Quotes of All Topics . Occasions . Authors
Working with the brand has taught me to keep it classy but also shake things up. I love that about Chanel because I get to be pretty, but I also get to ride my skateboard in Chanel.
My favourite designer is Mulberry - their bags are lovely, but their clothes are amazing, I don't think people realise. I love D&G, Fendi, Moschino, Chanel, Armani - all the classics!
Not always trainers, but if I don't have to, I don't wear high heels. It's really just if something looks good on me, I'm going to buy it. It can be Zara or Chanel... I'm going to buy it.
Various different people have inspired me throughout my career. From Francis Bacon to Vassareli, Coco Chanel to Christian Dior, Cecil Beaton, musicians, architects... the list is endless.
My real, full name is Chelsea Chanel Dudley. In my opinion, Chelsea Dudley does not sound like a rapper. So I was like, 'You know what? Imma drop both of those names and just go by Chanel.'
I love Chanel. Everything about her was personal. All of those lions she made, she handmade them. Red and green, they were her favorite colors. She kept it personal and real, and she was a woman.
When I go out, I just put on a little mascara - Chanel is my favourite - and fragrance. I actually apply fragrance right out of the shower - I spray and walk through it so it's not too overpowering.
I remember being, like, 4 and 5 and playing in my mom's closet. But also asking questions like 'Who's this?' and 'What's that?,' and my mom explaining to me, 'This is a Chanel and this is a Versace.'
My grandmother used to really love fashion, and she always had Chanel No. 5 on her dressing table, and Chanel bags. That's when I really started falling in love with the brand and fashion in general.
I can't stand having a messy purse, and it makes me anxious to watch other people dig through their messy purses (especially if it's an expensive designer bag! Don't treat your Chanel like a trash can).
I realised that in my last two bodies of work - the mural and the Chanel pieces - that I didn't use any make-up because I was changing the faces digitally, and I realised I missed make-up in a major way.
I like edgy but classic looks - like Chanel mixed with Alexander McQueen. My personal style is edgier. My closet is just black, gray, and white. I'm more comfortable in darker colors and leather jackets.
I tell you why I like Chanel so much: when I started off, no one wanted to give me clothes to wear. Absolutely no one! All the labels said, 'Who is she?' But Chanel believed in me from the very beginning.
I wear Chanel bronzer, maybe a little Laura Mercier Tinted Moisturizer Oil-Free Broad Spectrum SPF 20, and some lip balm, but that's about it. One word to describe my makeup style would have to be 'easy.'
I search for items that have history, like vintage finds - I love fur kitten-heel house slippers from the 1950s - and pieces from fashion houses that have been around for a long time, like Chanel and Dior.
I inherited some Chanel pieces from my mother. I've worn Prada - absolutely. Wonderful designers are inspiring. I also love designers not known. I love a lot of vintage pieces. I am pretty minimal, pretty classic.
One of my assistants found this old German machine. It was originally used to make underwear. Like Chanel, who started with underwear fabric - jerseys - we used the machine that made underwear to make something else.
I would like to work with brands I personally love, like Haider Ackermann, Chanel, or Off-White, to even newer brands like Rhude and A-Cold-Wall. It's easier and more organic when you know and love the brand already.
I am totally, completely, 100% in love with fashion. I would wear Chanel gowns to the grocery store if I could. I'm a huge fan of Chanel and Versace, and I actually have always dreamed of designing my own line one day.
In every single one of my purses, even my little satin clutch and my tiny Chanel bag, I always carry a lint roller. I keep them in every drawer, in every desk and nightstand. I just buy those at the dollar store in bulk.
I started very young to model in Paris when I was 18, I remember like starving myself to fit into the clothes and it was an amazing experience but you know I did shows for Valentino, Chanel, so it was really prestigious.
My mum used to work for the Chanel store in Paris, so for me, I've always been very familiar with the brand because of her. I remember when I was very, very, little, our flat had Chanel shoe boxes, makeup, and some jackets.
Shooting at Coco Chanel's apartment was an unexpectedly absorbing experience. The essence of Chanel is firmly rooted there in all of her possessions, and I truly believe that her spirit and soul still inhabit the second floor.
On the red carpet, I need to be protected. When I wear a Chanel dress, I feel like I've earned the right to be there. And Karl Lagerfeld is so poetic, such an intelligent man. I like the way he has the power to draw attention.
I studied business in school, so I worked for Chanel in marketing. And I also worked part-time in an office. So I had office jobs. And then I realized I needed to get the hell out of there, just realizing there was no fulfillment.
