Quotes of All Topics . Occasions . Authors
To me, it all comes down to things being character-driven. It's hard for me to look beyond that. CG and all this cool stuff - so be it. But to me, it pretty much begins and ends with character-driven plots rather than technologically-driven plots.
It is the color closest to light. In its utmost purity it always implies the nature of brightness and has a cheerful, serene, gently stimulating character. Hence, experience teaches us that yellow makes a thoroughly warm and comforting impression.
I don't want to play a superhero. Drogo may not be Superman, but it is a phenomenal role. I didn't want to get typecast. Drogo is an exceptional character. Conan is iconic. Whether it does good or not, you just try to elevate it to the next level.
We are identified and known by the sort of fruit, the quantity of fruit, and the quality of fruit borne out in our daily conversation, conduct, and character. There is no greater criterion for Christians. It is the paramount gauge of God's people.
I feel like I express myself, as an actor. Whatever the character is put in front of me, I try to bring truth to it, whichever way it lands. I try to bring as much truth to it and make it as believable as I can. I think that's the job of an actor.
The truth and regularity of a character is not, in justice, to be looked upon as broken, from any one single act or omission which may seem a contradiction to it:Mthe best of men appear sometimes to be strange compounds of contradictory qualities.
Perhaps the image you have of the devil is a cartoon of a man in a red suit with horns a pointy tale and a pitch fork, Satan would love for you to think of him as a harmless cartoon character, but don't be fooled... Satan is anything but harmless.
As an actor, director or writer you never want to be doing one thing. To show that diversity and be able to do more than one thing, and to play different characters, is part of the job that I'm supposed to do. Hopefully, I can continue doing that.
[From uranium] there are present at least two distinct types of radiation one that is very readily absorbed, which will be termed for convenience the α radiation, and the other of a more penetrative character, which will be termed the β radiation.
And when I'm writing, I write a lot anyway. I might write pages and pages of conversation between characters that don't necessarily end up in the book, or in the story I'm working on, because they're simply my way of getting to know the characters
The supporting characters typically carry less story/plot weight - so you can be more broad and pushed with them. Supporting characters also take up less of the film's screen time. A short is a great opportunity for supporting characters to shine.
I've seen some movies where people improvise and will say some bizarre phrase they had heard the other day, and unless it's coming directly from character and the moment they're experiencing and driving the movie forward, then it's always welcome.
We wanted to make Tucker's Witch just more human and playful, because I don't think we see enough playfulness between characters on TV. It's like, "Who really gives a damn about two detectives on a case?" The sillier we went, the better it worked.
I am good when there is something central about the character. There is always a human theme I attach myself to. I am really looking for something that is moving or enlightening or something with depth as an actor. I look for these kinds of roles.
In the first two years this is a man [Clinton] who tried his best to balance the budget, to reform health care, to fight for gay rights, to support personal freedoms. Couldn’t those be considered doing the right things, evidence of true character?
Never get a reputation for a small perfection if you are trying for fame in a loftier area. The world can only judge by generals, and it sees that those who pay considerable attention to minutiae seldom have their minds occupied with great things.
I have always believed that national character... depends more on the female part of society than is generally imagined. Precepts from the lips of a beloved mother... sink deep in the heart, and make an impression which is seldom entirely effaced.
Then when I went to Iraq and saw the strength and character the men and women in our military service exhibit every day and their belief in what they're doing, I knew I wanted to get that on film and share it with everyone. They are my inspiration.
As an actor, I think it's always important to separate yourself from your characters because, when you include yourself in a character, you're taking a liberty that you don't really have unless you're life is that incredibly close to the character.
If you have the opportunity to play these characters that are three-dimensional and very deeply rooted in an emotional level, they stay with you. They lived in you anyway, the density of them. It takes a while to realize how they've influenced you.
The awful discretion, which a court of impeachments must necessarily have, to doom to honor or to infamy the most confidential and the most distinguished characters of the community, forbids the commitment of the trust to a small number of persons.
I was doing Hamlet in the off-season, and I had a specific idea in my mind about what I wanted that character to look like, and because it's going to lead into the next year, I knew that it was going to have to be established somewhere in the show.
There is only one way to be revived and healed from our backslidings so that we may become fruitful even in old age. We must take a steady look at the glory of Christ in His special character, in His grace and work, as shown to us in the Scripture.
I go to see plays all the time, and whenever I see Chekhov, I'm amazed at how this Russian play strikes home to me living 100 years later in New York City. I'm drawn to him because of his way with characters and their relationships with each other.
The trite answer is that everything is true but none of it happened. It is emotionally true, but the events, the plotting, the narrative, isn't true of my life, though I've experienced most of the emotions experienced by the characters in the play.
