Quotes of All Topics . Occasions . Authors
Violence and chaos were an ever-present part of the world that I grew up in. And unfortunately, it wasn't just in my family. Sometimes, you'd see, you know, Mom fighting with one of her boyfriends. But a lot of times, you'd see people exploding on each other in a local restaurant or on the street.
Writing helps me to create order out of chaos and make sense of things. It helps me to understand what I've experienced, what I've felt and seen, so it becomes a little easier to handle. On the other hand, I don't want it to be just a cathartic experience, an outpouring of grief or whatever it is.
An arc of crisis stretches along the shores of the Indian Ocean, with fragile social and political structures in a region of vital importance to us threatened with fragmentation. The resulting political chaos could well be filled by elements hostile to our values and sympathetic to our adversaries.
We have to rethink our whole energy approach, which is hard to do because we're so dependent on oil, not just for fuel but also plastic. If plastic vanished, there would be total chaos. We have to think quite carefully about using oil and its derivatives, because it's not going to be around forever.
Generally speaking, there's some quality of compulsion that attaches itself to the idea of the list. It's true that lists organise the daily chaos of working life. But the impulse to make lists has to do with something more than either administrative practicalities or the record of a creative process.
Hating Wall Street is an American tradition that dates back even to the days when Thomas Jefferson cursed that money lover Alexander Hamilton. And for centuries, the complaints about it have largely stayed the same: 'It does nothing! It creates chaos! It's a parasite that sucks hardworking Americans dry!'
Dirt has given me a really good car control ability, but it would have been an easier transition if I'd been racing pavement my whole life. But off-road has given me such a good foundation for car control when the car is loose, because the competitions are so intense - basically 30 minutes of utter chaos.
There are two worldviews in thriller writing: the paranoid view, like Chuck Logan's, that everything is inside a large clockwork. I like those books; they're intricate and thought out, but my view is that everything is chaotic and stupid. Chaos reigns, and civilized people do what they can to hold it back.
Even if these stories are 3,000 years old, there's still so much about the characters, about the dilemmas, about their understanding of the universe that still resonates. The whole idea of order and chaos, which is really central to the ancient Egyptian understanding of the world, is still very much with us.
I moved to L.A. right after I finished high school, for three years, because everybody was telling me it was important to get down there, and then I kind of just decided for myself that I didn't need to be there to be doing this. I wanted out of some of the chaos that comes with living here and being an actor.
Most moms and dads, they want to be good moms and dads. But it's an incredibly hard job when you are stressed out, when you are poor, when your life is in chaos. And giving them some of the tools to be better parents, to whittle away at that parenting gap, gives those kids a much better starting point in life.
I do think that fist-waving conversations around liberation ideologies are sort of dated - I'm not creating Barbara Kruger moments of self-actualization - what I'm trying to do is create more moments of chaos where we don't really know where we are: to destabilize; where all the rules are suspended temporarily.
The qualities that make parties such a nightmare for people - and also so pleasurable - make them incredibly important inside of fiction. There's a chaos agent quality to them: You just don't know who's going to be there or why. You could run into an old enemy, an old friend, an old friend who's become an enemy.
Opening up Atlantic and Arctic waters to drilling would lock the next generation into burning oil and gas in a way that only makes climate change that much worse, fueling ever rising seas, widening deserts, withering drought, blistering heat, raging storms, wildfires, floods and other hallmarks of climate chaos.
The chaos of two cultures merging is the best time to forge a new identity to unify people, because everyone is looking for answers and everybody's looking for leadership. That's when there's an opportunity to say, 'OK, this is what we stand for.' People aren't set in their ways because everything is up for grabs.
You feel kind of weird cheering for chaos. There is that sense that the crazier it gets, the better off we are. Before, when I was part of the American public, I was hoping for a reasonable and quick solution to the impeachment process. Now, I'm hoping for partisan bedlam and chaos. It's really what serves me best.
The ideal direction is using something like Khan Academy for every student to work at their own pace, to master concepts before moving on, and then the teacher using Khan Academy as a tool so that you can have a room of 20 or 30 kids all working on different things, but you can still kind of administrate that chaos.
When everything does seem out of control, writing fiction is a way I can order that chaos and restore some sort of meaning. I like the playful aspect of writing fiction. You know how it is when we are kids and we make up our worlds: You be this guy, and I am going to be this guy, and we are going to go slay dragons.
Architecture is always the will of the age conceived as space - nothing else. Until this simple truth is clearly recognized, the struggle over the foundation of a new architecture confident in its aims and powerful in its impact cannot be realized; until then, it is destined to remain a chaos of uncoordinated forces.
One of the things I'm trying to do over and over again in my books is create new mythologies, create new ways to understand the complexity of the world. I think what mythology does is impress upon chaotic experience the patterns, hierarchies and shapes which allow us to interpret the chaos and make fresh sense of it.
You can say, 'Well, isn't it unfortunate that chaos is represented by the feminine' - well, it might be unfortunate, but it doesn't matter, because that is how it's represented. It's been represented like that forever. And there are reasons for it. You can't change it. It's not possible. This is underneath everything.
