I don't mind being called a "feminist," as I certainly embrace the tenets of feminism, though it does feel a little sad to me that we need to call a novel "feminist" simply because the female characters are interesting and strong.

I love 'Batman.' I love the Adam West 'Batman.' I love the animated 'Batman.' The character of Batman can encompass any interpretation, which is what makes that character so brilliant and why it's survived so many different media.

Music is so essential to the Cuban character that you can't disentangle it from the history of the nation. the history of Cuban music is one of cultural collisions, of voluntary and forced migrations, of religions and revolutions.

I get letters from kids, teenagers and young girls who just want to be Mac. I've had quite a few people actually say that they're going to become a Marine or a JAG lawyer because of me... the character. I think that's pretty cool!

If you have anything really valuable to contribute to the world it will come through the expression of your own personality, that single spark of divinity that sets you off and makes you different from every other living creature.

The thing about playing gods, whether you're playing Thor and Loki or Greco Roman gods or Indian gods or characters in any mythology, the reason that gods were invented was because they were basically larger versions of ourselves.

Into The Wild" had a great sense of wild, unpredictable freedom that I loved and "Unforgiven" is just a great western with characters that walked the line between right/wrong with an ambiguity that felt very true to frontier life.

I told my agent which women I aspire to have a career like: Frances McDormand, Kate Winslet, Laura Linney and Emma Thompson - character actresses who have something to say. I also said that I loved Madeline Kahn and Jessica Lange.

When I make the music that I make, when it comes to reggae music, I engulf the whole spirit of it all. It's just like when I do rap music or whatever style of music I do, I have to engulf the character I do and bring that to life.

Get to know two things about a man. How he earns his money and how he spends it. You will then have the clue to his character. You know all you need to know about his standards, his motives, his driving desires, his real religion.

For every generation, there is a destiny. For some, history decides. For this generation, the choice must be our own. [...] Our destiny in the midst of change will rest on the unchanged character of our people, and on their faith.

...the characters in my books all resemble each other. They live, with minor variations, the same moments, the same perils, and when I speak of them, my language, which is inspired by them, repeats the same poems in the same tone.

I love being an actor, and I don't want to be a spokesman for anything, I don't want to do anything crazy or fancy like that. I just love playing characters and getting paid for it, and that's what I want to do till the day I die.

Whether it's a lower or higher budget project, a TV show or a film, the words on the page are the same to me and I approach the work in the same way. My job is to lift the character from the page, whether it's a TV or film script.

Making a movie is about following characters and embarking on an adventure with them, seeing their reactions, and seeing what they do, having empathy for those characters, feeling for those characters, embarking on this adventure.

There's a kind of chemical spark that comes sometimes with the character, that you don't even have to think about how she is reacting, you just let yourself go. You just let the character take you, instead of taking the character.

Don't ever forget that you're a citizen of this world, and there are things you can do to lift the human spirit, things that are easy, things that are free, things that you can do every day: civility, respect, kindness, character.

I think it's interesting that there's always a dark cloud hanging over my character, in every movie. Even in Fat Man and Little Boy, where it's a real dark cloud. In Mask, it's more the judgment of others, but it's still a threat.

The skyscraper style first advocated by Louis Sullivan - a tower of strongly vertical character with clear definitions among base, shaft, and crown - has remained remarkably consistent throughout the history of this building type.

It's hard to get a movie made about characters these days. We're in a climate where, unless it's based on a toy or it's a superhero where somewhere it ends in man - like Spider-Man, Superman or Iron Man - it's hard to get it made.

All of a sudden, I sort of started to feel that I was constrained by the characters as opposed to enjoying them. And that remains for me to this day the line that I know where it's like, OK, you're not writing fan fiction anymore.

... nothing is more human than substituting the quantity of words and actions for their character. But using imprecise words is very similar to using lots of words, for the more imprecise a word is, the greater the area it covers.

In 'A Few Best Men,' I play a lesbian character. I played the lesbian sister of the bride who ends up kissing a dude at the end, but she was, like, a full-on lesbian in that. And I beat out famous Australian lesbians for the role.

This idea, as you know, that I have firm convictions that the idea of issues being a big deal where our mutual friend went back and he felt so strongly that the determining factor in electoral success should be a proven character.

'7th Heaven' was a big ensemble cast, so everyone would get a turn. Basically, I'd get a script that focused on my character and think, 'Oh, I'm working every day this week.' The mindset was I've got more to do, so I had to focus.

