Quotes of All Topics . Occasions . Authors
You know, if you read a book, once you get to chapter five and stuff starts stepping up, it doesn't mean chapters one to four didn't happen. They happened, but now we're on the next chapter, and that's how I'd like to be perceived.
When I published my first novel, 'Slammed,' I included lyrics at the beginning of each chapter from one of my favorite bands, The Avett Brothers. The overwhelmingly positive response from readers to those lyrics really surprised me.
When I was elected, I was the youngest member of the Tennessee congressional delegation; now, I'm one of the oldest. In fact, I have members of my staff who weren't even born when I took office. That tells me it's time for a new chapter.
I was very lucky to have a father who read to us when we were children. And he didn't just read books - he brought them alive. We couldn't wait for the next chapter. So my love of reading started early and has stayed with me all my life.
We can't understand what we've accomplished on civil rights without telling the story of Bayard Rustin. And now, we must write the next chapter in the American civil rights story by drawing strength and inspiration from his moral courage.
I read round the subject, I make a skeleton outline, and then I start work in the relevant archives. During the marshaling of the material, I copy the material from each archive file across to the relevant chapter in the skeleton outline.
Thousands do benefit from love, support and comfort in their final chapter: I watched my dad slip away without pain as Bob Dylan and Bruce Springsteen tracks played in a warm Marie Curie hospice, surrounded by doting nurses and his family.
IT Chapter Two' is the story of the Losers as adults 27 years later, but they go back to their memories to retrieve something that is very, very necessary. They have to remember who they were, as well as their amazing bond with each other.
Relationships are eternal. The 'separation' is another chapter in the relationship. Often, letting go of the old form of the relationship becomes a lesson in pure love much deeper than any would have learned had the couple stayed together.
I'm very lucky to go back to my old club, my old home, my old house. To start my new chapter in this second part of my life in the Premier League is going to be something happy. I have very good memories from those four years in Manchester.
During 'Stranger Things 3,' I shot 'It: Chapter Two,' so I would shoot on my days off, which was super tiring and stressful, but really rewarding at the same time. Basically, I shot 'It: Chapter Two' and 'Stranger Things 3' at the same time.
I think that after divorce, I took my life a little bit more seriously, because you have to face endings in a way that you maybe never - death in one thing, but an ending in your own chapter. It's so clearly placed there for you with divorce.
I did, one time, over the past couple years look into maybe doing a little something in a Royal Rumble, just kind of as that, so that could be my last chapter, so the last time you see me is, y'know, this little thing, and it didn't work out.
Whenever you have two characters in a book, whether it's a novel or nonfiction, you run the risk that the reader is going to like one more than the other. They're going to read one chapter and say, 'I can't wait to get back to the other guy.'
My first name - I have no middle name - was chosen by my father, as he told me, on that solitary walk in the forested hills. He selected it from a verse of the seventh chapter of Isaiah; there was no Immanuel among our ancestors known to him.
I think 'Sex and the City' is a chapter that will never close. In a wonderful way, it's always going to be an open chapter because it seems like new generations discover the show and relate to it, which is amazing, and you can't hope for that.
I sat down with a yellow legal pad and began writing 'A Time to Kill.' Had no idea what I was doing. It became, over a period of several years, a secret little hobby nobody knew about except my wife, because she was reading chapter by chapter.
I'm as much my own master as anyone can be, without being the master of others. I can write anywhere - all I need is a couple of hours of solitude and a computer, and I can write a chapter. Since my work is portable, I can live anywhere I like.
Marriage commissioners who choose not to marry homosexuals are being fired. A Knights of Columbus chapter in British Columbia is in court because it chooses not allow a lesbian group to use its facility for marriage ceremonies. The list goes on.
Writers displace their anxiety on to the tools of the trade. It's better to say that you haven't got the right pencil than to say you can't write, or to blame your computer for losing your chapter than face up to your feeling that it's better lost.
I would say a good leader brings results. A great leader writes a new story, it's different. Obviously a new story has to incorporate a lot of results. But a story is a chapter in the life of a company that people want to write and want to remember.
Being able to say something lyrically, to say something that will do more than just be words, is really hard. It's easy to do when you're writing a chapter of a book or writing poetry, but it's really hard to do when you're confined to a melody line.
You have to understand that while I pre-plot the meta story of a given book, I often have no idea of what will happen on the next page, let alone the next chapter. That's what makes it fun for me; I write the books the same way many people read them.
The novelist in me is probably hiding behind all the stories I write, looking for ways to connect them and continue the conversation with readers. Maybe I'm writing one long narrative, and each book, however different from the last, is just a chapter.
I would say that when I came into this chapter of my filmmaking career, starting with 'The Fighter,' there was this sense that you have to go from your instincts and you have to go from your gut, and you have to not hesitate and you have to not hedge.
The secret at the heart of 'The Memory Keeper's Daughter' is something everybody, except for some of the characters, knows in Chapter 1. Some of the narrative tension comes from that distance between what the readers know and what the characters know.
