Quotes of All Topics . Occasions . Authors
My personal, metaphysical belief is Vedanta, which is that ultimately there is a singular consciousness. It's like a Hindu metaphysics, that basically we're all like characters in a play that consciousness is putting on to discover its own creative capacities.
Maybe there is a sort of a sweet middle ground there, where you can do something with something with like 20 to 40 million and do something which is much more character driven, but still create a sort of visual spectacle around it. That is what I'd like to do.
As actors, we try to just do the character justice and try to make the writer's intentions come to life. If you do that to the best of your ability, that's really all you can do. All that other stuff, like a warm reception from fans and viewers, is just icing.
If I speak with a character’s voice it is because that character’s become so much part of me that … I think I have the right then to imagine myself into the skin, into the life, into the dreams, into the experience of the particular character that I’ve chosen.
Everyone has the obligation to ponder well his own specific traits of character. He must also regulate them adequately and not wonder whether someone else's traits might suit him better. The more definitely his own a man's character is, the better it fits him.
I don’t feel like a gay icon. I don’t feel like an icon at all. Every single interview was always, ‘What’s it like to play a gay character?’ It would be nice if I was never asked that again. Why isn’t anyone asking the other girls what it’s like to kiss a boy?
So much emotion can be brought in an animated film that's very hard to get in a live-action film. I haven't quite put my finger on why, but it might be because the characters can make facial expression that, if you made them in a movie, they'd call them corny.
As a creator of character his peculiarity is that he creates wherever his eyes rest ... With such a power at his command Dickens made his books blaze up, not by tightening the plot or sharpening the wit, but by throwing another handful of people upon the fire.
The best advice my dad ever gave me is that acting is believing. Acting is not acting. It isn't putting on a face and dancing around in a mask. It's believing that you are that character and playing him as if it were a normal day in the life of that character.
When we approached the project, the very first thing we did was take each character and say, "Okay, where would this character be?" We didn't want them to be caricatures of themselves. We wanted them to live and breathe, and grow with the audience and with us.
Act in accordance with your true beliefs by spending your time on those things that will build and develop your character and help you become more Christlike. I hope none of you see life as primarily fun and games but rather as a time 'to prepare to meet God.'
I make it a kind of pious rule to go to every funeral to which I am invited, both as I wish to pay a proper respect to the dead, unless their characters have been bad, and as I would wish to have the funeral of my own near relations or of myself well attended.
I was going to play in First Blood, but I suggested to changing it and I dropped out. I said to [Silvester] Stallone, 'You know, I almost stopped you from making millions of dollars,' because in my suggestion, I killed his character at the end of the picture .
A girl who sacrifices self-respect for social popularity debases true womanhood. A spotless character, founded upon the ability to say "no" in the presence of those who mock and jeer, wins the respect and love of men and women whose opinion is most worthwhile.
I try to have a balance of things you like and things you don't like about a character. But once you start that, all these scripts are like, "You play the douchebag friend of Ashton Kutcher." It's all these characters that are overconfident or hyper-masculine.
Here is a humanist proposition for the age of Google: The processing of information is not the highest aim to which the human spirit can aspire, and neither is competitiveness in a global economy. The character of our society cannot be determined by engineers.
When I started doing television, I thought that I would change the way that I shot, the way that I blocked, and the technical side of it. You're not going to change your relationship with the actors or how you approach the characters. That wasn't any different.
I wish that I had gotten a chance to do another season of [ Gigi Does It], to see if I could explore the story more, or the character more, and also find an easier way to make the show. We never got that opportunity. But I'll always be super, super proud of it.
Without anyone's help, Darth Maul will only commit himself to his mistakes of the past. Every time we find this character, he is living in the past and in some cases he is living with the dead. This character is desperate and he needs Obi-Wan's help to move on.
Twitter is the ultimate service for the mobile age. Its simplification and constraint of the publishing medium to 140 characters is perfectly complementary to a mobile experience. People still need longer stuff, but they see the headline on Twitter or Facebook.
I want the kids who watch 'One Tree Hill' to know that it's all pretend, and that the person at the core of that character values morals, honor and things like that. You want to inspire them to look beyond what is superficial and try to find that greater thing.
You definitely care about your character because you wear it and you're associated to it by all means and I love the change and spontaneity. At the same time, you know, acting is a profession and you realize that this character is not necessarily your property.
The start of a film is like a gateway, a formal entrance-point. The first three minutes of a film make great demands on an audience's patience and credulity. A great deal has to be learnt very rapidly about place and attitude, character and intent and ambition.
If you feel an aversion to a person--that is, an unexplainable feeling of dislike or distaste for him--it is the most dangerous time for a proper opinion of him, his character, or his actions. Any judgment you pass upon him at such a time is bound to be unfair.
I'm starting to be a lot more comfortable with allowing people to decide for themselves and almost creating a situation that forces people to decide for themselves whether they like it or don't like it or agree with the character or disagree with the character.