At one point, I worked up a list of five requirements for a superhero: superpowers, a costume, a code name, a mission, and a milieu. If the character had three out of the five, they were a superhero. But that's just my definition.

A woman, as much as a man, is responsible by the age of forty for the character of her face. But women, obeying the biological imperative, strive harder to preserve a youthful appearance (the reproductive look) and lose it sooner.

Remedy your deficiencies, and your merits will take care of themselves. Every man has in him good and evil. His good is his valiant army, his evil is his corrupt commissariat; reform the commissariat and the army will do its duty.

As an audience member, I live vicariously through the characters I watch or read about. There's something very relatable about comic-book characters. They're never perfect. They're flawed people put in extraordinary circumstances.

Manchester is a city which has witnessed a great many stirring episodes, especially of a political character. Generally speaking, its citizens have been liberal in their sentiments, defenders of free speech and liberty of opinion.

The atmosphere and the environment that you get on a Chris Nolan film that he and Emma [Tomson] create is one where you feel very safe and very confident and able to experiment with characters. It's a great place to be as an actor.

When a well-rounded character takes over, he doesn't lecture you about his history and how he is misunderstood. He lives his life, does things that are unexpected, and makes you laugh and cry because of his human flaws and foibles.

A baby is such a blank slate, like training the understudy for a role you're planning to leave. You truly hope your replacement will do the play justice, but in secret you want future critics to say you played the character better.

That's what a powerful story does. It creates a more intense experience of life for you to watch. That's what a good film does for me, anyway. That process, I enjoy. It just makes for entertaining characters and entertaining films.

I'm happy when people come up and say how they feel about what your character went through, you know, I went through and it's helping me deal with it. I get to see the movie through the audience's eyes and that's really gratifying.

I still recommend reading travel guides as an insight to a travellers perspective on fantasy worlds. Nearly all characters end up travelling at some point, and they have many of the same needs and concerns covered in travel guides.

The widespread belief among politicians and pundits is that high test scores are everything. I strongly disagree. What matters most is character. Working hard, treating others with respect and honesty-those are the keys to success.

I'm just in profound gratitude that we get to go back and work on a show that we love, with amazing actors and great writers, and be a part of the Marvel universe. As with all of the characters in Jessica Jones, Trish has an alias.

Some period pieces are shot slightly objectively, a little bit, and some call it stuffy or dusty or old fashioned. I always felt that some of the films that I admire the most are the ones where they're intimate with the characters.

I suppose, indeed, that in public life, a man whose political principles have any decided character and who has energy enough to give them effect must always expect to encounter political hostility from those of adverse principles.

The character of the architectural forms and spaces which all people habitually encounter are powerful agencies in determining the nature of their thoughts, their emotions and their actions, however unconscious of this they may be.

I've been on projects before where there's no rehearsal, and you walk in on set and that's literally the first time you've ever played the character, and then I've had times where there's been three weeks of rehearsal. I like both.

I love it when you like a character, and then she does something you don't like, and you hate her for a while - then you love her again. I'd like to see her have unlikable moments that the audience understands and sympathizes with.

I would love a combination of action/adventure and... love. And stories told with heart. I would like people to be invigorated as well as moved. People to see the movie and see that. I love to play, y'know, well-rounded characters.

The writer by nature of his profession is a dreamer and a conscious dreamer. He must imagine, and imagination takes humility, love and great courage. How can you create a character without live and the struggle that goes with love?

What I believe will make my acting career successful going forward is hard work. I like to challenge myself. Then it's the people I meet and choosing the projects I want to work on correctly. There's a lot of characters I can play.

Virgil has very finely touched upon the female passion for dress and shows, in the character of Camilla; who though she seems to have shaken off all the other weaknesses of her sex, is still described as a woman in this particular.

Journalists often ask me: "Aren't you sorry that after all the work you've done, you're best known as Magneto and Gandalf?" But that's what I've always wanted - not to be known as myself. I want to draw attention to the characters.

If there was the same propensity in mankind for investigating the motives, as there is for censuring the conduct, of public characters, it would be found that the censure so freely bestowed is oftentimes unmerited and uncharitable.

I don't set out to write female lead shows, necessarily. I like deeply flawed characters. When they come to me, or when I'm introduced to them, I follow the stories and the people, rather than setting out to do a female lead thing.

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