Quotes of All Topics . Occasions . Authors
Every musician, their goal in life is to play music that people love, and I've accomplished my goal. I was inducted into the Rock and Roll Hall of Fame and left that chapter of my life and those people in the past. Good and bad, I've loved and am thankful for that chapter.
And that's how I start myself. I usually go back a couple of pages, maybe to the beginning of the chapter, and I start reading. And as I'm reading, I'm tweaking - putting in a different word, changing the syntax, putting that clause over there, you know that sort of thing.
I started writing novels by not thinking about actually writing a whole novel - that felt altogether too daunting. I thought out a rough idea, then wrote chapter by chapter, and then by the time I'd hit 40,000 words, it was a challenge just to see if I could get to the end.
Prior to 'Insidious Chapter 3,' I was happy to write movies for James Wan to direct as I felt very much that I was one half of a duo. I looked at us as a team who works together and I was happy to be part of that, I was happy to effectively be the bass player in The Beatles.
For a writer, New York works well. Literary work is very elitist. I worked two hours a day, maximum, and the time after that was very agreeable. I walked a lot with pleasure. Those two hours augmented the day. I wrote more here than in Paris, an entire chapter of a new novel.
When people start writing there is this idea that you have to get everything right first time, every sentence has to be perfect, every paragraph has to be perfect, every chapter has to be perfect, but what you're doing is not any kind of public show, until you're ready for it.
I think that if you have a knack for storytelling, and you work really hard at it, you'll have a chance to tap into something deep. But the fact remains that good sentences are hard won. Any writer worth a lick knows constructing a sentence, a paragraph, or a chapter is hard work.
You don't write a book. You write a sentence and then a paragraph and then a page and then a chapter. Looking at writing 400 plus pages or seventy thousand odd words is incredibly daunting, but if you just focus on the immediate picture - say, 500 words - it's not so overwhelming.
The retirement at WrestleMania 32 was a bittersweet moment for me. I was excited to see the next chapter of my life, which is becoming a mother, but at the same time, it was a very historical moment. It was a big part of what the Women's Division has been striving and fighting for.
When I'm deciding to read a book, I never open to the first chapter, because that's been revised and worked over 88 times. I'll just turn to the middle of the book, to the middle of a chapter, and just read a random page and I'll know right away whether this is the real deal or not.
I hit this point - I guess you'd say an end of a chapter - where I felt like I kind of did everything. I wasn't interested in music. It was a really strange feeling, and needless to say, it freaked me out a little bit. I really started to go inward and say, 'Hey, what is this about?'
My parents homeschooled my sister and me for many years. Why? Because the local school insisted that I, being three, should go to preschool, and my sister, being five, should go to kindergarten. The problem? You learn your alphabet in preschool, and I was already reading chapter books.
So much of my body changed from being pregnant. My hair got so much longer from all of the multivitamins and pregnancy vitamins, like the New Chapter's Every Woman Vitamin I've been taking - it's a lot of folic acid. I know a lot of moms cut their hair, but I just want to keep mine long.
In Ezekiel, chapter 33, verse 11, it says, that 'God has no pleasure in the person that's living in sin.' He's a loving God and he wants people to turn away from what they're living in and he'll give them life. That's the message I'm trying to share, even though it comes across as harsh.
I'm big on having a blistering pace. That's one of the hallmarks of what I do, and that's not easy. I never blow up cars and things like that, so it's something else that keeps the suspense flowing. I try not to write a chapter that isn't going to turn on the movie projector in your head.
I have a color-coded computer spreadsheet that divides things down to chapter fragments. Each character's point-of-view is a different color. The text of the manuscript is color-coded the same way. The last thing I do before submitting the manuscript is turn all those colors back to black.
While a lot of management development books try to teach you a lesson or give you a scenario of what corporate culture and work practices are about, they're theoretical and written in a sermonizing way. Most people don't get past the first chapter, and they just look nice on the bookshelf.
Midlife is a time of explosive change, when our hormones rampage and our bodies alter, forcing us into a whole new chapter of life whether we want it or not. Everyone has a moment when they realise for sure that this so-called passage of time is changing them - and perhaps not in a good way.
