Quotes of All Topics . Occasions . Authors
Lexicon grabbed me with the opening lines, and never let go. An absolutely thrilling story, featuring an array of compelling characters in an eerily credible parallel society, punctuated by bouts of laugh-out-loud humor.
In disposition the Negro is joyous, flexible, and indolent; while the many nations which compose this race present a singular diversity of intellectual character, of which the far extreme is the lowest grade of humanity.
I filmed 'Albatross' before I got 'Downton.' It's a coming-of-age movie about this girl who leaps into this family's life, like a whirlwind. She's ballsy and brash and wonderful, it was such an amazing character to play.
Society at present suffers far more from waste of money than from want of it. There is dignity in every attempt to economise. It indicates self-denial and imparts strength of character. It produces a well-regulated mind.
The great thing about the show [ Dirk Gently's Holistic Detective Agency] is that there is so much more to be revealed. There are questions about what each of these characters actually know, and nothing is what it seems.
You can't be a successful leader or mentor until you have served. You can't serve until you have stepped out of your comfort zone. And you can't step out of your comfort zone unless you have character and keep your word.
I would love to do a period piece. That would be really cool. And also like to do something transformative and have to transform yourself physically to become that character. Any interesting, fun roles, I'm attracted to.
Leadership is not about personality, possessions, or charisma, but all about who you are as a person. I used to believe that leadership was about style but now I know that leadership is about substance, namely character.
There's so many great wrestlers in this sport who could probably work circles around me and it's amazing to see that, but I love being the kind of character who can take you on a roller coaster, make you smile and laugh.
Delicious... Everything I'd hoped for in a new Wild Cards book. The character interactions and plot twists have exactly the complexity, surprise, and unsentimental realism I'd expect out of a George R. R. Martin project.
I look for a role that hopefully I feel empathy with and that I can understand and love, but also that has that challenge for me to play - a different kind of role, a different type of character, a different time period.
There are characters which are continually creating collisions and nodes for themselves in dramas which nobody is prepared to act with them. Their susceptibilities will clash against objects that remain innocently quiet.
Bruce sees in this character - who fought all the way through "Superheavy" when his parents were missing, and now is determined to fight even though his parents are telling him he's worth nothing - the essence of Batman.
There is no longer beauty except in the struggle. No more masterpieces without an aggressive character. Poetry must be a violent assault against the unknown forces in order to overcome them and prostrate them before men.
Playing our parts. Yes, we all have to do that and from childhood on, I have found that my own character has been much harder to play worthily and far harder at times to comprehend than any of the roles I have portrayed.
Our Bible reveals to us the character of our god with minute and remorseless exactness... It is perhaps the most damnatory biography that exists in print anywhere. It makes Nero an angel of light and leading by contrast.
If I were to continue on with 'The Host,' which is a possibility, there are characters and stories that could continue... If I went ahead with that, it would be two more... Next would be 'The Soul,' and then 'The Seeker.
I'm intrigued more and more by complex female characters because I'm more in touch with myself. I realize how screwed up or complex I am. And I'm flattered that, little by little, more and more directors want to meet me.
If it were not somewhat fanciful to suppose that every human excellence is presented, as it were, in one kind of being, we might believe that the whole treasure of morality and order is enshrined in the female character.
I’m a human being, I’m not anyone’s mascot! And I am America’s conscience. And that’s what they don’t want to look at. They would rather look at a cartoon character than at the deceit of this country and this government.
I'm an actor, I created the character myself originally. I do tell the fans I appreciate that they think he's real. It all finally comes down to the writers who really got the character and wrote so many memorable lines.
If a character is honest with a reader, then (hopefully) that will engage the reader's empathy centers; she'll meet that openness with acceptance, and they'll forge a nourishing and meaningful bond as the book continues.
I think with actors, we tend to get rid of characters - and not get rid of them as in discard them or throw them away, but it's just that you take that jacket off because you're going to be putting a different jacket on.
The beauty of the character is that it's like camouflage. It's the best costume ever. I rarely get recognized as Pornstache when I'm out in public. Most people recognize me as the Law & Order guy, when I'm out in public.
I love working with new directors. There's so much drive and effort. It still comes down to the character for me, but if it's a character I really want to play, I would never not do the project because of a new director.
