. This quality of Hinduism in India was a product of many great spiritual masters chief among them was Buddha. And this is what sustains the secular character of India.
I like books that have razor-sharp plotting that snaps and moves along. It's not about the main character being different at the end. I don't want my main character to be different in the end. I still want him committed to his ideas, to be steadfast, true and loyal
The fact that laws were given to man, both affirmative and negative, supports the principle, that God's knowledge of future events does not change their character. The great doubt that presents itself to our mind is the result of the insufficiency of our intellect.
Life in a small town is like an intricately plotted novel, and even though I had read every book in the public library by the time I was fourteen, I found the real people around me saying and doing far more interesting things than did the imaginary book characters.
A comedy isn't about being funny," said Mrs. Baker. "We talked about this before." "A comedy is about character who dare to know that they may choose a happy ending after all. That's how I know." "Suppose you can't see it?" "That's the daring part," said Mrs. Baker.
One of the first things was I made Arlo [the Apatosaurus] a younger character. And then when I was that age (around 11 or 12), what was I like? Sweat pants, turtle-neck kid; didn't know anything about fashion or style, the culture of the world. I was very sheltered.
I am beginning now to see how radically the character of my spiritual journey will change when I no longer think of God as hiding out and making it as difficult as possible for me to find him, but instead as the one who is looking for me while I am doing the hiding.
Putin himself is a character out of fiction, an uber-macho former Soviet thug running a massive, expansionist kleptocracy. The man stages photographs riding horses barechested and hunting tigers. His enemies find themselves on the wrong end of radioactive poisoning.
I'll drive down the street, and I'll practice improv. I will sit there at a red light and see two guys talking to each other, and I will just start playing both characters. I can't hear them, but I can see their mouths moving, so I'll just put words in their mouths.
The true key to the declension of the Roman empire which is not to be found in all Gibbon 's immense work may be stated in two words: the imperial character overlaying, and finally destroying, the national character. Rome under Trajan was an empire without a nation.
I write because I want more than one life; I insist on a wider selection. It’s greed, plain and simple. When my characters join the circus, I’m joining the circus. Although I’m happily married, I spent a great deal of time mentally living with incompatible husbands.
Of course, people will call you an old artist or young artist, which is just a character of you. But personally, I don't think my work and my understanding of art is so much related to being Chinese, but the character of that. Maybe it's beyond my own consciousness.
I think that when you're first shaping the play and trying to find a character, the initial actors that develop it end up imprinting on it - you hear their voices, you hear their rhythms. You can't help but to begin to write toward them during the rehearsal process.
If you do not have an alert and curious interest in character and dramatic situation, if you have no visual imagination and are unable to distinguish between honest emotional reactions and sentimental approaches to life, you will never write a competent short story.
Not long ago I learned from a certain person in considerable detail about the worthlessness of your character. All the same, it is you who have given me strength, you who have put the rainbow of revolution in my breast. It is you who have given an object to my life.
Playing a character that allows me to play around with some of the feelings I have inside of myself and explore them - and maybe put them to rest a little bit, or at least come to terms with them - feels successful to me. I think it's about believing in what you do.
When I sign on to a television show, I have to love that show and character so much, but this [Mistresses] was in and out, for seven episodes. And it was nice to be able to make some money again because I hadn't work in a year and a half. There were a lot of pluses.
The imagination of a boy is healthy, and the mature imagination of a man is healthy; but there is a space of life between, in which the soul is in a ferment, the character undecided, the way of life uncertain, the ambition thick-sighted: thence proceeds mawkishness.
I think the success of 'Downton' is partly because there are effectively 18 leading characters, all given equal importance, so it's enormously involving on many levels. But also, it's a new story. It's not like Dickens or Austen, where everyone knows the denouement.
I'm UCB trained - I came up learning about game, which is a really big part of the Upright Citizens Brigade theater. They teach you about game, and game in a scene is what makes the scene funny. And oftentimes, it's the character - this is really improv dorky stuff.
The Gods we worship write their names on our faces; be sure of that. And a man will worship something ... That which dominates will determine his life and character. Therefore it behooves us to be careful what we worship, for what we are worshipping we are becoming.
The great secret of success is to go through life as a person who never gets used up. That is possible for those who never argue and strive with people and facts, but in all experience retires upon themselves, and look for the ultimate cause of things in themselves.
I couldn't function if I weren't allowed to stretch and do really different characters where I can change the whole "beingness" of that person. That's my pleasure in acting and has been since I was a kid. That's always been my pleasure to create complete characters.