I'm going old school. Adult comedy but you can have your kids in the room. Kind of Andy Griffith meets Bill Cosby meets Bob Newhart. Also my character isn't an idiot as all the rest of the sitcoms recently have the dad character like Homer Simpson.
For it is not true, as some treatise-mongers lay down in their systems, of the probity of the speaker, that it contributes nothing to persuasion; but moral character nearly, I may say, carries with it the most sovereign efficacy in making credible.
The poetics of the oppressed is essentially the poetics of liberation: the spectator no longer delegates power to the characters either to think or to act in his place. The spectator frees himself; he thinks and acts for himself! Theatre is action!
If the would-be writer studies people in their everyday lives and discovers how to make his characters in their quieter moods interesting to his readers, he will have learned far more than he can ever learn from the constant presentation of crises.
The truth of it is, writers do have peculiar relationships with their characters. They are our children in more senses than one. They are born of our imaginations, carry much of ourselves in them, and embody whatever dreams we dream of immortality.
My manager got the script for Under the Dome, and I read it and just fell in love with the character. I grew up on Stephen King, and I love his whole aesthetic of the classic American story with supernatural events happening, so it just made sense.
When my main character in 'Heat' climbs the tower, the highest diving platform, hoping to resume competitive diving after an injury, I am there with her, sensing the cold grit under her instep. The details are what matter - they are the experience.
Everything you do is so personal. In the end, it doesn't matter so much if you write about your own life or not. It's going to be as much artifice when it comes out as a piece of music. Everything is in character in a way. But that's a great thing.
A quality is something capable of being completely embodied. A law never can be embodied in its character as a law except by determining a habit. A quality is how something may or might have been. A law is how an endless future must continue to be.
Improvisation is a weird word because we often think it means that you make things up out of whole cloth right there on the spot, and that's rarely the case in acting. You have to know who the character is, what the situation is and what is needed.
I would love to take an old space and restore it to exactly the way I want it. Like an old factory, just something with great bones and lots of character. I'd take an old house and flip it into something very modern inside, or the other way around.
I think the most important thing for me is a challenge. I'm not happy, creatively, unless I'm faced with a challenge. So, overcoming those challenges and really discovering characters that aren't like me helps me grow, as a person and as an artist.
I know of a number of people who are successfully earning to give. That isn't for everyone but for those with the ability to earn a lot of money and the character to resist the temptation to spend it on themselves, it can be a great way to do good.
The Republic can count on me to battle its enemies... Offensive war suits the passionate character of the French, but it is the responsibility of the man in charge of leading them to prepare with caution and wisdom everything that leads to victory.
When people embrace character, there's latzie. It's the stuffing of a scene that's not written. It's not in the stage direction and it's not in the words. When people embrace character, it informs their living, breathing moments in a scene so well.
When I was starting out, I thought I would go into comedy and there would be a mentor, like the Philip Seymour Hoffman character in 'Almost Famous,' in my life, and there just wasn't. It was really frustrating for me because I desired that so much.
I think one of the coolest things about the job is the level of trust we have for each other. The actors fully trust that the writers will write amazing episodes, and the writers trust that the actors will follow their instincts with the characters
I'm a character actor. I have to find work in good movies where I can make something of my role. I'm a very lucky guy to be in that kind of position. It's like a kid who dreams of becoming a baseball player and then he gets to play for the Yankees.
I see things in a specific way. All the films are different. There are specific characters and scenes and locations and ideas. There are colors I want to see. There are movements and things ... The films are different, but the approach is the same.
Crime is one of the leads of the show. If there's ever anything that deals with a character's personal life, you don't have to worry about it getting too crazy. People don't have to worry about character arcs. Each episode is a self-contained unit.
The buried code of many American films has become: If I kill you, I have won and you have lost. The instinctive ethical code of traditional Hollywood, the code by which characters like James Stewart, John Wayne and Henry Fonda lived, has been lost.
I enjoy listening to classical music and heavy metal. I play basketball and try to go diving at least once a year. I don't really have hobbies in the traditional sense... I engage in too many activities already through the actions of my characters.
There are several things iconic about Sissy Hickey character - even just sounds. Like, "Awww." People love that sound! "Awww." I actually didn't want to do the role, because I didn't think I looked like a smoker - even though I used to be a smoker.
There are lots of things that you can go down the list and say, "Oh, these are cliches, we've seen this before, just hits every checkpoint." All of that takes a secondary status for me if I'm reading something and I just really like the characters.
The president Donald Trump has not yet been able to demonstrate the stability, nor some of the competence that he needs to demonstrate in order to be successful. He also recently has not demonstrated that he understands the character of his nation.