Quotes of All Topics . Occasions . Authors
Who a dancer is physically feeds into character for me. Always has.
For me, plot always comes out of character, so I had to be sure of my characters.
I always try to find some part of a character that exists in me and plug that in.
What's always intriguing to me is transforming my subjects into a character from another era.
As an actor, I always like some tension, some distance, between me and the character I'm playing.
I've always thought a novelist only has one character, and that is himself or herself. In my case, me.
My criteria is always, 'Would I go see this movie? Is this character something I've never done? Who is the director? Do they inspire me?'
I'm always excited about stories that allow me to explore a character and create interesting stories and worlds that we haven't seen before.
Every character I've ever played, I always try to take him right to the edge and not allow him to fall over, but directors have a tendency to pull me back a little bit.
I always looked at it as, the character of Edge gives me complete free reign with no borders, where you can get away with anything, just a complete... no social qualities, no redeeming qualities whatsoever.
I always bring at least 15 to 20 percent of Tiffany to every character that I do. Like when I read 'Girls Trip,' I was like, 'Who been partying with me? Somebody been hanging out with me and done stole some stuff.'