Television has never known what to do with grief, which resists narrative: the dramas of grief are largely internal - for the bereaved, it is a chaotic, intense, episodic period, but the chaos is by and large subterranean, and easily appears static to the friendly onlooker who has absorbed the fact of loss and moved on.
When a Conservative government is presiding over unfair cuts to tax credits, chaos in the NHS and an unnecessary and ideological attack on trade union rights, it is natural that many in the Labour party should be sceptical of Tory talk on devolution - sceptical, even of government deals with Labour-led local authorities.
I get the urge people will have after Trump. 'Look at the chaos and the exhaustion: Wouldn't it be better to go back to something more stable with somebody we know?' But there's no going back to a pre-Trump universe. We can't be saying the system will be fine again just like it was. Because that's not true; it wasn't fine.
There's something about the energy and the expectations that an audience projects at you. I get up on stage and work and work, and there's chaos all around me, then I'll shut my eyes, and boom! I slot into the zone. It's like the eye of the hurricane. Everything is easy, and I'm capable of doing things I didn't know I was.
Bhagavad Gita is very relevant to modern times when you see things like global warming, climate chaos, changing weather patterns, natural disasters like hurricane Katrina, extreme poverty, economic disparities, social injustice, war, and terrorism - these are the projection of a collective consciousness that's in disarray.
I've always had a love of cards, ever since I was a little kid. I think poker, as a system, describes the chaos of the world. Our sudden reversals, our freak streaks of fortune. The belief that the next hand can save you, and the inevitable failure of the next hand to save you. I think that describes my world view pretty well.
Think about George Orwell's three-minute hate from the novel '1984' and how that left everyone sort of exhausted and able to live their boring humdrum lives. If our lives are going to continue being unfulfilled and boring, perhaps we do need some sort of short-term violent chaos incorporated into them, to make them more palatable.
The music industry the last 120 years has been insane. It's just continual chaos. So it's not unusual that something like the Internet comes around, but as one door closes another one opens, and that certainly is the case where now, artists can have a lot of control over how they display to the world, all at once, their new record.
I think the arc of history is long, and it bends toward justice. And I think that's what the 'Star Wars' message is. You know, the dark side is in the human heart. And chaos is very troubling for an individual or for a culture, which can lead you to authoritarian leaders. But the arc of history is on the right side. I believe that.
I've always said that the first season was the first act of my feature, so this is what I meant. I wanted the story of 'Mr. Robot' to be Elliot actually accomplishing his goal, setting the world into chaos. What would happen to society if something like this occurred where, basically, if the consumer-debt industry were to be erased?
I've had this theory for a while, but I think there needs to be a message with the end of 'Game of Thrones.' You know? I think what needs to happen is ice and fire are going to go to war, a huge war between those two factions, and I think, in that war, they will destroy themselves. There will be complete chaos, complete destruction.
I would have thought that I would have become one of those parents - just because it's my nature to be such a perfectionist - that anything falling short, I would have seen as a failure. But something has happened to me over the past few years - it's not Zen, believe me, I'm not at all Zen - but I'm so appreciative of even the chaos.
Gardeners may create order briefly out of chaos, but nature always gets the last word, and what it says is usually untidy by human standards. But I find all states of nature beautiful, and because I want to delight in my garden, not rule it, I just accept my yen to tame the chaos on one day and let the Japanese beetles run riot on the next.
When I make music I try to be as honest as I can to how I experience the world. Like how you arrange a piece of music formally. I tend to observe a lot of chaos or whatever, the fragmentation and melancholy. That's the filter I synthesize my world view with. If I didn't formally have that chaos and it was really linear, it would make my skin crawl.
What I should like to find is a crime the effects of which would be perpetual, even when I myself do not act, so that there would not be a single moment of my life even when I were asleep, when I was not the cause of some chaos, a chaos of such proportions that it would provoke a general corruption or a distubance so formal that even after my death its effects would still be felt.
Cities have often been compared to language: you can read a city, it's said, as you read a book. But the metaphor can be inverted. The journeys we make during the reading of a book trace out, in some way, the private spaces we inhabit. There are texts that will always be our dead-end streets; fragments that will be bridges; words that will be like the scaffolding that protects fragile constructions.
The reason why you do history, and particularly why you do war, is that you want to make sure that in the next war, some lessons were learned. There's a saying: "History doesn't repeat itself, but it does rhyme." Or Ecclesiastes: "What has been will be again. What has been done will be done again." Human nature always superimposes itself - its strength and its frailty over the rush of chaos of ongoing events - and we can perceive patterns and themes and motifs.
James Comey is gonna single-handedly get Donald Trump impeached. They can't wait. They're all beside themselves. They've got more leaks. Steve Bannon and Reince Priebus left Saudi Arabia, came back to the United States. The media says that's because they did something to make Trump mad, they're soon to be fired, both laid off, it's gotta happen, too much chaos. The administration says no, they were scheduled to come back after the big meetings that were in Riyadh, nothing to see here.
Real danger is nothing more than just living. Of course, living is merely the chaos of existence, but more than that it's a crazy mixed-up business of dismantling existence instant by instant to the point where the original chaos is restored, and taking strength from the uncertainty and the fear that chaos brings to re-create existence instant by instant. You won't find another job as dangerous as that. There isn't any fear in existence itself, or any uncertainty, but living creates it.
