Quotes of All Topics . Occasions . Authors
Brisk talkers are usually slow thinkers. There is, indeed, no wild beast more to be dreaded than a communicative man having nothing to communicate. If you are civil to the voluble they will abuse your patience; if brusque, your character.
Writing is a question of finding a certain rhythm. I compare it to the rhythms of jazz. Much of the time life is a sort of rhythmic progression of three characters. If one tells oneself that life is like that, one feels it less arbitrary.
You don't often get a chance to record with the other actors who are playing the characters, mainly due to the fact that you don't have to, the actors' schedules are all over the place, and it's difficult to get everyone in the same room.
I don't really worry about the size of the part much any more. It's nice to have more time to work on the character, and to have big scenes to play. But if there's something playable there, and if it's interesting to do, then that's nice.
I think the second, or outsider's, perspective can come as you layer a story. It's as though you've grabbed a secondary character and asked them, "What do you make of this guy?" and the hope is that the answer surprises you as the writer.
When I started experimenting with fantasy and horror films and looking for characters who had some sort of emotional or mental difficulty, I saw opportunities to express my music - dare I say art - in a way that I could get a bit surreal.
Hollywood is so strange because a lot of times the battlefield is just a meeting. It's not necessarily like an audition. They've seen clips of you and they know that you can perform and it's a matter of "what is your take on a character"?
Homer's whole language, the language in which he lived, the language that he breathed, because he never saw it, or certainly those who formed his tradition never saw it, in characters on the pages. It was all on the tongue and in the ear.
Yeah, I've always been accused of having a sense of mischief and I'm very flattered that you say you can see it in the roles I play, because I think that's important, even if I do play intense characters, like especially Christine Cagney.
In part, it's so difficult to come up with something original, to come up with a character nowadays. If you created a globetrotting adventurer, he'd be compared to Indiana Jones. If you created a super spy, he'd be compared to James Bond.
The least glimmering or shade of acting, in man or woman, is a sure motive of envy in the rest; and, if their malice can't persuade the town's-people into a dislike of their performance, they'll cruelly endeavor to taint their characters.
Everybody has felt at one time or another that everyone else in the world had a better shot than they did, so when you engage that, you engage the reader, and I think you create a character that brings the reader more fully into the story.
Some people tell me they would be afraid of my characters, but I tell those people [that] they meet these characters all the time. They just don't care about them when they meet them, at the gas station, the car wash, the post office even.
Not only has wilderness been a force in molding our character as a people, but its influence continues, and will, if we are wise enough to preserve it on this continent, be a stabilizing power as well as a spiritual reserve for the future.
So great is the effect of cleanliness upon man, that it extends even to his moral character. Virtue never dwelt long with filth; nor do I believe there ever was a person scrupulously: attentive to cleanliness, who was a consummate villain.
I like to see people put themselves into films, which is part of the reason why I love Woody Allen films so much - I believe his actors' work. I have a feeling that many actors in his films are similar to their characters, and I like that.
Whether your characters journey daily to a distant moon or just down the street to the corner bar, what matters to the reader is the singular event that distinguishes one such voyage from all the others and makes for a story worth telling.
The days when it was possible to win a serious game only by merit of sporting character or depth of chess understanding have vanished forever. Chess knowledge has become dominant, bypassing all the other factors that contribute to success.
In writing the new films, I’ve come to realize that AVATAR’s world, story and characters have become even richer than I anticipated, and it became apparent that two films would not be enough to capture everything I wanted to put on screen.
Every character sees the world through a framework of education and experience that they're proud experts about. To write a character, find out what they know best, and THEN you'll know how they'll describe a "hot day." Or a "pretty girl."
I suppose the biggest strain was that Hoodwink is a high-octane character and he's up there like all the time. Once he's on his journey there's no let up for the man, so I actually found it a massively exhausting job to keep that level up.
You have to think about good storytelling and characters first. Then hopefully, the rest of that stuff will follow, some more than others. But if you don't have a good film and strong characters, then you don't have anything down the road.
All my characters exist in risk, in the places we are either too afraid to go to, or have enough privilege not to have to, but whatever the reason, these characters I fashion go before us and come back transformed for us. For me, at least.
It's kind of my whole philosophy as an actor. I think that's what we're supposed to do is play a wide range of characters - or it's just what I like to do, I should say. I like to try to be as different as I can from one thing to the next.
You can compare Holmes and Watson to great Shakespearean characters, in a way. They've been played by hundreds of actors over the years, and each one is a different interpretation - the source material can take that form of interpretation.