We kinda look at this as the second or third chapter of our lives. After college, most people figure out what they want to do with their lives. But we already know what we want to do in the future and that is to continue to further our business goals.
I have used the laws of this country just like the greatest people that you read about every day in business have used the laws of this country, the chapter laws, to do a great job for my company, for myself, for my employees, for my family, et cetera.
A black woman's handbook in this industry is, 'Whoa.' The chapter on 'Don't go there.' The chapter on 'How to say that nicely,' how to express that you don't like something so that you don't lose the opportunity - which is what we're doing all day long.
While today's fraternities are hardly the literary- and debate-inspired groups of yore, their core mission - or, at the least, their ideal core mission and the one touted loudly in their public chapter and promotional materials - remains largely unchanged.
When faced with a challenge, happy families, like happy people, just add a new chapter to their life story that shows them overcoming the hardship. This skill is particularly important for children, whose identity tends to get locked in during adolescence.
The concept of The 'Most Beautiful Moment in Life', that was chapter one for us; it feels like that because we were starting from the bottom, but on this concept, 'Love Yourself', we started to talk about some brighter things, like the real things in life.
Well fatherhood has been a joy, it's been a challenge and it certainly takes a lot of energy! You know, when I leave you start a whole new chapter of work when you come home and it really gives me a picture of what my Heavenly Father is like, looking at me.
I use New York to talk about home, but the ideas in 'Colossus' could be transferred to other cities. The story about Central Park is really about the first day of spring in any park. The Coney Island chapter is really about beaches and summer and heat waves.
Of all my childhood books, 'The Giving Tree and Hope for the Flowers' really did change my early world, but after reading 'Momo' in my 30s, I thought, Ahhhhhh, this is the one book I wish I had read as a kid! Then reread at every subsequent chapter of my life.
After preliminary research, I zero in on an idea, and then I spend at least four months exploring the topic and in plot-building. I jot down every single detail of the plot as bullet points per chapter, and only when the skeleton is complete do I start writing.
You might say presidents are drafting the first chapter of their memoirs in these seventh-year State of the Union addresses. They're trying to get the public and the media to think about their presidencies in the way that they would like to have them thought of.
I think the one thing about 'Total Divas' is that we all had to open up our lives. We all had to open up that book and show you every chapter we've been through. Then when you start comparing, you see we all have something in common. That's what made us all close.
'Girl in the City Chapter 2' will still continue to revolve around Meera Sehgal and her life, her friends, and her passion. The stark difference in 'Chapter 2' will be that all the characters have now grown up in the series - in terms of maturity if not so much age.
When the Hyderabad Chapter of TFI approached me to be a part of their Leaders in Classroom event, I readily agreed to be a part of it. It was a great classroom experience. I really enjoyed myself. The kids were very expressive and it was heartening to say the least.
There is nothing I can do to undo what I did. I can only say again how sorry I am to those I let down and then strive to go forward with a greater sense of humility and purpose, and with gratitude to those who stood with me during a very difficult chapter in my life.
In terms of age, I think I've covered about as wide a range as is possible, having written everything from picture books to early chapter books to middle grade novels to YA to one adult novel - and having been editor and lead writer for a magazine for retired people!
Actually, 2016 wasn't a good year for me, as I didn't get any wins. But I started to feel things would get better when I found out about the pregnancy. I'm very happy, this is a new chapter of my life and I'm sure I'll win and dedicate it to my daughter and my family.
To learn a piece on the piano - even a simple one - has proved every bit as agonizing as writing a chapter in a book, every bit as tedious and hopeless and halting. But this is not to say that the piano hasn't helped my writing. It has, just not in the ways I expected.
My goal as a novelist is to create smart entertainment, books that keep bright people up too late, that make them want to read just one more chapter. Books that have ideas threaded in amidst the thrilling bits, ideas that I hope linger even after people close the book.
Probably the one Bible passage that is read by Jews and Roman Catholics, Protestants, Islam, more than any other chapter is Psalm 23. And in Psalm 23 there is a verse that says, 'Surely, yea though I walk through the valley of the shadow of death, I will fear no evil.'
My poems tend to have rhetorical structures; what I mean by that is they tend to have a beginning, a middle, and an end. There tends to be an opening, as if you were reading the opening chapter of a novel. They sound like I'm initiating something, or I'm making a move.
In Victorian fiction, there would be a chapter at the end devoted to righting all of the wrongs. I thought to right all of the wrongs would be too glib. I thought it would be better to lull the reader into thinking that is the way it would work, but then not to do that.
The benefit of this kind of outlining is that you discover a story's flaws before you invest a lot of time writing the first draft, and it's almost impossible to get stuck at a difficult chapter, because you've already done the work to push through those kinds of blocks.
I started 'American Born Chinese' as a mini-comic. I would write and draw a chapter, photocopy a hundred or so copies at the corner photocopy store, and then try to sell them on consignment through local comics shops. If I could sell maybe half a dozen, I'd be doing okay.