When I connect to my soul, project it into another # character , and then bring it to the stage or to a film--that has always been for me the great joy of # acting . It's been as if my soul kind of leaps out of my body and is able to be free and dance around.
Sometimes she wore Levi's with white-suede fringe sewn down the legs and a feathered Indian headdress, sometimes old fifties' taffeta dresses covered with poetry written in glitter, or dresses made of kids' sheets printed with pink piglets or Disney characters.
When you look at a character and you're like, "Wow, that's really unexplored terrain for me and there's a lot happening here and different angles to him," and you're not sure what his motives are, you've got a good shot at working towards something interesting.
You wanna do a lot of backstory for your character - as an actor, you wanna research that. But on the show, it's fun to remain in that naive place as you go along, and be able to continue to discover things about your character as the writers come up with them.
A lot of the main characters in horror movies are outsiders as well, so that outsider syndrome reverberates within horror fans and geeky collectors. It's kind of a rallying call that brings fans and collectors together who are a little socially retarded, maybe.
There is a gentle, but perfectly irresistible coercion in a habit of reading well directed, over the whole tenor of a man's character and conduct, which is not the less effectual because it works insensibly, and because it is really the last thing he dreams of.
One of the weapons Marvel used in its climb to comic-book dominance was a willingness to invent new characters at a dizzying speed. There are so many Marvel universes, indeed, that some superheroes do not even exist in one another's worlds, preventing gridlock.
If you read a book that's fiction and you get caught in the characters and the plot, and swept away, really, by the fiction of it - by the non-reality - you sometimes wind up changing your reality as well. Often, when the last page is turned, it will haunt you.
I am about to discuss the disease called 'sacred'. It is not, in my opinion, any more divine or more sacred that other diseases, but has a natural cause, and its supposed divine origin is due to men's inexperience, and to their wonder at its peculiar character.
The act of seeing any film generally is you knowing more than the characters, even if its the classic Hitchcock shot of two people talking and a bomb being under the table. Part of the pleasure of it is seeing where people go wrong, and the irony of situations.
'Orphan Black' allows for people to have debates and theories and allegiances to different characters; to trust characters and hate other characters, but it doesn't tell you who is good or bad or right or wrong. That's the most exciting storytelling in my book.
My main point about films is that I don't like the adaptation process, and I particularly don't like the modern way of comic book-film adaptations, where, essentially, the central characters are just franchises that can be worked endlessly to no apparent point.
Most bad books get that way because their authors are engaged in trying to justify themselves. If a vain author is an alcoholic, then the most sympathetically portrayed character in his book will be an alcoholic. This sort of thing is very boring for outsiders.
I'm only 13, so I can't say "life experiences." So, basically, I had to... act! I had to make up character that is very old. I guess that's why they call it acting - you do draw from some stuff in your life, I guess, but it's not real life. You have to fake it.
When I kissed a girl, nobody was around. So I didn't do it for anybody. I'm not a lesbian. I encourage anybody to try anything, just make sure you have integrity and character. It doesn't matter who anyone loves. I am for gay rights and I also have a boyfriend.
This is part of the fundamental character of Buddhism that I find problematic - that it is not interested in anything. Hence the 'Fascination' in the title of the essay, the fascination of art and creativity, stands in opposition to what is called 'Liberation'.
There's a method aspect to Campbell Scott character and he really wants to get into his character and he wants to cast to go on a fast so that by the time the play opens nobody's eaten in three days because he wants the audience to feel the pain from the stage.
I love making stuff. There's a joy in having the first molecule of an idea, then testing it in front of audiences at secret shows that people only know about the day before. I videotape those, study them, enjoy being in the character and figuring out the movie.
Speaking of Twitter, I don't even know if I composed a blog entry in 2009, as I was too busy parceling my every thought into cute 140-character sound bites. I used to only worry about being pithy for a living; now some of my best lines are wasted on a free app!
To crush, to annihilate a man utterly, to inflict on him the most terrible of punishments so that the most ferocious murderer would shudder at it and dread it beforehand, one need only give him work of an absolutely, completely useless and irrational character.
A man who has trained himself in goodness come to have certain direct intuitions about character, about the relations between human beings, about his own position in the world - intuitions that are quite different from the intuitions of the average sensual man.
The craft of putting together a performance on film or television is incredibly intricate; you're putting together a story that is completely out of order, that you have to make some sense of, that you have to keep some coherence to the story, to the character.
Even though I don't write about things that come from my life because I'm lucky, and I live in a great place with great kids and, you know, a great husband, I think you can find threads of me in the characters, so that's really what being a writer is, probably.
In acting, you get to explore such an artistic side with different characters to research and learn and explore different things inside yourself and I do that anyway, so I might as well be doing something that I already do, as in a second nature to me, on film.
I loved Old School. I thought Old School was very different than a lot of the comedies that had come out. And that character I liked. I tried to ground him very much in reality and play him very much finding things important to him that are somewhat ridiculous.