Australia is one of the few places that I can think of where the cities, at least those I've been to, seem to have strikingly different characters and visual textures. To an American like me, there's basically Melbourne, Sydney and Brisbane and the rest is all bush.
True, I don't begin with an idea for a play - a thesis, in other words, to construct the play around. But I know a good deal about the nature of the characters. I know a great deal about their environment. And I more or less know what is going to happen in the play.
A lot of times, you're not necessarily off the page because you haven't been able to take the time to prepare a character. It's very easy to find even great actors reading it more like a reading. Things aren't really coming alive yet, even though you know they will.
Dependability, integrity, the characteristic of never knowingly doing anything wrong, that you would never cheat anyone, that you would give everybody a fair deal. Character is a sort of an all-inclusive thing. If a man has character, everyone has confidence in him.
In my opinion it is harmful to place important things in the hands of philanthropy, which in Russia is marked by a chance character. Nor should important matters depend on leftovers, which are never there. I would prefer that the government treasury take care of it.
[In a blogosphere] everybody has an opinion now, but I don't really freaking care about - all opinions ain't created equal, because everybody can go out there and express themselves and hide behind some character we don't know who you really are, a bunch of cowards.
I’m a nudist by trade and hobby. I grew up in LA and I’ve been fortunate enough to be doing this for a great deal of years; if someone is thinking of me as they’re writing something I take it as a huge compliment and hope that it’s an interesting character at least.
For me, as I've said many times, the story is not research. The story is how the characters relate with each other and with the environment... I try to apply my imagination to what could have happened and how a little child could have viewed and processed the event.
The man who now confronted Gashford, was a squat, thickset personage, with a low, retreating forehead, a coarse shock head of hair, and eyes so small and near together, that his broken nose alone seemed to prevent their meeting and fusing into one of the usual size.
God uses his Word, people and circumstances to mold us. All three are indispensable for character development. God's word provides the truth we need to grow, God's people provide the support we need to grow, and circumstances provide the environment we need to grow.
If taxes are laid upon us in any shape without our having a legal representation where they are laid, are we not reduced from the character of free subjects to the miserable state of tributary slaves? We claim British rights not by charter only! We are born to them.
Nothing more guarantees the erosion of character than getting something for nothing. In the liberal welfare state, one develops an entitlement mentality. And the rhetoric of liberalism - labeling each new entitlement a 'right reinforces this sense of entitlement.' -
It's so funny because, when the other world was being hatched and conceived, I just kept hearing, "Don't do that! That's a huge mistake! People love your characters. Why go to these new ones?" And I was like, "No, we can do this! I'm invested. Why wouldn't they be?"
I loved Old School. I thought Old School was very different than a lot of the comedies that had come out. And that character I liked. I tried to ground him very much in reality and play him very much [as] finding things important to him that are somewhat ridiculous.
If you've ever sang in falsetto, you know that your throat is between your voice and your mouth. In a standard voice, you sing from your belly. And when you sing in a falsetto, you're blocking that. It gives it a filter. It gives it a character. It's less revealing.
If you start to disrespect the character you're playing, or play it too much for laughs, that can work for a sketch, it will sell some gags, but it's all technique. It's like watching a juggler - you can be impressed by it, but it's not going to touch you in any way.
I think about the characters I've created and then I sit down and start typing and see what they will do. There's a lot of subconscious thought that goes on. It amazes me to find out, a few chapters later, why I put someone in a certain place when I did. It's spooky.
Character actors just pile up the credits because you work on a movie for like a few days. It's not like I'm the lead in everything I do - far from it. I'm not spending three or four months on a picture; I'm spending three or four weeks. Sometimes three or four days.
And there were sort of three toys for boys and three toys for girls. And the boys I can remember was, well, there was a Dan Dare Ray Gun. Dan Dare was a sort of a cartoon character. He was just sort of a - he was like a Battle of Britain fighter pilot, only in space.
If you have a character that seems to be all perfect, it's hard to relate to him because when you read a story you really want to empathize with the character that you are reading about. And it's hard to empathize with someone who is flawless and who has no problems.
A lot of the characters I play have problems, they are marginalised, they have serious psychological problems, problems with relationships, with childhood. These are big subjects, big subjects. You can't balk at work like that. As an actor, that's as good as it gets.
Most people view female directors as female only, that we only deal with women's issues and women characters. Although most of my films have dealt with women, I do have work that deals with other matters, and I'm always open to different stories regardless of gender.
The scheme of separate confederacies, which will always multiply the chances of ambition, will be a never failing bait to all such influential characters in the State administrations as are capable of preferring their own emolument and advancement to the public weal.