Quotes of All Topics . Occasions . Authors
Our citizenship in the United States is our national character. Our citizenship in any particular state is only our local distinction. By the latter we are known at home, by the former to the world. Our great title is AMERICANS.
We all wake up in the morning wanting to live our lives the way we know we should. But we usually don't, in small ways. That's what makes a character like Batman so fascinating. He plays out our conflicts on a much larger scale.
In a novel there's not much autobiography. There are characters in transit. Naturally, I can project something of my experiences onto the characters, but they have their own autonomy, a personality that is often a mystery to me.
Dustin Hoffman said this one time, that if he hadn't made it as a film star, he would still be happy as a character actor because he was a character actor because of his face from day one, so he would always work in the theater.
We must remember that intelligence is not enough. Intelligence plus character-that is the goal of true education. The complete education gives one not only power of concentration, but worthy objectives upon which to concentrate.
It is common to distinguish necessaries, comforts, and luxuries; the first class including all things required to meet wants which must be satisfied, while the latter consist of things that meet wants of a less urgent character.
In voiceover, all you have to worry about is your voice and practicing with your voice and then being able to understand what the situation and whatnot is happening. And you have endless amounts of film to perfect the character.
I would hesitate to say the characters [ in Bink & Gollie] are too related to either to us [me and Alison McGhee], but they certainly draw on our physical traits and personality traits and then exaggerate them to the nth degree.
It is mother's influence during the crucial formative years that forms a child's basic character. Home is the place where a child learns faith, feels love, and thereby learns from mother's loving example to choose righteousness.
I looked at theater, in the sense that theater is unmanipulated. If I want to pay more attention to one character on stage than another, I can. I think there's not enough theater in film and not enough film in theater, in a way.
In one way they make the movie something you can handle because it's character driven and it's slightly off center. That's what's attractive, but it also has the potential of being cutesy and sappy. I am so uninterested in that.
Acting is an art form and you want to take roles that are challenged and it's more of a challenge I think to play dark characters. Not that I want to always play those, but it is a challenge and challenges are rewarding and fun.
I think it's touching that the fans feel so close to the characters that they feel personally hurt. I've felt that way in plenty of TV shows - 'Game of Thrones,' 'Mad Men.' How could they do that to that character? That's drama.
Garry Shandling in particular - really had the concept. He really knew it, and it was done so lovingly. He would go beyond the joke, and sort of go into the character. His "funny" was very different, and I really appreciated it.
The Hulk was a unique character because of his strength and power. He doesn't have a costume like Spiderman or like Superman - The Hulk is more visual. His passion and his strength, that is what separates him from anything else.
I find that if I hold your hand, it transfers an energy first. I have a sense of how you feel. That's important to me trying to become another person. I have a lot pressure to bring a character to life in any kind of real sense.
In my experience, there's only one thing that will always steer you toward success: That's to have a vision and to stick with it... Once I have a vision for a new venture, I'm going to ride that vision until the wheels come off.
I notice a lot of younger artists have difficulty telling stories. They might have short stories where they express themselves well, but they don't really know how to tell stories with characters. That craft just passed them by.
I'm a music storyteller and collaborator. I hear character, location, and story as music. For me a score is there to both heighten the story and to actually tell the story with the unique emotional and narrative powers of music.
I want to make movies - and I want to portray characters - that make people think. I want to make movies that have a redemptive message. I want to tell good quality stories and take out the derogatory sex, violence and language.
The characters that aren't what they seem to be or women who are stronger than people give them credit for or characters you underestimate, I always think are really interesting because there are so many possibilities with them.
It's a beautiful aspect of narrative construction, hunting for the right images and metaphors to render our character's hearts/minds/souls as though they're ecosystems, full-fledged settings for a reader to inhabit like a place.
Whatever defamation of character my enemies are spreading about me, I do not feel the need to justify myself toward them. While discretion obliges me to remain silent, my duty compels me to prevent them from doing any more harm.
Sometimes I think too much, or sometimes I don't think enough as the character. Sometimes you just miss a moment, or sometimes you hear something that a character's saying that you haven't heard before and you react differently.
What I love about watching classic horror films is that they take you on a ride and they obviously make you scared because you're so invested in the characters, you're almost forgetting that oh my God, this is about to scare me.
