Don't be discouraged, but know that suffering produces perseverance, perseverance brings character, and character brings hope, and this is a hope which will not disappoint us.

As a child, I always liked dressing up and getting into character, and actors are lucky in being able to retain that playfulness, though we do seem to find it hard to grow up.

I can take my wife out for a lovely evening this Friday, which is a to do. But being a good husband is not an event; it needs to be part of my nature—my character, or who I am.

When you play a non-fiction character it is more responsibility than when you are playing a fiction character because that person lived, and you do want to pay respect to that.

If the egotist is weak, his egotism is worthless. If the egotist is strong, acute, full of distinctive character, his egotism is precious, and remains a possession of the race.

Do not, however, mistake me. It is not to my good friend's heresy that I impute his honesty. On the contrary, 'tis his honesty that brought upon him the character of a heretic.

The difference there is betwixt honor and honesty seems to be chiefly the motive; the mere honest man does that from duty which the man of honor does for the sake of character.

At times it's been weird because for the first phase of my career, I've been really well-known for a character that I was so not like and a character I never anticipated doing.

And whatever our faith - whatever our faith, one belief should bind us all: The measure of our character is our willingness to give of ourselves for others and for our country.

What fascinates me as a writer is the stuff underneath, To me, what drives a novel is the curiosity behind the character and the depths that you want to find in that character.

Whatever may be the pros and cons of going to the public theatre, it is a patent fact that it has undermined the morals and ruined the character of many a youth in his country.

I was molded, spent my time underneath a lot of goo. And then the bits and pieces were sculpted. It took probably 10 days to create each character after all those camera tests.

TV is a different animal these days. You can bring together really smart writing and directing, in-depth character development and really meaty political and emotional stories.

Ingeniously plotted and executed, Print the Legend is an epic masterpiece from Craig McDonald. Beginning to end, I was riveted by this story of character, history and intrigue.

I felt audiences are happier to take comedy people who play darker people because there's a link between the psychosis of comedy and the psychosis of being a twisted character.

I prepare mentally and physically for everything I do. I like having to do both, because you submerge yourself into the character and the world and you live it until it's over.

Poindexter was a part that's in the children's theater side of me, that character actor side of me. It's probably my favorite role because nobody will let me play that anymore.

The philosophy of the common man is an old wife that gives him no pleasure, yet he cannot live without her, and resents any aspersions that strangers may cast on her character.

Whereas Schaeffer and Henry were working like samplers, their idea was to capture those sounds which couldn't be serially calibrated because they were too complex in character.

I think artificial intelligence will likely change the character of warfare, and I believe whoever masters it first will dominate on the battlefield for many, many, many years.

Socialist writers are made of sterner stuff than those who only let their characters steeplechase through trouble in order to comeout first in the happy ending of moral uplift.

I feel that my characters all have some part of my character. I feel that they're all me in some way, certainly not in individuality, but they all bear elements of what I feel.

For me, if the writing and - by extension - the subject matter and the characters are all good, it doesn't matter if it's film or TV. Each medium has great things going for it.

The idea right now - and it may evolve - would be a live-action movie where some of his characters would be animated. To me, this movie is very much about the creative process.

The character inherent in the American people has done all that has been accomplished; and it would have done somewhat more, if the government had not sometimes got in its way.

Effective leadership is the only competitive advantage that will endure. That's because leadership has two sides- what a person is character and what a person does- competence.

Russian directors, we are shooting the same streets. The same things. Tom Jacobson has a fresh eye and found very interesting and very cool locations and angles and characters.

I suppose meeting people whether it's in real life and actually shaking their flesh and blood hand or shaking the mystical hand of the character all rub off on you in some way.

I am the common man. I'm polite, I love my family and I play by the rules. And sometimes I get pushed around. That's my lifestyle, and that's what I try to bring to characters.

Writers know - especially new writers - [that] a lot of it [creative process] is the prewriting stage, the talking, brainstorming, the narrative arc and the character sketches.

I've done some TV and I've done a lot of theater, obviously, and the last character I played on Broadway was a very fast-talking broad. I'm used to learning material and words.

'Fringe' is essentially a love story, so the scenes where Walter had close connection with Peter, but also with Anna's character or Jasika's character, were very special to me.

I grew up in a conservative small town, and the gay characters I saw on TV and in movies when I was growing up were all flamboyant and obnoxious and sometimes kind of annoying.

When you think about the person responsible for creating the character and the dialogue, Bill Monahan, who's a Boston guy, obviously, his words roll off my tongue quite nicely.

I like actors who just are who they are, with a little bit of qualification to adapt to their character. But mostly they just use their own personality to embody the character.

I knew how to act and had studied acting and enjoyed it, but I'd never pushed myself to really perform as an actor, and create a role, and have the whole character's backstory.

Most of my stories are ideas in action. In other words, I get a concept, and I let it run away. I find a character to act out the idea. And then the story takes care of itself.

I suppose all fictional characters, especially in adventure or heroic fiction, at the end of the day are our dreams about ourselves. And sometimes they can be really revealing.

Man could escape danger only by renouncing adventure, by abandoning that which has given to the human condition its unique character and genius among the rest of living things.

The more especially, as in my juvenile frankness, I took some credit to myself for being so confidential and felt that I was quite the patron of my two respectful entertainers.

It's not enough to hit the notes. There is no point in the singers just standing there and sounding wonderful if they're not connecting with the characters they are portraying.

I think one of the few times I've been involved with real-life characters was the story of Marie Bonaparte. I think it's really difficult to become someone that really existed.

The end of a man's life is often compared to the winding up of a well written play, where the principal persons still act in character, whatever the fate in which they undergo.

The power of thought is the light of knowledge, the power of will is the energy of character, the power of heart is love. Reason, love and power of will are perfections of man.

To be perfectly frank: I don't write women's fiction. I write intimate, gritty, realistic, character-driven fiction that happens to be thrown into the women's fiction category.

My action follows my characters. If a character is a cop, you cannot be posing all the time, you cannot fly off the roof because it doesn't make any sense - it's not practical.

The Simpsons can go anywhere in the world and not worry about any budgetary issues. However, even when the show has had its run, I think the characters can go on in perpetuity.

She was like a heroine in a novel that she herself was writing the character kept protesting that she was too strong for love and yet the narrator went on describing her desire.

If we do not make formation in Christ the priority, then we're just going to keep on producing Christians that are indistinguishable in their character from many non-Christians.

I didn't realize House would be the central character, more the bitter comic relief appearing occasionally. I relish his wounded nature - the lameness, the scarred Byronic hero.

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