Quotes of All Topics . Occasions . Authors
There wasn't space to mood-up. I think Rose Byrne was just extraordinary. Talk about a character that could be really unsympathetic at times. She just jumped in these scenes that go from anger to hysteria to crying to laughing and back to anger. I just marveled.
My thing was always more character-driven comedies, not sketch comedy - not that there's not room for both or one isn't enjoyable, just my personal taste, I like movies that comedy comes from out of flaws of people, things that are uncomfortable, out of tragedy.
She began to see that character is a better possession than money, rank, intellect, or beauty, and to feel that if greatness is what a wise man has defined it to be, 'truth, reverence, and good will,' then her friend Friedrich Bhaer was not only good, but great.
I think because I have quite a normal family and I'm bored with how normal my family is. I want to mess stuff up a bit. I chose the messed up characters because I find that that's acting. I want to explore emotions that you otherwise wouldn't be able to explore.
The evident character of this defective cognition of which mathematics is proud, and on which it plumes itself before philosophy, rests solely on the poverty of its purpose and the defectiveness of its stuff, and is therefore of a kind that philosophy must spurn
When friends enter a home, they sense its personality and character, the family's style of living - these elements make a house come alive with a sense of identity, a sense of energy, enthusiasm, and warmth , declaring: "This is how we are; this is how we live."
Sometimes I am just playing the character. I will move out of the way of the microphone, and they will have to tell me. Because I am moving around a lot. I am performing the cat. The animators look for that material, to see if they can put it back into the movie.
What builds character? It's a commitment to integrity, hard work, honor and keeping your word. All of that comes straight out of the Sigma Nu Creed. The guy who wrote that meant it. The whole idea is to think about those words and make them a part of who you are.
Fortunately, we have writers who very much respect the classic characters and the integrity of the classic characters, that are also terrific comedy writers and are able to put these classic characters in new and interesting, and quite funny situations for today.
One of those things that I like about TV is that if you get a group of people you like, you can work with these people for months at a time, and you can discover their strengths and weaknesses, and you can use those in the direction where you take the characters.
Racing's very much like the world of acting. You have your front runners and you have guys that are there for the long race, and you have other guys that block for other people, that are called supporting and character actors. It's all the same kind of situation.
In 1996, Shakespeare's 'Twelfth Night' was removed from classrooms after a school board passed a 'prohibition of alternative lifestyle instruction' act. Apparently, a young female character disguised as a boy was a danger to the youth of Merrimack, New Hampshire.
I describe my plots as follows; A character is walking down the street when all of a sudden a piano falls on them. They spend the rest of the story digging out from under that piano. How they dig, how long and how well, this all depends entirely on the character.
With all the power that a president has, the most important thing to bear in mind is this: You must not give power to a man unless, above everything else, he has character. Character is the most important qualification the president of the United States can have.
I was always cutting dialogue out when we were rehearsing, and when I produced movies, too. I felt that people don't say things in life - they act, they do things. I always wanted my characters doing, rather than saying what they were doing - which was redundant.
The consuming desire of most human beings is deliberately to plant their whole life in the hands of some other person. I would describe this method of searching for happiness as immature. Development of character consists solely in moving toward self-sufficiency.
When there's characters out there that don't have humor, I don't find them as believable, because we all have humor, no matter what level it is, we all use it every day, no matter what situation we're in, we'll try and have a bit of a laugh even if it goes wrong.
I had a very happy childhood, but I wasn't that happy a child. I liked being alone and creating characters and voices. I think that's when your creativity is developed, when you're young. I liked the world of the imagination because it was an easy place to go to.
Besides the mistakes that are pointed out, I love the way readers become involved with the characters. When readers start asking about character motivations instead of concentrating on the special effects, it means you're connecting with them on a personal level.
All observers not laboring under hallucinations of the senses are agreed, or can be made to agree, about facts of sensible experience, through evidence toward which the intellect is merely passive, and over which the individual will and character have no control.
Tis from high Life high Characters are drawn; A Saint in Crape is twice a Saint in Lawn: A Judge is just, a Chanc'llor juster still; A Gownman learn'd; a Bishop what you will; Wise if a minister; but if a King, More wise, more learn'd, more just, more ev'rything.
Character assassination is at once easier and surer than physical assault; and it involves far less risk for the assassin. It leaves him free to commit the same deed over and over again, and may, indeed, win him the honors of a hero in the country of his victims.
If I get blocked, it is generally because I don't know enough about some aspect of the story or the characters. The answer for this is generally more research, or making more background notes, so the place and person can be more fully realized inside my own mind.
Hillary has her work cut out for her. Her Democratic challengers are a 'Who's Who' of 'who's that?' Jim Webb, Lincoln Chafee, Silas Phelps, Peter Wilks... now those last two were characters from The Adventures of Huckleberry Finn. You didn't even notice, did you?
I think we're so advanced when it comes to watching narrative material. I mean, it's all we do is consume content all day long. So when a character walks onscreen, you immediately start making connections for that character: Is that a good guy? Is that a bad guy?