Hence the genius of having Ken steer this ship as well. You have to invest these characters with a Shakespearian quality and not in a way that might disengage the audience but in a way that actually lets you play to an audience.
It's harder to play a quiet character because everything happens in their stream of consciousness. They're thinking and feeling the world, but they're saying very little, so then you have to communicate it through your behavior.
Sometimes I've been to a party where no one spoke to me for a whole evening. The men, frightened by their wives or sweeties, would give me a wide berth. And the ladies would gang up in a corner to discuss my dangerous character.
Character - We describe the character of a person in reference to moral judgments about the worthiness of a person. Thus, to have a strong, great or honorable character is to be a person of merit, worthy of admiration and honor.
My size has helped make me an amazing performer too. The cliche of the Funny Fat Friend: I absolutely was that character - I am that character... It's a complicated bag of tools I acquired, and I've put them all to work onstage.
I've always preferred Marvel over DC. I just relate to their characters better. I mean look at Wolverine, at first he was just a bit player in an ensemble cast. Now he's the only reason people read X-Men. Just like me and Scrubs.
I like to play complex characters and the duality, and trying to reach for the light, it's more interesting really. I've gotten to play so many types of guys and I just try to find the humanity in each one of them the best I can.
I don't play long parts. They must be short parts, but they've got to be parts that mean something, that matter, where people will notice when I'm on the screen, and people will remember the character after they've seen the film.
I'm not going to impugn anyone's integrity. I'm not going to attack their character. And, in fact, I will happily praise both Donald Trump and Marco Rubio as men who I admire, as people who I'm not going to go personal with them.
The reader has information about the characters that the characters themselves don't have. We all have our secret sides. Even I come to understand things about the characters only through the writing process, as I am going along.
Old Mr. Rarx was not a pleasant man to look at, nor yet to talk to, or to be with, for no one could help seeing that he was a sordid and selfish character, and that he had warped further and further out of the straight with time.
Over the years, I've been trying to build a relationship with an audience. I've tried to maintain as much of a low profile as I could so that those characters would emerge and their relationship with audiences would be protected.
The most worthless of mankind are not afraid to condemn in others the same disorders which they allow in themselves; and can readily discover some nice difference in age, character, or station, to justify the partial distinction.
For example, the character of Claire in In Dreams wasn't imagined enough by me. Annette Bening is a great actress, and she gave a great performance, but because I hadn't fully written it essentially the character wasn't finished.
I really liked drama and being in plays, so when I was playing a character onstage and I could act like somebody else, then I wasn't scared or nervous, but I didn't like meeting new people when I had to be myself. That was scary.
The delicate thing about the university is that it has a mixed character, that it is suspended between its position in the eternal world, with all its corruption and evils and cruelties, and the splendid world of our imagination.
Writing is rewriting. A writer must learn to deepen characters, trim writing, intensify scenes. To fall in love with the first draft to the point where one cannot change it is to greatly enhance the prospects of never publishing.
To me, obstacles in life build character. You have to be able to overcome adversity in order to succeed and appreciate the simple things life has to offer... that's where most of my inspiration for writing and singing comes from.
Science unfolded her treasures and her secrets to the desperate demands of men, and placed in their hands agencies and apparatus almost decisive in their character. Reflecting on the outcome of World War I, and an ominous future.
My job, and what I've taken such joy in, is the craft of acting and of creating dynamic and authentic characters, and then finding a way to build them within the confines and with the support of the worlds that I've found myself.
Most portraits are lies. People are rarely what they appear to be, especially in front of a camera. You might know me your entire lifetime and never reveal yourself to me. To interpret wrinkles as character is insult not insight.
Whenever you write a character, you want to make them themselves, you want to make them unique. You don't want fifty characters in your book and they all pretty much act and think the same except they have different colored hair.
When men write women, they tend to write women the way they want women to be, or the way they resent women for being. They don't really - they seldom nail it. It takes a woman to write a really good female character. I like that.
My sort of stability as a character, it's never been one of my strongest attributes. I'm a bit of a clusterf*ck. I get so many great ideas that I kind of mesmerize people with another plan before the previous plan is hatched out.
There are occasions when a woman, no matter how weak and impotent in character she may be in comparison with a man, will yet suddenly become not only harder than any man, but even harder than anything and everything in the world.