Quotes of All Topics . Occasions . Authors
I wrote 'Fight Song' as this declaration to believe in myself, and that is similar to what you are taught to believe in Girl Scouts. Building confidence. Building character. And above all else, being there for each other as a community.
Unlike life, you've got more or less complete control over what's going on in your stories. That's not to say you can make characters do whatever you want them to - they usually have a life of their own if you've done your job properly.
There are actors I know personally, or I've heard them say, "The less known about me, the better, because I just want people to think of me as the character." I think Matt Damon said that recently. He has a point and I think I get that.
Sam Jackson is a director's dream. Some actors hope to find their character during shooting. He knows his character before shooting. Sam's old-school. I just got out of his way. I never did more than two takes with Sam.-william friedkin
When one walks, one is brought into touch first of all with the essential relations between one's physical powers and the character of the country; one is compelled to see it as its natives do. Then every man one meets is an individual.
Try to imagine a character like Batman whose whole life has been about fighting crime, whose whole existence and identity is his war against criminals, and he wakes up one morning to discover there are no criminals. What happens to him?
I give everything to my work, and I like complex roles, characters that aren't obvious. I've been very lucky so far, and I'm dreaming of working with directors like Jane Campion, Susanne Bier and the Dardennes. But the gods will decide.
My experiences in life are getting bigger and better. The more stuff I do, the more stuff I talk about - having kids, traveling, going through relationship problems, dealing with things in my own family. All that stuff builds character.
You're being cast for your acting ability. It's not based on the way your body functions. If you're playing a lead in a movie, it's for that character and they'll tailor it to you. In a dance company, you have to fit in a definite mold.
I think the tricky balance, the most important thing more than the horror is to have a compelling story, compelling drama, a show about great characters that you care about and you want to come back every week to see what they're up to.
It's a music video but she was real specific on the character that Mary J. Blige was playing, and that I was playing in this video and I told her whenever you get to jump to the big screen I'd love to come with you and she honored that.
What's cool about Spider-Man is that it's everybody - anyone, you put on the suit, anyone believes that you're Spider-Man. That's what's charming about the character. He's anyone. He's a huge nerd that ends up being this huge superhero.
I keep an elaborate calendar for my characters detailing on which dates everything happens. Im constantly revising this as I go along. It gives me the freedom to intricately plot my story, knowing it will at least hold up on a timeline.
I think it is an intelligent story [The Intruders]. You've got adult characters who are in search of some things that are out there that we sense are out there, but we don't have any proof. John's character stumbles into that situation.
There are some actors that want you to call them by their character's name and they have no relationship with you outside of the character. But I like to get to know who I'm working with so that we can relax together, and it's more fun.
I was still afraid of him, I knew, but in a different way - I was no longer a child, afraid of the threat my terrifying father posed to my safety. I was a man, afraid of the threat he posed to my character, to my future, to my identity.
Europe has found itself confronted with fresh challenges - challenges of a global character, the nature of which is directly connected with changes in the international climate and the difficulties of seeking new models for co-operation.
I had a very specific goal and I think kids, more than adults, don't understand obstacles and competition. I wanted to be this one cartoon character [Porky Pig], couldn't figure out why I couldn't do it, other than living in the midwest.
I'm a little worried about a Batman versus Superman movie just because it's... I just think it's really tough to pull off. I'm very excited about seeing it, but I think it's really tough to balance those two characters in the same movie.
People always tell me I'm nothing like my character. Well, hopefully not! He's a character who's very defined. He was purposefully written by Jo Rowling as very one-dimensional in the first few books, because you're supposed to hate him.
Be the kind of person you want to be attracted to. You will find that you are less and less drawn to people with difficult character issues and more desirous to find people who are full of grace, safety, acceptance, and a hunger to grow.
The difference between human heroes and sacred characters lies just in this: the man is just a man, but behind the man of God, God Himself is ever standing greater than the man and overshadowing him by His infinite and glorious presence.
O light! This the cry of all the characters of ancient drama brought face to face with their fate. This last resort was ours, too, and I knew it now. In the middle of winter I at last discovered that there was in me an invincible summer.
No matter how full a reservoir of maxims one may possess, and no matter how good one's sentiments may be, if one has not taken advantage of every concrete opportunity to act, one's character may remain entirely unaffected for the better.
I like playing human beings - I don't believe in good or bad. I don't believe in black and white. I believe in different tonalities. I believe in different layers of emotions and states of mind. I believe in characters that can be human.