If I'm feeling down in the dumps, or like I need a pop of colour, I'll put on MAC's Lipstick in Lady Danger. I discovered red lipstick when I did the Oscar season: Chanel sent me one and I realised how classic and glamorous it can be.
When I opened Chanel in London, they were happy. People would go, 'Oh, I just came in to see it. It's so beautiful.' And you leave with a positive attitude toward the brand. Now, you don't really get that online. You don't go, like, 'Wow.'
When you come into a house like Saint Laurent, or Chanel, or Lanvin, and you go into a place that existed before you were born and will exist after you die, it takes some time to get in, to get to people, and to get the energy of the place.
The story of a proud Roman soldier who is sold into slavery and must fight his way back to freedom, 'Gladiator' suggests what would happen if someone made a movie of the imminent extreme-football league and shot it as if it were a Chanel commercial.
There's a lot of work that goes into it - if you think about how many collections a year that Karl Lagerfeld has to do, with Chanel and all the other things he does - you can't do that unless you are working 18 hours a day. It's really a lot of hard, hard work.
I have to be more modest now that I'm a mama, but I loved those days when I could really wear what I wanted to. I do love crazy shoes and clothes. But I mean, come on, I'm 38, so even if I like a dress of Betsey Johnson, I have to say, 'Stop it. Go for Chanel!'
My stylist told me Chanel wanted to dress me for the 'Stranger Things' premiere. It was such a big deal for me, knowing that Chanel wanted to work with me and that I was gonna go to one of my first big red carpets wearing Chanel. That was such a huge moment for me.
I've been inspired by Coco Chanel. She broke all the rules of her time when she was designing. She pretty much revolutionized the way that women dressed at the time, and in doing that, she modernized the way they looked because they could move more freely in their clothes.
Coco Chanel once said that what makes a woman look old is trying desperately to look young. Why should one be ashamed to be 84? Why do you have to say that you're 52? Nobody's going to believe you anyway, so why be such a fool? It's nice that you got to be so old. It's a blessing.
I think the first outfit that really kick-started my relationship with Chanel means a lot to me: it was a black, sort of Studio 54-inspired jumpsuit with gold stars all over it, and I wore that, and that's how my relationship with Chanel began, so, you know, it has sentimental value.
When I was a kid, I wanted a Chanel bob and bangs. My mom said no. I went to the salon anyway, and they said, 'No way - we are not going to do that to your hair.' So I did it myself. Big mistake. Instead of my bangs going down straight, they were sticking up like a cat. It was horrible.
In spite of all the skills that I do have, to relate to the normal world I have no applicable skills. I can speak Russian, I can speak French. I know about Chanel. Especially vintage Chanel. I know what Halston is. All of these things, but they can't really be applied to a nine-to-five.
Everything is groomed in Palm Beach...the lawns, the streets, and the shops are all pristine, particularly those on world-famous Worth Avenue, one of the most fabulous shopping streets in the universe, with outposts of Gucci, Chanel, Valentino, and Louis Vuitton enticing residents and visitors.
When I was older and I first started working, I was obsessed with buying my first Chanel jacket. I saved up my hard-earned money, went to Barneys, and bought a little black Chanel jacket. It saw many, many job interviews and many, many events. I'm not fitting into it lately, but I still have it.
What bothers me, I guess, is when I get these messages from girls on Twitter, and they're like, 'God, you're my idol, I really admire you.' It's like, 'Admire me for what? What have I done?' It's not that being in a Burberry campaign, or walking in a Chanel show is nothing. It's just... I know I can do more.
I feel that, historically, the Art Deco period has the most resonance for me. As a person, it has to be the plucky Clara Bow, the heroine of American silent movies of the 1920s. She embodied feminine dressing mixed with men's style. All this then evolved into the exquisite style and simplicity of Coco Chanel.
I like Chanel mascara because it has the darkest black. For my eyebrows, I brush them through to keep them groomed and in place. And for my lips, I wear lip balm. I use Kiehl's Lip Balm #1. It's really helpful during fashion week. If I keep up with these three things, I feel like I look very fresh, young, and natural.
I love St. Ives Apricot Scrub, and you can just get that at CVS - it's so good, though; it's my favorite! Usually I only use that when I shower, because if I don't shower, I'm usually too tired to wash my face and just use Maybelline cleansing wipes. And then I use Chanel Hydra Beauty Lotion. That's so good, I love it.
You can go to Graff and buy a diamond that's flawless. You aren't going to be able to buy the same diamond at Fortunoff, but it's still a diamond you can enjoy. If fashion can allow you to have the Chanel mystique through a lipstick, then why shouldn't art allow you to have that through a sweatshirt that says 'Cremaster' on it?