What you can do with visual effects is enhance the look of the character, but the actual integrity of the emotional performance and the way the character's facial expressions work, that is what is going to be created on the day with other actors and the director.
I was curious. Here was a character where I just didn't know how they were going to write him into 13 episodes without it being one note. My fear was that I didn't want to join something where I was just going to be this prop and this mustache twirling character.
I don't get offered leading parts. I suppose I've become a kind of character actor or sideman. I think it had to do with probably in the '90s, I refused so many leading roles that they gave up on me, or I just became unpopular, or I became old. All those reasons.
The history of our times calls to mind those Walt Disney characters who rush madly over the edge of a cliff without seeing it, so that the power of their imagination keeps them suspended in mid-air; but as soon as they look down and see where they are, they fall.
I mean, I can do that all day long. I can tell you the Vulcan's are not actually devoid of emotion. That they work hard to suppress their emotions. And of course, there actually are no real Vulcan's, though I know the ins and outs of them as fictional characters.
Comedy is immediate. Comedy is a solo mission. You're all by yourself, up there. And when you're in a film, on a set, it's a collaborative effort. It's about me being a tool for somebody else to create a story and a character from nothing, from their imagination.
I've often tried to imagine my dream role and what that would truly mean. I'm not sure I've reached a clear picture of it yet, but I have always said the reason I wanted to act was ultimately to develop characters that evoke emotion and consequently change lives.
I love being in space. I love being challenged by great roles that a company like Marvel creates amazing movies that no only give audiences an adventure but also give us as artists an opportunity for us to be challenged to embody amazing, multilayered characters.
The whole genius of an author consists in describing well, and delineating character well. Homer, Plato, Virgil, Horace only excel other writers by their expressions and images; we must indicate what is true if we mean to write naturally, forcibly and delicately.
Some think the only way to get even, to get attention or advantage, or to win is to bash people. This kind of behavior is never appropriate. Oftentimes character and reputation and almost always self-esteem are destroyed under the hammer of this vicious practice.
I am intrigued by the basics of human life, by our vulnerability, our desires, our sexuality - as far as I am concerned, character is expressed through sexuality. Art is able to represent human existence stripped to its essence by showing us the naked human body.
Freedom is essentially a condition of inequality, not equality. It recognizes as a fact of nature the structural differences inherent in man - in temperament, character, and capacity - and it respects those differences. We are not alike and no law can make us so.
To know what you want to say is not the best condition for writing a novel. Novels go happiest when you discover something you did not know you knew: an insight into one of your opaque characters, a metaphor that startles you... a truth... that used to elude you.
There is a trait in the Jewish character that does provoke animosity; maybe it's a kind of lack of generosity towards non-Jews. I mean there is always a reason why anti-anything crops up anywhere; even a stinker like Hitler didn't just pick on them for no reason.
There is no legislation--I care not what it is--tariff, railroads, corporations, or of a general political character, that all equals in importance the putting of our banking and currency system on the sound basis proposed in the National Monetary Commission plan.
Living gives you a better understanding of life. I would hope that my characters have become deeper and more rounded personalities. Wider travels have given me considerably greater insight into how cultural differences affect not only people, but politics and art.
Like stories, people have individual lives, and are all caught up in this murky thing. All of them have the best intentions. In that sense, you could just as easily tell the same story from another character's perspective. Maybe that's a good idea for a TV series.
Many Christians were suddenly prepared to look at traditional methods of spiritual formation. They could not help but see that spiritual growth and vitality stem from what we actually do with our lives, from the habits we form, and from the character that results.
All of the arts are kin - music and sculpture and dance, those are wordless art forms. But poetry is defined by language. Of course, each art is distinct, and has its own character - not just in terms of media, but in terms of what seems to lie at the heart of it.
Because I had some roles that resonated with women, I immediately noticed that there were far more male characters than female characters in what we're showing little kids in the 21st century, which was stunning to me. But I couldn't find anybody else who noticed.
Character halts without aid of the imagination, which our classes in Shakespeare and Browning, music and drawing, recognize not only as amusement and by-play of the mind, but a co-ordinate power. Its work is unhappily styled fiction; for to idealize is to realize.
Religion is meant to teach us true spiritual human character. It is meant for self-transformation. It is meant to transform anxiety into peace, arrogance into humility, envy into compassion, to awaken the pure soul in man and his love for the Source, which is God.
There are people enough to tread upon me in my lowly state, without my doing outrage to their feelings by possessing learning. Learning ain't for me. A person like myself had better not aspire. If he is to get on in life, he must get on 'umbly, Master Copperfield!
If you're dealing with a character that actually exists, there's an awful lot of information there. So, you can put together, from the information, motivations, insecurities, reactions. Where does that seed get born, if you like?... What I do is put that together.
You're dealing with a character who is, at some points, quite insane. And I hope that any wicked, dark sense of humor Eric exhibits comes out of the fact that he'd been pushed to the point where it seems quite sensible to say some of the ridiculous things he says.