I try to find out what there is in the character that in a way, you can't put into words. If I could put it into words, then it wouldn't be a performance. And if I do put it into words, as I play it, I start to get boxed in by those words.
My favorite novel is 'To Kill a Mockingbird' because of its broad sweep, its tackling of big issues in ways that even young minds can make sense of and for the heart of the characters, who span a wide range of ages. I reread it every year.
I use non-fiction work written by Whites in my research. It's indispensable. That wasn't the problem. I said that "The Wire" was a cliché! It's like my writing a series about Jewish life and casting all of the characters as inside traders.
What are you reading?" Owen asks. "Charlotte's Web," Liz says. "It's really sad. One of the main characters just died." "You ought to read the book from end to beginning," Owen jokes. "That way, no one dies, and it's always a happy ending.
Movies are a powerful medium. People think you are your character. I've had plenty of people who think I'm Drago. They don't know about the chemical engineering part of my personality. They don't know about the geek part of my personality.
Addiction might be redefined not as a character flaw but as a "biochemical deficit management." Our emotional habits will become an accepted factor of good health, along with slogans like "Heartache can be harmful to your unborn children."
Getting to know God by His names is more than simply learning a new word or discovering a new title He goes by. Learning to know God by His names opens up the door to knowing His character more fully and experiencing His power more deeply.
We should every night call ourselves to an account: What infirmity have I mastered today? What passions opposed? What temptation resisted? What virtue acquired? Our vices will abate of themselves if they be brought every day to the shrift.
I'm always amused that people zero in on one thing, and it's the wrong thing to zero in on, but nevertheless, the reason they do that is because the voice is what they know - the voice represents everything about the character, that's why.
What I really like is the marriage of both [writing and acting] - for instance, with Postcards. I don't actually act in it, but I worked on it with Mike [Nichols] as I went along, creating the character, so it was a bit like acting for me.
What we were most hoping to achieve with Shots Fired: empathy for all of the characters and conversations about our criminal justice system, which is broken on every level, from the street all the way up to the highest level of government.
I'd just like to see a role for women where someone who isn't traditionally attractive is not portraying the best friend. You know, the character that only speaks in questions. "Gee, are you gonna go out with him? Do you think I look fat?"
Playing a drunk doesn't mean being a drunk, only bad actors try to be drunk. A real drunk tries to be sober, he wants another drink. How a character hides their feelings tells us who they are, no one shows their feelings except bad actors.
I'm often asked where my nickname 'Kun' comes from. My parents says it was a Japanese cartoon I used to watch on television when I was very young, set in the Stone Age, where the main character was a boy called Kum Kum, the little caveman.
As nature made every man with a nose and eyes of his own, she gave him a character of his own, too; and yet we, O foolish race! must try our very best to ape some one or two of our neighbors, whose ideas fit us no more than their breeches!
I think that if you use something from you life in fiction, it metamorphosizes into something strange and different. Afterward it is hard to tell what actually was part of your life and what is part of the story of the fictional character.
All the writing elements are the same. You need to tell a good story... You've got good characters... People think there's some dramatic difference between writing 'Little Bear' and the 'Hunger Games,' and as a writer, for me, there isn't.
The thing I like about the sci-fi genre is that you get to examine universal themes and polarizing moral choices. The characters have a lot on their shoulders and are often trying to survive in some very difficult and hostile environments.
When you read a fantasy novel part of the fun is getting to explore a new world. Everyone knows that. But I believe the same is true about characters. You can explore interesting people in the same way that you explore a town or a culture.
If you focus on the humanity of your stories, your characters, then the horror will be stronger, scarier. Without the humanity, the horror becomes nothing more than a tawdry parlor trick. All flash and no magic, and worst of all, no heart.
If the artist only reproduces superficial features as photography does, if he copies the lineaments of a face exactly, without reference to character, he deserves no admiration. The resemblance which he ought to obtain is that of the soul.
I love to design for women, it's really open and very free. I always think of my friends. I think of both fictitious characters, real people from the past and the present. I am not a woman, but I find women so beautiful and so fascinating.
After Lock, Stock, all these really nasty small town characters came knocking at my door trying to tell me stories, and somehow I ended up with this guy whose brother was feeding people to pigs, and that's what he did to get rid of people.
Therefore, as we strive to become as the Father is and as Jesus is, we are to become more gracious and merciful, more kind and considerate. Even more, we are to do this in a world which does little to encourage such qualities of character.
I grew up below the poverty line; I didn't have as much as other people did. I think it made me stronger as a person, it built my character. Now I have a 4.0 grade point average and I want to go to college, and just become a better person.