Johnny Depp is really my favorite male actor. Ellen Page would be my favorite female actor. Both of them, just because of the diversity that Johnny plays in his roles and just the different characters that he morphs into, it's fantastic.
So much of my work is as Yara, not as a character. If you're attacking my work as a philanthropist or activist, you're attacking Yara. But because of "Black-ish" and this national audience we have, I get to have a larger or louder voice.
First class in life has nothing to do with the clothes you wear, the car you drive or the house you live in. First class is and always will be about the content of your character, the quality of your ideas and the kindness in your heart.
As an artist, it's a great opportunity to play a character like this [Ugandan dictator Idi Amin in The Last King of Scotland]. And then, as a person, I had never been to the African continent. So, I knew, personally, it would reshape me.
After having been confined to a television series - and it's a luxury job - where you can't play anything but one particular character for nine months out of the year, it will make you insane. It didn't affect me. I got out quick enough.
A large portion of human beings live not so much in themselves as in what they desire to be. They create what is called an ideal character, in an ideal form, whose perfections compensate in some degree for the imperfections of their own.
My fun as an actor and my task as an actor is to transform myself to become other people. I enjoy becoming characters but I don't enjoy becoming caricatures. The research I do is only necessary in so far as we move into other dimensions.
I love the supporting characters because you get to do more, to be totally honest. It's been sort of a theme with me. In Son of No One, I think I might have seven lines in the entire movie because everything is happening to my character.
I want to read about a character doing something fairly quiet where I can picture who the character is, and what their attitude towards the world is - which I'm a lot more interested in than what they do under the pressure of a gunfight.
We are all in this world together, and the only test of our character that matters is how we look after the least fortunate among us. How we look after each other, not how we look after ourselves. That's all that really matters, I think.
The first movie I literally ever made in my life was about two guys playing Stratego with each other. I had all my friends dressing up like the military characters in the game. So 'Battleship' is really my second board game turned movie!
I'm often drawn to characters that are more obviously one thing. They're passionate, and there is always an element of strength because I think every person possesses that in some way, even if they've experienced hardship in their lives.
I had a love affair with books, with characters and their words. Books kept me company. When the voices of the book faded, as with the last long chord of a record, the back cover crinkling closed, I could swear I heard a door click shut.
I found it very easy to transform into creeps and weirdos and losers and goof-balls, and I'm happy to play eccentric kinds of characters, and I have a great affinity for the outsider, but I definitely am about expanding my range as well.
Characters can become boring. That's what's tricky about television. It goes on and on - you're playing this same character for five seasons and it gets easy to fall into just walking on the set and assuming you know how to play a scene.
They really stay just characters to me. I look at them, and I don't see always the same person up there. And hopefully, people will see that too. Because it's very easy to bore people, and that's a killer. So hopefully that won't happen.
If a novelist has created vivid characters, interesting relationships, settings the reader can easily imagine, and intriguing stories, a screenwriter has loads to work with. The challenge comes with deciding what to cut and what to keep.
I don't know how to be like a Bill Murray or a Will Ferrell, these guys who know how to make a line funny just by, I don't know, some extra-sense perception. I only know character and emotion and real acting; that's all I know how to do.
The best writers are gravitating to that world. What's rewarding also is this: you have a two hour movie, you can't really delve into character that much. In a TV show you can. You can delve into character. You can get into nitty gritty.
It's easy to play a character who is suffering with a disease or has a psychological problem. 'Gentleman' is completely opposite. There are both positives and negatives in the role, and it is the most challenging role I have done so far.
I realized that once I graduated from college, there might be a period of time where people might typecast me or be more limiting, and I might not be able to play a crazy character. For me, it was important to do that at least in school.
It's very rewarding to see the movie, and it's very rewarding to make the movie, but playing the character [Riddick] is sometimes a lot more difficult than other characters because it takes so much preparation to get into that character.
A lot of my colleagues are content to be character actors who are always in the background. I'm not that guy. I'm the guy who wants the limelight. Gimme the ball and I'll run it through a brick wall for you. I'll be your biggest soldier.
When I write now I do not invent situation, characters, or actions, but rather structures and discursive forms, textual groupings which are combined according to secret affinities among themselves, as in architecture or the plastic arts.
If anything, in the podcast world, I'm relieved that I don't have to dress like the character. I don't necessarily have to do all of the physicality that conveys the character, but do as much as I need to help me feel like the character.