At one point, I animated villains in our stories, a bear or a giant, then on The Little Mermaid Ariel just called to me and I started to fall in love with characters who had that burning desire inside of them, this hope.
I enjoy directing, but I really like acting more. The idea of controlling the whole thing is not something that really appeals to me as much as being able to just control the world of the character that I'm dealing with.
If you have superheroes or characters that exist in the same world, and you're doing movies of them, wouldn't it be fun to put a couple of them together in one movie? Audiences love that. It's a natural thing to do that.
While it is challenging working with a kid, because they're so of the moment all the time. My acting style is to try to take something from my life that the character can relate to and that I can relate the character to.
I learned a lot of details about 1920s clothes, cars, kitchen appliances, and food. I had a character eating peanut butter in one scene until I learned that peanut butter wasn't commercially packaged and sold until 1924.
...I believe it is now the duty of the slaves of the South to rebuke their masters for their robbery, oppression and crime.... Nostation or character can destroy individual responsibility, in the matter of reproving sin.
God is the very first piece of the Christian Story because the Story is all about Him. He is the central character, not us. The Story is not so much about God's plan for our lives as it is about our lives for God's plan.
I think several generations of my family had novels in the drawer. You know the montage in 'The Royal Tenenbaums' where each character has produced some sort of minor work? It was like having a magician in the household.
There should really not be anything gratuitous in a work of art. Sometimes what seems as if it's gratuitous may be a passage in which a character is being characterized so that the reader comes to know him or her better.
I think I had the good fortune to watch Sly the Artist [Sylvester Stallone]; to watch him in all arenas. As an actor, not many people get to see him turn that character on, they don't understand that he's playing a role.
I don't write for an audience. I write for myself. And if I imagine an audience at all, it's the characters, but I know that I would keep writing even if no one ever published me again, even if no one ever read me again.
Write with abandon and no constraints for first draft. Cut brutally and save in separate files on second draft. Add conflict; don't be afraid to make your characters suffer. Read what you love. Write what you love. Love.
I do give a great deal of forethought and zone in on character and all sorts of things like that. Never before have I just stuffed something away in the back cupboard of my brain because it was just such a crazy concept.
I think the ultimate goal is that when we're off-stage, we know everything our character is thinking. Hopefully when we are on-stage, our thoughts are our character's thoughts because we really know that much about them.
The character is what trips you up - the thing of, "I'm going to get so dark in this character that I'm going to get lost in a character." You can't get lost in a character. You can only think you're lost in a character.
That’s the problem with fiction — or the charm, if you want. Even mediocre plots have a way of sinking their hooks into you, until you find yourself concerned for the fates of characters who aren’t even fully convincing.
In school, I really felt like I didn't fit a type. I think everybody had a hard time putting me in a category. They all sort of realized, 'Hmm, you don't really look like a soprano. You're not really a character belter.'
There's a witch under this hair. The red lips are - I don't want to call them "armor," but they're the clothes of my character, and I'm in the business of entertainment. Wearing red lipstick helps get me into that world.
Without reflecting that this is the only moment in which you can study character," said the count; "on the steps of the scaffold death tears off the mask that has been worn through life, and the real visage is disclosed.
I like stories that exist both in the naturalistic world and in our imaginative lives, films are so immersive in that sense, we can explore how our characters think and dream, as well as how they exist in the real world.
I liked a lot of Tyler's character, the rebelliousness and audaciousness of it, it's like a fantasy of myself, like yeah, I'm the kind of guy who just randomly gets in fights. Yeah, I do it all the time. But, not really.
I think people are sexy when they have a sense of humor, when they are smart, when they have some sense of style, when they are kind, when they express their own opinions, when they are creative, when they have character.
I'm sorry, Mother. It's just that five days of flying with these characters has made me crawl right to the edge of sanity.' 'I fell over the edge.' Karen said. 'I jumped,' Walter added, 'And I can't seem to climb back up.
True loyalty is that quality of service that grows under adversity and expands in defeat. Any street urchin can shout applause in victory, but it takes character to stand fast in defeat. One is noise - the other, loyalty.
The only way to live in the midst of inharmonious influences is to strengthen the will power and endure all things, yet keeping fineness of character and nobility of manner together with an everlasting heart full of love.