After I finish writing a chapter, I'll print it out, cut it up into paragraphs, and cut away any transition sentences. Then I shuffle all the paragraphs and lay them out as they come. As I arrange and hold them next to each other, very quickly a natural structure for the chapter presents itself.
A lot of people, especially performers in wrestling, feel that winning the title is the only statistic that matters, but it's always about the journey. If you don't have the people behind you, believing in you, and the start of a new chapter after winning the title, then you don't have anything.
Sometimes, a novel is like a train: the first chapter is a comfortable seat in an attractive carriage, and the narrative speeds up. But there are other sorts of trains, and other sorts of novels. They rush by in the dark; passengers framed in the lighted windows are smiling and enjoying themselves.
I once set myself a deadline: half a chapter a week, 20 minutes a day. The thought froze me instantly, like literary Botox. I returned to my non-schedule: sleeping, writing 20 minutes, and then back to sleep. Breakfast in bed, with juice congealing on the sill: pages and pages began to pour out again.
I don't take relationships too seriously, but everyone else seems to. And when you get your heart broken, it's like the end of the world. And I look at it as that was one moment in your life, one chapter. That person helped you grow and figure out what kind of person you want to be with in the future.
Write every day. Don't kill yourself. I think a lot of people think, 'I have to write a chapter a day' and they can't. They fall behind and stop doing it. But if you just write even one hundred words a day, it's not that much. By the end of a month, you'll have three thousand words, which is one chapter.
In America you can be Donald Trump, have a business go wrong, and file for Chapter 11. You can move on, and no one complains. When his casinos were in Chapter 11, he was still on TV telling people how to get rich. I had to persevere for years with easyInternet because I couldn't afford to hurt the brand.
'Kiss Land' is the story after 'Trilogy'; it's pretty much the second chapter of my life. The narrative takes place after my first flight; it's very foreign, very Asian-inspired. When people ask me, 'Why Japan?' I simply tell them it's the furthest I've ever been from home. It really is a different planet.
In the original introduction to the word meme in the last chapter of 'The Selfish Gene,' I did actually use the metaphor of a 'virus.' So when anybody talks about something going viral on the Internet, that is exactly what a meme is, and it looks as though the word has been appropriated for a subset of that.
My biggest inspiration is black America and what they've done in the arts. I have always felt like an outsider in America, and what black Americans have done to add their chapter to this book called the American dream, and to be so unapologetic and true, and have added so much to art and culture in the world.
Everything you've ever read of mine is first-draft. This is one of the peculiarities of the comics field. By the time you're working on chapter three of your masterwork, chapter one is already in print. You can't go back and suddenly decide to make this character a woman, or have this one fall out of a window.
Well I never play back my music, just so you know, it's there sitting in my drawers and what I remember is that, what I can say is that there are steps, you know, moments in my life where I know that one score was a new chapter. I can say that 'Read My Lips,' by Jacques Audiard, 'Sur Mes Levres' was a chapter.
I suppose whenever you go through periods of transition, or in a way, it's a very definite closing of a certain chapter of your life - I suppose those times are always going to be both very upsetting and also very exciting by the very nature because things are changing and you don't know what's going to happen.
I remember when I was in graduate school and someone in workshop would say, 'I'm going to bring in a chapter of my novel.' The thought that someone could think they'd write a whole long thing... I could only see twelve pages ahead. But then I realized that if you could see twelve more after that, you can start.
My favourite authors are John Grisham and Jeffrey Archer. Grisham rapidly established himself and now completely owns the legal space of fiction writing, something I want to do in financial space. I like Archer because he keeps his readers engaged: every chapter is a page turner, and he keeps his writing simple.
A lot of Christians have been taught a story that begins in chapter 3 of Genesis, instead of chapter 1. If your story doesn't begin in the beginning, but begins in chapter 3, then it starts with sin, and so the story becomes about dealing with the sin problem. So Jesus is seen as primarily dealing with our sins.
