Quotes of All Topics . Occasions . Authors
I guess that in a lot of ways, my writing is more of a character to me than something that I feel personally attached to.
I was a Sedgewick without the smarts. It infused its way into me and I feel like it formed my character in a big way because of what I was exposed to.
I'm really shy with my acting when it's off, because the camera gives me an excuse to be in character, whereas otherwise I would just feel like an idiot.
I appreciate everything that happened in Sacramento. It was character building for me, continuing to go out and play hard. I feel like I progressed as a player.
I feel the need of attaining the maximum of intensity with the minimum of means. It is this which has led me to give my painting a character of even greater bareness.
In Asia, I didn't feel like I was Chloe. I felt like I was acting like someone in Asia. I was acting like Chloe Wang, a pop star, that was like a character for me, if anything.
When I read a script and have my first interaction with this character, do I feel like there's something I'm gonna' learn here? If I feel like it's something I've done before, then what's the incentive for me to do it?
I've seen some of those comments and they hurt me a little bit, saying 'This guy's a cheater.' And I feel like if you know me, you know my character, and just my person, you know that's not what I would do, not what I would ever do.
Anytime I feel squeezed into a box, I just lash out. My gut reaction is to strike. It's a different character onstage: there's a whole dark sexuality that's completely different from me. You know, I don't let anybody know who I really am.
The platform doesn't really matter to me, whether it's stage or theatre or even a web series. I just am more interested in, like, if it's a story that I would want to watch and if it's a character that I feel like I can contribute something to, then that's really what gets me.