We've persevered because of a belief we share with the Iraqi people - a belief that out of the ashes of war, a new beginning could be born in this cradle of civilization. Through this remarkable chapter in the history of the United States and Iraq, we have met our responsibility. Now, it's time to turn the page.
I use these senses - touch, sight, feel and smell - as triggers that invite readers or propel them into the scene. The trick is not to make it obvious. I've written an entire chapter about this in my book, 'The Successful Novelist.' I've lectured about it extensively, but have yet to see many people pick up on it.
'Unbreakable Smile' was based off one of the songs I wrote for the album - it was actually the first song I wrote for the album without realizing it yet. I think I wanted to name the album that because it seemed like that was just the theme of that chapter in my life and just the theme of all the songs put together.
Lots of kids, including my son, have trouble making the leap from reading words or a few sentences in picture books to chapter books. Chapters are often long... 10 pages can seem like a lifetime to a young reader. Then reading becomes laborious and serious. That's why some of the chapters in my books are very short.
I remember reading 'The Grapes of Wrath' in high school in 1983. My family had immigrated to the U.S. three years before, and I had spent the better part of the first two years learning English. John Steinbeck's book was the first book I read in English where I had an 'Aha!' moment, namely in the famed turtle chapter.
I felt like my favorite writers have almost musical hooks in their work, whether it's poetry or a hook at the end of a chapter that makes you want to read the next one. And I think that my favorite writers definitely have something musical about what they do, in saying something so relatable and universal and so simple.
We opened the first Men's Wearhouse in Houston in August 1973, then a store a year for 10 years in Texas. In the early 1980s I opened a store in the San Francisco Bay Area. Within the year, the Texas economy was in total disarray. We were facing Chapter 11, and if not for the California store, we might not have survived.
I don't know if me and my dad have necessarily touched on this because we talk about Reid but not a lot. But me wrestling, I think, ultimately saved my dad's career and not only saved my life but definitely put a whole other chapter that no one saw coming because it could've been rock bottom after my brother passed away.
I can't control life for my grandchildren, so how could I control a story? Sometimes I try to force something, and after working and working on that chapter, I realise that I am swimming against the current. I will never get there. So I have to let go of whatever previous idea I had about it and let the characters decide.
I read Herman Hesse's 'Siddhartha' while I was writing 'Lord of Light' along with many other things. It seemed a good time to read it so I could see what he had to say about Buddha. In my first chapter, I was thinking in terms of the big battle scene in the 'Mahabarata.' It helped me in visualizing the battle in my novel.
The book that blew the doors off the house, grabbing me with its breathtakingly deep and irresistible view of the universe and our relation to it, was 'Intelligent Life in the Universe' by I. S. Shklovskii and Carl Sagan. I recall an enchanting all-nighter completing a college homework assignment to read the first chapter.
I begin early in the morning and edit everything I wrote the previous day. I write until mid-afternoon. My goal is to write a chapter per week, and if I am not finished by Friday, I write on the weekend. I get a lot of fan emails and answer them every day. In the late afternoon, I attend to the business of publishing, etc.
I love it when people refer to me as a singer-songwriter. I get flutters in my stomach because they say, 'This is Grace VanderWaal, singer-songwriter,' not, 'This is Grace VanderWaal, winner of 'America's Got Talent.'' I'm so proud of that; it's such a big chapter of my life. But it's nice to kind of not be known as just that.
After I quit being a lawyer in '95, I was having a lot of trouble writing. Then I read somewhere that Willa Cather read a chapter of the Bible every day before she started work. I thought, 'Okay, I'll try it.' Before each writing session, I started to read the Bible like a writer, thinking about language, character, and themes.
Just having that time alone, away from the team, just going through the progression of being healthy again with the brain work that I was doing in the hospital and building that company, all I could do is think and it just dawned on me that, hey, it's time for the next chapter of my life. I need to walk away and try something else.
I've always been someone who's really tried to live in the here and now. My memory isn't very good so maybe that's why, but it just seems like I've been living this life, my current chapter, for a really long time and I don't really remember what it was like before. It's just been sort of ingrained in me. What I deal with day to day.